This book examines the causes of genetic diversity within and between populations, species formation and multiplication and the association of species in communities. It also discusses reproductive patterns in relation to the integrated control of breeding systems and chromosomes behaviour. The ideas presented link fields of biology usually treated separately, which are relevant to population genetic, cytogenetic , ecological and evolutionary studies.This revised edition includes significant advances in the fields of plant genetics and cytogenetics and a greater emphasis on long term evolutionary processes.
Invisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.
This book is the first volume of Thoroton's History of Nottinghamshire. Dr. Robert Thoroton (4 October 1623 - c. 21 November 1678) was an English antiquary, mainly remembered for his county history, The Antiquities of Nottinghamshire (1677). In 1667 Thoroton, aided by a band of helpers, began to work upon his great county history, The Antiquities of Nottinghamshire. This was published in London in 1677; it was dedicated to the eminent antiquarian William Dugdale and was illustrated by engravings by W. Hollar. It was Dugdale who had urged Thoroton to complete the work of history begun by Thoroton's father-in-law.
To measure the impact of a minister's preaching, one must first examine the societal context in which the ministry took place. For example, what would lead a minister of the Gospel to roar from the pulpit, as did Joseph Parker of City Temple, London, "God damn the Sultan!" The first section of The Golden Age of Preaching is given to the study of the times in which nine prominent British preachers ministered. Understanding the times helps one to comprehend why crowds flocked to hear these men preach, and why their sermons were printed in newspapers on Monday. Furthermore, to assess the preaching of a man, one needs to take into account the life and manner of the man himself. The Men Who Moved the Masses includes biographical sketches of nine selected preachers: Alexander McLaren, Robert William Dale, Henry Parry Liddon at St. Paul's London, Joseph Parker, Charles Haddon Spurgeon, Alexander Whyte, Frederick Brotherton Meyer, John Henry Jowett, and George Campbell Morgan. These were men, though hampered by various medical problems and personality shortcomings, who led thousands to faith in their day. The final section attempts to answer the question, "Why?" by identifying those homiletical characteristics of their preaching which they had in common, resulting in such uncommon impact upon the masses. Those qualities are not confined to their era alone. They are perpetual, applicable to any age, to any culture. Preachers and seminarians who dare to sit at the feet and learn from these preaching giants of the past will find their own preaching power lifted onto a new plain to the benefit of all who hear them.
Robert Morris' story unfolds explosively on August 2, 1990 as Saddam unleashes his rapacious Republican Guards on Kuwait. Escaping an early capture by Iraqi soldiers, the ex-naval officer and Vietnam veteran went into deep hiding in the heart of occupied Kuwait City. For 130 days, Morris and his fellow fugitives led lives of "quiet desperation" to evade the Iraqis. Only yards from headquarters, the groups set up strict rules to avoid capture in the endless round-ups. They were filled with horrific reports of rape, murder, and capture of friends. In time, the group was riven by fear and isolation, experiencing paranoia and claustrophobia. Who among them would flip first? Go berserk? Betray them? Morris' tale is replete with strife, suffering and perilous encounters, and the proof how one can overcome desperate adversity to achieve a moral victory. How he effected his escape only adds to the drama. Jacket Design by Carol Calabro Jacket Photograph by Patricia Morris
As Mary Hammond observes in her wide-ranging publishing history of the novel, Great Expectations' life has extended far beyond the literary Anglophone world and owes a great deal to a particular moment in the mid-Victorian publishing industry. Her book features an exhaustive survey of the novel's different appearances in serial, book and dramatic form and is enhanced by appendices with archival information, contemporary reviews and a comprehensive bibliography of editions and adaptations.
The Old-French Chanson d'Antioche has long intrigued historians and literary scholars. Unusually among epic poems, it follows closely a well documented historical event – the First Crusade – and appears to include substantial and genuine historical content. At one time it was believed to be based on an account by an eye-witness, 'Richard the Pilgrim'. Carol Sweetenham and Susan Edgington have combined forces to investigate such claims, and their findings are set out in a comprehensive introduction which, firstly, examines the textual history of the poem from its possible oral beginnings through several re-workings to its present form, achieved early in the thirteenth century. A second chapter assesses the Chanson's value as a source for the crusade, and a third considers its status as a literary text. A complete prose translation follows, the first in English and based on the definitive edition. The Chanson is revealed as a lively narrative, with tales of chivalry, villainy, and even episodes of humour. There are extensive footnotes to the translation, and an appendix provides supplementary material from a different manuscript tradition. There is also a cast list of heroes and villains with biographical information for the 'real' ones and literary analogues for the fictional characters. The Chanson d'Antioche can now be read for enjoyment, and for a whole new perspective on crusading in the twelfth and thirteenth centuries.
Drawing upon private papers, letters, financial records, diaries and memoirs, this book revisits the Monmouth Rebellion of 1685 to assess the militia’s performance in helping to defeat the ‘pitchfork rebellion’. The study sets a benchmark for what could have been realistically expected of these part-time soldiers, and then sets this against the actual tasks that were asked of it. The results that emerge from this exercise paint a very different picture of the militia’s role in the rebellion than has hitherto been accepted by historians.
A New York Times Book Review Editors' Choice. The Sunday Times (U.K.) Classical Music Book of 2018 and one of The Economist's Best Books of 2018. "A magisterial portrait." --Corinna da Fonseca-Wollheim, The New York Times Book Review A landmark biography of the Polish composer by a leading authority on Chopin and his time Based on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker’s monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker’s work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin’s childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin’s romantic life with George Sand, with whom he lived for nine years. Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century’s most confounding, beloved, and legendary artists.
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered light-hearted, romantic entertainment, only to suffer a sinister transformation as England awaited its ageing queen's demise. The disguised royal had become a dangerously voyeuristic political entity by the time James assumed the throne. Traditional critical perspectives also disregard contemporary theatrical competition. Market demands shaped the repertories. Rivalry among playing companies guaranteed the motif's ongoing vitality. The disguised ruler's presence in a play reassured audiences; it also facilitated a subversive exploration of contemporary social and political issues. Gradually, the disguised ruler's dramatic currency faded, but the figure remained vibrant as an object of parody until the playhouses closed in the 1640s.
This book challenges traditional approaches to heritage interpretation and offers an alternative theoretical architecture to the current research and practice. Russell Staiff suggests that the dialogue between visitors and heritage places has been too focused on learning outcomes, and so heritage interpretation has become dominated by psychology and educational theory, and over-reliant on outdated thinking. Using his background as an art historian and experience teaching heritage and tourism courses, Russell Staiff weaves personal observation with theory in an engaging and lively way. He recognizes that the 'digital revolution' has changed forever the way that people interact with their environment and that a new approach is needed.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.