Dilemmas of Internationalism is a new political history of the 1940s which charts and analyses the efforts of private internationalists to define US internationalism and promote the establishment of the United Nations. Internationalists hoped that the United States would shake off the fear of entangling alliances that had characterised the nation's history, replacing isolationism and unilateralism with a new, involved and multilateral approach to foreign affairs. During and after World War II, a number of private individuals and organisations were at the forefront of the fight to change the nature of US foreign policy. This book focuses in particular on the most important internationalist organisation: the American Association for the United Nations (AAUN), known as the League of Nations Association through 1944. It situates the AAUN in the vast network of private organisations promoting an internationalist foreign policy during and after World War II, and analyses the connections between the AAUN and the US government and key public figures who proposed a more internationalist foreign policy. One of the most innovative aspects of Dilemmas of Internationalism is its focus on state-private interaction with regard to defining internationalism. Most previous works on wartime internationalism neglect considerations of state-private interaction, or fail to significantly develop them. The study also acts as a corrective to the general neglect of state-private interaction during this period, turning attention away from the common focus on the Cold War to the crucial phase during and immediately after World War II. Beginning with the US entry into the War, this study continues through the onset of the Cold War to early 1948, ending with the passing of the Marshall Plan. By 1948, the path of US internationalism appeared firmly fixed by a Cold War framework, but in 1941, US entry into the Second World War offered the opportunity to develop a more multilateral approach to foreign affairs, and create a more just and peaceful world. This book is a much-needed history of the attempt to seize that opportunity.
Collectivistic Religions draws upon empirical studies of Christianity in Europe to address questions of religion and collective identity, religion and nationalism, religion and public life, and religion and conflict. It moves beyond the attempts to tackle such questions in terms of 'choice' and 'religious nationalism' by introducing the notion of 'collectivistic religions' to contemporary debates surrounding public religions. Using a comparison of several case studies, this book challenges the modernist bias in understanding of collectivistic religions as reducible to national identities. A significant contribution to both the study of religious change in contemporary Europe and the theoretical debates that surround religion and secularization, it will be of key interest to scholars across a range of disciplines, including sociology, political science, religious studies, and geography.
While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, ‘Imag(in)ing Greece’, shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, ‘Photographic narratives, alternative histories’, demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, ‘Photographic matter-realities’, foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, ‘Photographic ethnographies’, has an overtly anthropological focus and theorises the contexts of photographs’ inception and dissemination, discussing at the same time vernacular and popular readings and deployments of photography, and the ways through which it inscribes itself in collective memory.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.