Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou’s work performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas… demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
Digital Poetics celebrates the architectural design exuberance made possible by new digital modelling techniques and fabrication technologies. By presenting an unconventional and original ‘humanistic’ theory of CAD (computer-aided design), the author suggests that beyond the generation of innovative engineering forms, digital design has the potential to affect the wider complex cultural landscape of today in profound ways. The book is linked to a website, which contains a larger selection of images of some featured projects.
Architectural discourse is dominated by a false dichotomy between design and chance, and governed by the belief that the architect’s role is to defend against the indeterminate, this book challenges this position, arguing for the need to develop a more creative and spatial understanding of chance as experience, critical agency and a design practice in its own right. Architectures of Chance makes illuminating reading for those interested in aesthetic knowledge, design and its limits, and the poetics and ethics of chance and space in the overlapping fields of architecture and the aleatoric arts.
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