Torrance's vision of Theosis (deification/divinisation) is explored through his doctrine of creation and anthropology, his characterisation of the incarnation, his accounts of reconciliation and union with Christ, and his theology of church and sacraments. Myk Habets' study distinguishes Torrance's Reformed vision of theosis from other possible accounts of salvation as divinisation as they are found, for instance, within patristic thought and Eastern Orthodoxy. This book presents the first critique of the theology of T.F.Torrance to focus on theosis, and examines a model of theosis within the realm of reformed theology built upon Western theology.
This book weaves together an interpretation of Christian Scripture with a conversation between Colin Gunton and Dietrich Bonhoeffer concerning the role the Holy Spirit plays in shaping the person and work of Christ. The result is a theological description of human personhood grounded in a sustained engagement with, and critique of, Gunton's theological description of particularity - a topic central to all his thinking. In the course of the conversation with Bonhoeffer the book also offers one of few broad assessments of his work as a systematic theologian. In bringing together the work of two important modern theologians, this book explores both the possibilities of theology generated from Christian Scripture and the central importance of the doctrines of Christ and the Trinity in understanding what it means to declare someone or something unique.
This book emphasizes the integral connections between imagination, creativity, and spirituality and their role in healing. First, the author highlights the work of a neglected yet important psychoanalyst, Marion Milner - a painter and undeclared mystic - expanding her work on creativity, mysticism, and mental health. Second, she explores imagination and creativity as expressed in fostering hope and in spiritually-oriented therapies, particularly for mood, anxiety, and eating disorders - offering practical application of studies in imagination and the arts. Raab Mayo concludes that both creativity and the potential for transcendence are inherent in the human psyche and can work as allies in the process of recovery from mental illness.
This study builds upon recent scholarship exploring the significance of the Old Testament covenant metaphor in the Johannine writings. By examining the Gospel of John as a whole through a narrative lens and focusing on several key dialogues, the author sheds light on the dialogical nature of the revelatory process and the central role of covenant for the Fourth Evangelist. Also incorporating recent scholarship that suggests the evangelist understood himself to be writing Scripture based upon fulfillment language present in summary statements across the Gospel, and demonstrating a relationship between the Fourth Gospel and ancient drama that renders speech as action, this work attempts to construct a new paradigm for reading John against the background of the Old Testament covenant metaphor. The claim is twofold: the Johannine story of Jesus Christ is a carefully crafted literary treatise theologically underpinned by discourse on covenant and Scripture, and the Fourth Evangelist provides catechesis to a believing community on the nature of its faith in the God of Israel's ongoing covenant with the created order. By grasping the theological fabric of the evangelist, the richness of the dialogue and imagery of his Gospel is allowed to have its full voice in terms of covenant fulfillment and the ongoing commitment of God to a believing people.
In fulfilling the long-awaited need for a constructive and critical rethinking of Dalit theology this book offers and explores the synoptic healing stories as a relevant biblical paradigm for Dalit theology in order to help redress the lacuna between Dalit theology and the social practice of the Indian Church. Peniel Rajkumar's starting point is that the growing influence of Dalit theology in academic circles is incompatible with the praxis of the Indian Church which continues to be passive in its attitude towards the oppression of the Dalits both within and outside the Church. The theological reasons for this lacuna between Dalit theology and the Church's praxis, Rajkumar suggests, lie in the content of Dalit theology, especially the biblical paradigms explored, which do not offer adequate scope for engagement in praxis.
The doctrine of the Trinity poses a series of problems for feminist theology. At a basic level, the androcentric nature of trinitarian language serves to promote the male as more fully in the image of God and as the archetype of humanity, pushing women to the margins of personhood. It is no surprise then that feminist scholarship on this doctrine has often focused on what's wrong with the Trinity, setting out the problems raised by the use of traditional androcentric trinitarian language. This book brings together a discussion of feminist theological methodology with a critical exploration of the doctrine of the Trinity. Focussing on what's right with the Trinity as opposed to what's wrong with the Trinity, it considers the usefulness of this doctrine for feminist theology today. It replaces a stress on trinitarian language with an emphasis on trinitarian thought, exploring how we might effectively think rather than speak God in light of feminist concerns. In particular, it asks how a trinitarian understanding of God might support, and be supported by, key values which underpin a feminist way of doing theology, specifically values which underpin the methodological use of women's experience in feminist theology. The central argument is that thinking God as Trinity need not serve to reinforce patriarchal values and ideals but may in fact promote the subjectivity and personhood of women.
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Torrance's vision of Theosis (deification/divinisation) is explored through his doctrine of creation and anthropology, his characterisation of the incarnation, his accounts of reconciliation and union with Christ, and his theology of church and sacraments. Myk Habets' study distinguishes Torrance's Reformed vision of theosis from other possible accounts of salvation as divinisation as they are found, for instance, within patristic thought and Eastern Orthodoxy. This book presents the first critique of the theology of T.F.Torrance to focus on theosis, and examines a model of theosis within the realm of reformed theology built upon Western theology.
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