Originally published in 1912, this extremely rare early work on the Great Dane is much sought after. VINTAGE DOG BOOKS have republished it, using the original text and photographs, as part of their CLASSIC BREED BOOKS series. The author was a highly respected breeder of the day and book's 222 pages cover all aspects of the Great Dane. It starts with the history of the breed and moves on to discuss buying, breeding, feeding and showing amongst many other topics. It also features over 50 photographs of champion Great Danes of the Day. This is a fascinating read for any great Dane afficionado or historian of the breed but also contains much information that is still useful and practical today. Many of the earliest dog breed books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. VINTAGE DOG BOOKS are reprinting these classic works in affordable, high quality, modern editions, using the original text and artwork. CHAPTERS: I: HISTORY II: BREEDING PRINCIPLES III: THE MAIN BREEDING POINTS IV: DESIRABLE POINTS, AND DEFECTS V: MATING, WHELPING AND REARING VI: CLUBS AND STANDARD OF POINTS VII: GREAT DANE TYPE VIII. COLOUR BREEDING IX. FEEDING X. KENNELS AND EXERCISE XI. CHARACTER AND ANECDOTES XII. COMMONER AILMENTS OF GREAT DANES XIII. SHOWS AND SHOWING
How and to what extent did women writers shape and inform the aesthetics of Romanticism? Were undervalued genres such as the romance, gothic fiction, the tale, and the sentimental and philosophical novel part of a revolution leading to newer, more democratic models of taste? Fiona Price takes up these important questions in her wide-ranging study of women's prose writing during an extended Romantic period. While she offers a re-evaluation of major women writers such as Mary Wollstonecraft, Maria Edgeworth, Ann Radcliffe and Charlotte Smith, Price also places emphasis on less well-known figures, including Joanna Baillie, Anna Letitia Barbauld, Elizabeth Hamilton and Priscilla Wakefield. The revolution in taste occasioned by their writing, she argues, was not only aesthetic but, following in the wake of British debates on the French Revolution, politically charged. Her book departs from previous studies of aesthetics that emphasize the differences between male and female writers or focus on higher status literary forms such as the treatise. In demonstrating that women writers' discussion of taste can be understood as an intervention at the most fundamental level of political involvement, Price advances our understanding of Romantic aesthetics.
Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.
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