Interdisciplinary in scope, this book constitutes the first overview of the development of early modern papal funeral apparati, the temporary decorations used during the funeral masses in St Peter’s. Drawing from a range of unpublished sources, the author shows how the papal apparati functioned within the funerary liturgy and how the apparati compared to those of cardinals and princes on the stages of early modern Rome, Theatre of the World.
This revisionary study provides a new interpretation of objects and images commissioned by Louis XIV (1638–1715) to document his reign for posterity. Robert Wellington uncovers a numismatic sensibility throughout the iconography of Louis XIV. He looks beyond the standard political reading of the works of art made to document the Sun King’s history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand siècle.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.