Australian by birth but a longtime resident of Great Britain, David Lumsdaine (b.1931) is central to both Australian and British modernism. During the early 1970s Australian musical modernism was at its height. Lumsdaine and his Australian contemporaries were engaged with practices from multiple places, producing music that displays the attributes of their disparate influences; in so doing they formed a new conception of what it meant to be an Australian composer. The period is similarly important in Britain, for it saw the rise to prominence of composers such as Birtwistle, Davies, Goehr, Gilbert, Wood, Cardew and many others who were Lumsdaine's contemporaries, colleagues and friends. Hooper presents here a series of analyses of Lumsdaine's compositions, focusing on works written between 1966 and 1980. At the early end of this period is Kelly Ground, for solo piano. One of Lumsdaine's first acknowledged works, Kelly Ground connects explicitly with the music of high modernism, employing ideas about temporality as espoused by Ligeti, Stockhausen and Boulez, to form a new ritual for the (now mythical) Australian outlaw Ned Kelly. Hooper places Lumsdaine's music in the context of Australian and British avant-gardes, and reveals its elegance, lyricism and technical virtuosity.
Journey with Dr. Thomas O. Edwards as he migrates from an early education in the segregated South to earning a doctoral degree from a prestigious university and prospering with an illustrious academic career. He also travels to many parts of the world, starting as a youth, for humanitarian, educational, and professional purposes. In these visits, you will share his descriptions of various exotic localities; his intimate interactions with traveling companions, students and colleagues; his insightful observations of individuals from the host countries; and his scholarly presentations of research and academic discourses. Reading Dr. Edwards memoir will give you the opportunity to interact with an engaging personality while simultaneously broadening your knowledge intellectually and globally.
Firstly, the objective of that research was to assess the actions of the Civil Rights and the Progressive National Baptist Convention, Inc. (PNBC) movements. Based on 37 returns to a questionnaire of 39 reduced to 24 identified key criteria e-mailed to 158 persons across the country with forwarding permission, 92% of the respondents indicated that they either agreed or strongly agreed that the actions of the Civil Rights and PNBC movements were inspired of/by God. Additionally, this research identified some serious concerns and issues that each movement (mainly PNBC) has to address if each will continue to exist/survive. Secondly, the objective of that research was to document our history through our struggles, through our pains and gains, through our good times and bad times, through the ups and the downs; in other words, good, bad, or indifferent, it is what it is, our story (his-story, not their-story). Rev. Dr. Herbert D. Daughtry, Sr. constantly admonished us to make history, to interpret history, and to record history (or something to that effect and not necessarily in that order). When we do not do it ourselves in an accurate, precise, truthful, etc. manner, then others will tell their story, which (nine out of ten times) usually is not accurate, precise, truthful, etc. The old prophet acclaimed: "And the LORD answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it." (Habakkuk 2:2) Thirdly (and lastly), the objective of that research was to share information that we do not want to be locked in our minds only to take it to the so-called grave. Many persons who were super-knowledgeable (as I define it) about so many things that could have blessed the world took that super-valuable information to the grave - what a tremendous lost!!! As an aside, the lost is on multiple levels. Level one, we lost them. Level two, we lost what they did not share with us while they were alive. Level three, we lost the value of that buried information. (That is, someone could have taken that information and transformed it to new information. For example, Dr. Gabriel A. Oyibo solved the Unified Field Theorem that Albert Einstein did not live long enough to solve. So many things evolved from solving that equation. Just think: what would have happened to those many things that evolved from solving that equation if Dr. Oyibo would not have solved that theorem? All those many things that evolved from solving that equation would not be in existence. Level four, those persons who took from those many things that evolved from solving that equation and incorporated that value into what they were doing. Etc. etc. etc. The number of these levels conceivably and theoretically approaches infinity. That is, there is no end to the theoretical lost when just one person does not bless the world with their knowledge, wisdom, and understanding.
The symphony retained its primacy as the most prestigious large-scale orchestral form throughout the first half of the twentieth century, particularly in Britain, Russia and the United States. Likewise, Australian composers produced a steady stream of symphonies throughout the period from Federation (1901) through to the end of the 1950s. Stylistically, these works ranged from essays in late nineteenth-century romanticism, twentieth-century nationalism, neo-classicism and near-atonality. Australian symphonies were most prolific during the 1950s, with 36 local entries in the 1951 Commonwealth Jubilee Symphony competition. This extensive repertoire was overshadowed by the emergence of a new generation of composers and critics during the 1960s who tended to regard older Australian music as old-fashioned and derivative. The Australian Symphony from Federation to 1960 is the first study of this neglected genre and has four aims: firstly, to show the development of symphonic composition in Australia from Federation to 1960; secondly, to highlight the achievement of the main composers who wrote symphonies; thirdly, to advocate the restoration and revival of this repertory; and, lastly, to take a step towards a recasting of the narrative of Australian concert music from Federation to the present. In particular, symphonies by Marshall-Hall, Hart, Bainton, Hughes, Le Gallienne and Morgan emerge as works of particular note.
Find your next favorite Beginner Book in this supersized story collection from Dr. Seuss! The only thing better than a Dr. Seuss book is six of them in one! The easy words, engaging rhymes, and bright art in this collection can turn any kid into a reader. All in on one colorful, sturdy hardcover package, the stories featured include The Shape of Me and Other Stuff; Marvin K. Mooney Will You Please Go Now!; Ten Apples Up On Top (illustrated by Roy McKie), In a People House (illustrated by Roy McKie); Hooper Humperdink...? Not Him! (illustrated by Scott Nash); and Because a Little Bug Went Ka-Choo! (illustrated by Michael Frith). Ideal for starting a child's library, this collection will whet young readers appetites for additional books in the Beginner Book series--and help nourish a lifelong love of reading! Originally created by Dr. Seuss himself, Beginner Books are fun, funny, and easy to read. These unjacketed hardcover early readers encourage children to read all on their own, using simple words and illustrations. Smaller than the classic large format Seuss picture books like The Lorax and Oh, The Places You’ll Go!, these portable packages are perfect for practicing readers ages 3-7, and lucky parents too!
The British Folk Revival is the very first historical and theoretical work to consider the post-war folk revival in Britain from a popular music studies perspective. Michael Brocken provides a historical narrative of the folk revival from the 1940s up until the 1990s, beginning with the emergence of the revival from within and around the left-wing movements of the 1940s and 1950s. Key figures and organizations such as the Workers' Music Association, the BBC, the English Folk Dance and Song Society, A.L. Lloyd and Ewan MacColl are examined closely. By looking at the work of British Communist Party splinter groups it is possible to see the refraction of folk music as a political tool. Brocken openly challenges folk historicity and internal narrative by discussing the convergence of folk and pop during the 1950s and 1960s. The significant development of the folk/rock hybrid is considered alongside 'class', 'Americana', radio and the strength of pop culture. Brocken shows how the dichotomy of artistic (natural) versus industry (mass-produced) music since the 1970s has led to a fragmentation and constriction of the folk revival. The study concludes with a look at the upsurge of the folk music industry, the growth of festivals and the implications of the Internet for the British folk revival. Brocken suggests the way forward should involve an acknowledgement that folk music is not superior to but is, in fact, a form of popular music. The book will create lively debate among the folk music fraternity and popular music scholars, as well as folklorists and ethnomusicologists. A unique discography and history of the Topic Record label is also included.
Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.
King John’s evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare’s portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare’s portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John’s transformation in cultural memory has never been told completely, perhaps because the crucial moment in John’s change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John’s character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John’s second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man’s money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral’s Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic’s analysis of the playtexts’ source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation’s cultural memory.
Focusing on works by Derek Walcott, Les Murray, Anne Carson, and Bernardine Evaristo, Katharine Burkitt investigates the relationship between literary form and textual politics in postcolonial narrative poems and verse-novels. Burkitt argues that these works disrupt and undermine the traditions of particular forms and genres, and most notably the expectations attached to the prose novel, poetry, and epic. This subversion of form, Burkitt argues, is an important aspect of the texts' postcoloniality as they locate themselves critically in relation to literary convention, and they are all concerned with matters of social, racial, and national identities in a world where these categories are inherently complicated. In addition, the awareness of epic tradition in these texts unites them as 'post-epics', in that as they reuse the myths and motifs of a variety of epics, they question the status of the form, demonstrate it to be inherently malleable, and regenerate its stories for the contemporary world. As she examines the ways in which postcolonial texts rewrite the traditions of classical epics for the twentieth and twenty-first centuries, Burkitt ties close textual analysis to a critical intervention in the politics of form.
Australia’s Nuclear Policy develops a holistic conception of ‘nuclear policy’ that extends across the three distinct but related spheres - strategic, economic and normative - that have arisen from the basic ‘dual-use’ dilemma of nuclear technology. Existing scholarship on Australia’s nuclear policy has generally grappled with each of these spheres in isolation. In a fresh evaluation of the field, the authors investigate the broader aims of Australian nuclear policy and detail how successive Australian governments have engaged with nuclear issues since 1945.
Contemporary culture is rediscovering the importance of beauty for both social transformation and personal happiness. Theologians have sought, in their varied ways, to demonstrate how God's beauty is associated with notions of truth and goodness. This book breaks new ground by suggesting that liturgy is the means par excellence by which an experience of beauty is communicated. Drawing from both secular and religious understandings, in particular the mystical and apophatic tradition, the book demonstrates how liturgy has the potential to achieve the one ultimately reliable form of beauty because its embodied components are able to reflect the disturbing beauty of the One to whom worship is always offered. Such components rely on understanding the aesthetic dynamics upon which liturgy relies. This book draws from a broad range of disciplines concerned with understanding beauty and self-transformation and concludes that while secular utopian forms have much to contribute to ethical transformation, they ultimately fail since they lack the Christological and eschatological framework needed, which liturgy alone provides.
In For Time and Forever, Dr. Henry Morris inspires Christians to find and fulfill their purpose in "Redeeming the time because the days are evil." (Ephesians 5:16)Your vital role in God's wonderful plan for the earth is clearly presented in the Bible's Dominion Mandate found in Genesis 1:26-28 and the Great Commission. Bible scholar and creation research scientist, Dr. Morris invites you to see your life calling in the care of God's creation - the earth and its people. Discover how careful stewardship of your talents and opportunities has personal, national and perhaps even global impact.Why do so many people struggle to know their God-given purpose? Dr. Morris reveals how the religion of evolution and its attack on the authority of the Bible impacts our purpose and passion.
Lucy Pearson’s lively and engaging book examines British children’s literature during the period widely regarded as a ‘second golden age’. Drawing extensively on archival material, Pearson investigates the practical and ideological factors that shaped ideas of ‘good’ children’s literature in Britain, with particular attention to children’s book publishing. Pearson begins with a critical overview of the discourse surrounding children’s literature during the 1960s and 1970s, summarizing the main critical debates in the context of the broader social conversation that took place around children and childhood. The contributions of publishing houses, large and small, to changing ideas about children’s literature become apparent as Pearson explores the careers of two enormously influential children’s editors: Kaye Webb of Puffin Books and Aidan Chambers of Topliner Macmillan. Brilliant as an innovator of highly successful marketing strategies, Webb played a key role in defining what were, in her words, ‘the best in children’s books’, while Chambers’ work as an editor and critic illustrates the pioneering nature of children's publishing during this period. Pearson shows that social investment was a central factor in the formation of this golden age, and identifies its legacies in the modern publishing industry, both positive and negative.
This groundbreaking series of essays offers new insights into Turkish cultures both past and present. Moving beyond the traditional binaries of east/west, Islam/secularism, and Europe/Asia, the book contains a variety of perspectives on contemporary Turkey, from actors, directors, critics and other major cultural figures. The book tries to situate these opinions in context by looking at how such perspectives are employed in different cultural spheres—education, theatre, politics and the like. Exploring Turkish Cultures contains the first major interviews published in English with prominent public figures, including actors Türkân Şoray, Genco Erkal and Nesrin Kazankaya. Other figures interviewed include film directors Derviş Zaim and documentary filmmakers Ben Hopkins, Pelin Esmer and Özgür Doğan. An extended interview with the author, translator and academic Talât Halman rounds off the interview section. Complementing these interviews are a series of essays on major Turkish films and theatrical productions, both past and present. Combining historical analysis, comment and evaluation from an author who has spent two decades living in Turkey, Exploring Turkish Cultures represents a major contribution to contemporary Turkish studies.
Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.
Biodiversity is a vast arena in the sphere of life dealing with many living organisms of botanical and zoological origin and also microbes. Though majority of the research and studies of the biodiversity focus on the macroscopic organisms, but the economic importance of the microbial species present in biosphere cannot be neglected due to its huge importance in ecology as well as pathology. Moreover, air born microbes are also significant as potential pathogens of different diseases. From the beginning of the twenty‐first century, it has become evident that the loss of biodiversity are posing threat, mainly due to loss of forest plants and also extinction of many animals and birds. This also results in the biodiversity loss in a broad sense due to environmental pollution, global warming, human negligence and associated hazards.
This book examines the struggle for Protestant consensus and unity through the work of John a Lasco (1499–1560). It is only in recent years that scholars have begun to recognize the importance of Lasco as one of the leading figures of the European Reformation, and a pivotal figure between Lutheran and Reformed theologians. The Polish reformer was among the most dynamic church organizers of the sixteenth century, dedicated to healing the divisions among evangelicals and searching for the key to Protestant unity in the example of the Apostolic Church. It was to this end that he published the Forma ac ratio in 1555, a work that recorded the rites and practices of the London Strangers' Church (of which he had been the first superintendent) and to provide a model for uniting the disparate Protestant communities on the Continent. Although some recent works have focused on aspects of Lasco's early career in Germany and England, this is the first book to provide a comprehensive analysis of the Forma ac ratio, and the reformer's reasons for writing it. This study also puts Lasco's distinct model for Protestant churches into the wider European context and assesses his impact on the struggle for unity through an examination of his correspondence, the reaction to his writings, and his influence on Protestant congregations across Europe.
Why have the early years of the 21st century seen increasing use of emergency-type powers or claims of supra-legal executive authority, particularly by the Western countries regarded as the world's leading democracies, notably the United States? This book examines the extraordinary range of executive and prerogative powers, emergency legislation, martial law provisos and indemnities in countries with English-derived legal systems, primarily the UK, the US and Australia. The author challenges attempts by legal and academic theorists to relativise, rationalise, legitimise or propose supposedly safe limits for the use of emergency powers, especially since the September 2001 terrorist attacks. This volume also considers why the reputation of Carl Schmitt, the best-known champion of 'exceptional' dictatorial powers during the post-1919 Weimer Republic in Germany, and who later enthusiastically served and sanctified the Nazi dictatorship, is being rehabilitated, and examines why his totalitarian doctrines are thought to be of relevance to modern society. This diverse book will be of importance to politicians, the media, the legal profession, as well as academics and students of law, humanities and politics.
America, Britain and the Cyprus Crisis of 1974 examines recently released and declassified British and American government documents, in order to scrutinize the roles played by both of these countries during the Cyprus crisis of 1974. It evaluates British and American aims towards Cyprus, analysing in particular the roles played by British Foreign Secretary James Callaghan and US Secretary of State Dr. Henry Kissinger, and their respective relationships with the Cypriot, Greek and Turkish governments. Also, the book considers Whitehall and Washington's responses to the Greek military coup, the Turkish invasion, the two Geneva conferences on Cyprus and the second, consolidatory, phase of the Turkish invasion. Ultimately, the book seeks to ascertain whether there exists any credible evidence to support the belief that Britain and/or America were complicit in the coup against President Makarios as well as whether they colluded with Ankara in her subsequent partition of the island.
Drawing from unique source material in the Lambeth Palace Library archives and reproducing many original writings of Ramsey for the first time, Webster explores key questions which surround Ramsey’s tenure. How did Ramsey react to the rapid hollowing-out of the regular constituency of the church whilst at the same time seeing sweeping changes in the manner in which the church tried to minister to those members? What was his role in the widening of the church's global vision, and how did the nature of the role of archbishop as figurehead change in this period?
Numerous states have passed gender integration legislation permanently admitting women into their military forces. As a result, these states have dramatically increased women’s numbers, and improved gender equality by removing a number of restrictions. Why do states abandon their policies of exclusion and promote gender integration in a way that women’s military participation becomes an integral part of military force? By examining twenty-four NATO member states, this book argues that civilian policymakers and military leadership no longer surrender to parochial gendered division of the roles, but rather support integration to meet the recruitment numbers due to military modernization, professionalization and technological advancements.
Taking Robert Post's seminal article 'The Social Foundations of Reputation and the Constitution' as a starting point, this volume examines how the concept of reputation changes to reflect social, political, economic, cultural and technological developments. It suggests that the value of a good reputation is not immutable and analyzes the history and doctrines of defamation law in the US and the UK. A selection of Australian case studies illustrates different concepts of defamation law and offers insights into their specific nature. Drawing on approaches to celebrity in media and cultural studies, the author conceptualizes reputation as a media construct and explains how reputation as celebrity is of great contemporary relevance at this point in the history of defamation law.
A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.
Written really for the unbeliever or person whose faith is weak, this book is a fresh look at the author’s love of apologetic works, emphasizing the amazing design of the created world. An easily-read book, The God Who is Real reiterates that, quite different from the god of deism, the true God of the universe is also very near to each of us. Dr. Morris’ unique commentary on God’s Word will make a powerful witnessing tool for anyone with a burden for the loss, while serving as a steady guide for the believer.
Cottam and Tilley provide an introduction to the properties of wave-like excitations associated with surfaces and interfaces. The emphasis is on acoustic, optic and magnetic excitations, and apart from one section on liquid surfaces, the text concentrates on solids. The important topic of superlattices is also discussed, in which the different kind
The museum today faces complex questions of definition, representation, ethics, aspiration and economic survival. Alongside this we see burgeoning use of an array of new media including increasingly dynamic web portals and content, digital archives, social networks, blogs and online games. At the heart of this are changes to the idea of ‘visitor’ and ‘audience’ and their participation and representation in the new cultural sphere. This insightful book unpacks a number of contradictions that help to frame and articulate digital media work in the museum and questions what constitutes authentic participation. Based on original empirical research and a range of case studies the author explores questions about the museum as media from a number of different disciplines and shows that across museums and the study of them, the cultural logic is changing.
How could Jesus be crucified on Friday afternoon, lay in the grave three nights as recorded in the Bible, and rise and be walking around on the first day of the week, Sunday? This question, although asked many times, never seemed to be fully or satisfactorily answered for author Robert W. Mann. This study seeks to answer the above by uniting the Old and New Testaments. This work contains no theories, doctrine, or deep theological explanations, but instead simply conveys the Scriptures word for word, arranged and connected in their ordained order, bringing to light a completed picture that is readily seen and understood. Mann provides interesting and enlightening information for the thoughtful reader, who will hopefully enjoy the same level of satisfaction and fulfillment as he experienced during the years of research.
This book shows how pirates were portrayed in their own time, in trial reports, popular prints, novels, legal documents, sermons, ballads and newspaper accounts. It examines how attitudes towards them changed with Britain’s growing imperial power, exploring the interface between political ambition and personal greed, between civil liberties and the power of the state. It throws light on contemporary ideals of leadership and masculinity - some pirate voyages qualifying as feats of seamanship and endurance. Unusually, it also gives insights into the domestic life of pirates and investigates the experiences of women whose husbands turned pirate or were captured for piracy. Pirate voyages contributed to British understanding of trans-oceanic navigation, patterns of trade and different peoples in remote parts of the world. This knowledge advanced imperial expansion and British control of trade routes, which helps to explain why contemporary attitudes towards piracy were often ambivalent. This is an engaging study of vested interests and conflicting ideologies. It offers comparisons with our experience of piracy today and shows how the historic representation of pirate behaviour can illuminate other modern preoccupations, including gang culture.
This book is aimed at sharing information about a population of men who engaged in military service to their country with duties involving aviation. The era that this book addresses is one during which there was considerable racial turmoil in America. So, these were stalwart men who entered into a professional career field where they were not readily embraced. The field that these brave men entered was one that was dominated by white males. It is the story about the U.S. military’s 600 m.o.l. – Black helicopter pilots who experienced combat duty in Vietnam, some making the ultimate sacrifice of giving their lives, and who certainly have a place in U. S. history. It is also a story of the uncommon fortitude, perseverance, and triumph of black men who were often compelled to fight multiple battles against multiple enemies simultaneously (the enemy overseas and racial discrimination at home). The 600 m.o.l. is perhaps one of the greatest stories that was never told, at least up to now.
In Paise of the First Edition... `Essential reading for therapists, counsellors, supervisors, trainers and health care workers... It is a book which will help us all to guard the high professional and ethical standards to which responsible workers aspire, and which all our clients are entitled to expect' - British Journal of Guidance & Counselling `Highly recommended. Essential on every counselling course reading list as well as on counsellors' own bookshelves' - Counselling, The Journal of the British Association for Counselling This highly acclaimed guide to the major responsibilities which trainees and counsellors in practice must be aware of be
About the Book With the rapid change in statutory environment, Corporate Law has also been evolving at faster pace from past several decades. The complexities in the laws have also been rising, which poses constant challenge to practising professionals. There also exist a lot of issues which perhaps may not be addressed by legislation and delegated legislation, some of which are addressed by the judiciary. The present book is a Compendium of Key Issues under Corporate Laws covering a wide spectrum of subjects in Corporate Laws, in five Volumes. This book brings out issues in Corporate Law covering aspects that professionals face in practice. It also brings out a lot of aspects that readers should be aware of. Legislation and case laws from other jurisdictions have been analysed to provide insight into the issues. Key Features ? Topic-wise detailed analysis of various Corporate Law issues. ? Various issues organised under topic heads addressing the key issues concerning the topic. ? Detailed analysis of statutory provisions along with relevant judicial pronouncements and provisions of allied laws (wherever applicable) for each topic has been provided; e.g. SEBI Act and various Regulations issued by the SEBI. ? Analysis of certain landmark judicial pronouncements. ? Comparative position of various topics between Companies Act, 2013 and Companies Act, 1956. ? Certain new concepts of Companies Act, 2013 explained in detail. ? Rules of interpretation of statutes have been discussed wherever necessary.
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers they reveal a picture of sustained vitality and development that justifies Belfast’s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
The present research work was related to few problems; those were related to near about all sectors. As per the quote “Need is the Mother of Invention”, we partially solved the problem of above mention sectors through our research. Selection of this research work was initiated from patients those have DVT (Deep Vein Thrombosis), Heart Disease, Arteriosclerosis etc. Nattokinase (subtilisin NAT, NK), a potent fibrinolytic enzyme, was primarily isolated from a traditional fermented food “natto” in Japan. The enzyme is a subtilisin-like serine protease composed of 275 amino acid residues and has a molecular weight of 27.7 kDa. Fermented cheese-like food, Natto has been formed by fermentation by inoculating the bacterium Bacillus natto in the boiled soybeans. The resulting nattokinase enzyme is produced when the bacterium acts on the soybeans (Sumi et al., 1987). Nattokinase is a serine end peptidase with a molecular weight of 20,000 Daltons and having isoelectric point (pI) is 8.6. Nattokinase potentiates fibrinolytic activity. In other words, it could dissolve fibrin. Fibrin is a protein involved in the clotting of blood that is polymerized to form a "mesh" that forms a haemostatic plug or clot (in conjunction with platelets). Fibrin is made from fibrinogen and it is a soluble plasma glycoprotein synthesized by the liver. Nattokinase prevents aggregation of red blood cells. Specifically, Nattokinase supports the fibrinolytic clearing system in the body which is responsible for healthy circulation, by helping to break down fibrin protein deposits in the bloodstream to promote and enhance healthy blood flow. Nattokinase facilitates blood flow contributing to healthy circulation and balance to maintain normal blood pressure.
Teresa Healy here examines resistance within Mexican society during a period of sustained crisis at the regional and national level, as well as at the level of world order. She analyzes how working class men organized to fight for the recognition of their citizenship rights, how they defended those rights when faced with repression and economic restructuring and how they contested the terms of globalization as it wrested from them their masculine identity of 'worker-fathers'. Healy also demonstrates how these men battled employers and masculinized political power at every level within the state to maintain their livelihoods and resist the feminization of their work and their own identities. These were gendered struggles against globalizations as they were experienced and carried out by men. The volume uncovers the limits and possibilities of working class men and women in transforming the conditions in which they live and work, and highlights the diversity and rich political history of social movements in Mexico.
Prostitution: Prevention and Reform in England, 1860-1914 is the first comprehensive overview of attempts to eradicate prostitution from English society, including discussion of early attempts at reform and prevention through to the campaigns of the social purists. Prostitution looks in depth at the various reform institutions which were set up to house prostitutes, analysing the motives of the reformers as well as daily life within these penitentiaries. This indispensable book reveals: * reformers' attitudes towards prostitutes and prostitution * daily life inside reform institutions * attempts at moral education * developments in moral health theories * influence of eugenics * attempts at suppressing prostitution.
Home in British Working-Class Fiction offers a fresh take on British working-class writing that turns away from a masculinist, work-based understanding of class in favour of home, gender, domestic labour and the family kitchen. Examining key works by Robert Tressell, Alan Sillitoe, D. H. Lawrence, Buchi Emecheta, Pat Barker, Jeanette Winterson and James Kelman, among many others, Nicola Wilson demonstrates the importance of home's role in the making and expression of class feeling and identity.
Bringing together ten utopian works that mark important points in the history and an evolution in social and political philosophies, this book not only reflects on the texts and their political philosophy and implications, but also, their architecture and how that architecture informs the political philosophy or social agenda that the author intended. Each of the ten authors expressed their theory through concepts of community and utopian architecture, but each featured an architectural solution at the centre of their social and political philosophy, as none of the cities were ever built, they have remained as utopian literature.
Visions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
This is the first book to take an interdisciplinary approach to the story of the Shanghai Yue Opera, bringing history, arts management, central and regional government policy, urbanisation, gender, media, and theatre artistic development in one. Through the story of the Shanghai Yue Opera House market reform this book facilitates an understanding of the complex Chinese political economic situation in post-socialist China. This book suggests that as state art institutions are key organs of the Communist party gaining legitimacy, the vigorous evolution and struggle of the Shanghai Yue Opera house in fact directly mirrors the Communist Party internal turmoil in the new millennium to gain its own legitimacy and survival.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.