The subject of Romanticism, Memory, and Mourning could not be timelier with Žižek’s recent proclamation that we are ‘living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
Examining John Keats’s reworking of the romance genre, Rachel Schulkins argues that he is responding to and critiquing the ideals of feminine modesty and asexual femininity advocated in the early nineteenth century. Through close readings of Isabella; or the Pot of Basil, The Eve of St. Agnes, Lamia and ‘La Belle Dame sans Merci,’ Schulkins offers a re-evaluation of Keats and his poetry designed to demonstrate that Keats’s sexual imagery counters conservative morality by encoding taboo desires and the pleasures of masturbation. In so doing, Keats presents a version of female sexuality that undermines the conventional notion of the asexual female. Schulkins engages with feminist criticism that largely views Keats as a misogynist poet who is threatened by the female’s overwhelming sexual and creative presence. Such criticism, Schulkins shows, tends towards a problematic identification between poet and protagonist, with the text seen as a direct rendering of authorial ideology. Such an interpretation neither distinguishes between author, protagonist, text, social norms and cultural history nor recognises the socio-sexual and political undertones embedded in Keats’s rendering of the female. Ultimately, Schulkins’s book reveals how Keats’s sexual politics and his refutation of the asexual female model fed the design, plot and vocabulary of his romances.
Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methods of self-representation, often critically and ironically exposing the biases and limitations of the seemingly authoritative speaker 'Browning'. The poems thus become devices for Browning's detached evaluation of his own and of others' poetics, an evaluation never fully explicit but presented with elusive economy for the astute reader to interpret. The confrontation between the personal authorial voice and the dramatic voice in these poems provides revealing insights into the poet's highly self-conscious, conflicted and sustained engagement with the Romantic tradition and the diversely challenging reader expectations that he faces in a post-Romantic age. As the Victorian most rigorous in his rejection of Romantic self-expression, Browning is a key transitional figure between the sharply antagonistic periods of Romanticism and Modernism. He is also, as Martens persuasively demonstrates, a poet of complex contradictions and an illuminating case study for addressing the perennial issues of voice, authorial authority and self-reference.
Based on their popular "Forgiveness" seminar, the author of Getting Unstuck and his wifem designed to help readers let go of their pain and get on with their lives.
Informed by theories of the visual, knowledge and desire, The Postcolonial Eye is about the 'eye' and the 'I' in contemporary Australian scenes of race. Specifically, it is about seeing, where vision is taken to be subjective and shaped by desire, and about knowing one another across the cultural divide between white and Indigenous Australia. Writing against current moves to erase this divide and to obscure difference, Alison Ravenscroft stresses that modern Indigenous cultures can be profoundly, even bewilderingly, strange and at times unknowable within the terms of 'white' cultural forms. She argues for a different ethics of looking, in particular, for aesthetic practices that allow Indigenous cultural products, especially in the literary arts, to retain their strangeness in the eyes of a white subject. The specificity of her subject matter allows Ravenscroft to deal with the broad issues of postcolonial theory and race and ethnicity without generalising. This specificity is made visible in, for example, Ravenscroft's treatment of the figuring of white desire in Aboriginal fiction, film and life-stories, and in her treatment of contemporary Indigenous cultural practices. While it is located in Australian Studies, Ravenscroft's book, in its rigorous interrogation of the dynamics of race and whiteness and engagement with European and American literature and criticism, has far-reaching implications for understanding the important question of race and vision.
Thirty-three-year-old William Bradford and his close friend, sixty-year-old Thomas Wingate, are disillusioned with the excessive expenditures of the federal government. They launch a website, www.SaveAmerica.com, to influence government and the voting populace. Bradford and Wingate offer a one million dollar reward to any person who can rid the federal government of the most fiscally irresponsible Congressmen. At intervals, the Save America team, based in Aiken, South Carolina, features a different fiscally irresponsible politician on its site, and those selected will consider almost any requests in exchange for their names and image to be deleted from www.SaveAmerica.com. Senator Jones is one of these men. Hes been on Capitol Hill for five terms and has been a fixture in the Senate for thirty years. A day after his image appears on Save America, Jones is killed and many blame www.SaveAmerica. But donations continue to pour in, providing William and Thomas additional funds to support their effort. While trying to maintain their obscurity, William and Thomas must overcome a host of obstacles to help them attain their goal of curtailing excessive government spending.
In coastal aquifers, saltwater intrusion may cause serious consequences in terms of both environmental and economic impacts. An attempt has been made in the present study to elucidate the quality of groundwaterin the study area in terms of the chemical parameter change due to the seasonal variation of water level. The present study deals with the physio-chemical characteristics of groundwater quality in Nagapattinam district.The study area showed generally similar hydrochemical characteristics slightly higher level of Cl-, Na+, and EC was observed. Based on the Cl- , Na+ and EC data, the groundwater falls within high salinity.
In Search of His Spirit "Mary McNeil," Bob said with a twinkle in his eyes as he got down on one knee. He smiled and said, "Will you marry me?" "Oh!" she shrieked. "Yes! Yes! A thousand times yes!" As Bob stood up and reached into his pocket for the ring, Mary jumped into his arms nearly knocking him over. Applause filled the restaurant. Suddenly, three masked men burst through the front door of the restaurant, and three gunshots rang out. Dust fell from where the bullets had penetrated the ceiling. "I can't give him my new engagement ring," Mary whispered tearfully. Mary's life changed in an instant. Her happy, church-oriented life was destroyed. "I don't want to go on living," Mary said when she awakened the next morning. "The joy has gone out of my life. How could God let this happen? God has let me down, and I'm through with Him." Mary's mother had been keeping a shocking secret for twenty-eight years. Was now the time to tell Mary about it? Mary's happiness and even her life might depend on it. Seemingly unrelated events and people are drawn together as God's plan is slowly and painstakingly worked out.
This book provides a capsule description of what is known today about the particular aspect of grandparenting, whether it's gift-giving, adoption, travel, or discipline. It presents a picture of the current state of knowledge on grandparenting and the grandparent's place in the family.
LET GOD RESTORE YOU! If you have suffered the loss of a loved one, especially a child, a brother, or a sister, then this is the book for you. Until We Meet Again is the story of how God restored a family who lost a son, a brother and a husband, when he was murdered on his wedding night. Dr. Eric Sandmann describes how God led him and his family, totally devastated by their loss, towards complete restoration. Today, he and his family are living testimony to the absolute power and goodness of God. Things will look so different when you know that God not only can, but will see you and your loved ones through to victory! This happens when you just rest and allow Him to be the Daddy to you that He so desires to be. Take this book to heart, read it, apply it to your situation, and receive God’s healing and deliverance!
I Will Speak Using Stories is a collection of everyday, down home, stories of people and events. Some of the stories will make you weep, smile, cry, or laugh. Some stories will cause the reader toreminisce. Others will remember an old relative or friend. Each story ends with Scripture. The point of the story is to show that Scripture is universal and pertinent. There are probing questions that will help the reader meditate. The devotions have a prayer to give the day a fresh start. The book is great resource to use for a daily quiet time.
The fourth book in the Stanoli saga plumbs deeply into the social, political, and religious behaviors of key figures in and around the family over multiple generations from the United States to the old country and back. The main present-day character can be summed up by how he endeavors to live his life, tackling his days by reassessing his own deeply held beliefs, getting out of his comfort zone, and trying things he typically wouldn’t try. He is similar to his father, grandfather, and great-grandfather as a soul-searching thinker, conserving the customs with which he was raised. As the saga unfolds, some personalities seem born evil; others lean toward virtue. Some are eternal optimists, finding happiness even in the dark. Some are risk takers, putting their reputations on the line. The Stanoli patriarch was fond of saying, “There is nothing greater than loving God and loving your neighbor,” but such wisdom is not always simple through the twists and turns of modern life.
The author studied the cost-effective modern solution for placing electric distribution lines and telecommunications lines underground in urban areas in the USA. The methodology of the study which included examining the cost and schedule analyses as function of pipe diameter and overburden depth. The study focused on the cases when trenching cannot be done. Cost-benefit analysis was performed, particularly in urban areas. The author discussed the cost and benefits of undergrounding both types of lines, but focused on electric lines in Maryland and Virginia states.
The first book-length study of romance novels to focus on issues of sexuality rather than gender, Historical Romance Fiction moves the ongoing debate about the value and appeal of heterosexual romance onto new ground, testing the claims of cutting-edge critical theorists on everything from popular classics by Georgette Heyer, to recent 'bodice rippers,' to historical fiction by John Fowles and A.S. Byatt. Beginning with her nomination of 'I love you' as the romance novel's defining speech act, Lisa Fletcher engages closely with speech-act theory and recent studies of performativity. The range of texts serves to illustrate Fletcher's definition of historical romance as a fictional mode dependent on the force and familiarity of the speech act, 'I love you', and permits Fletcher to provide a detailed account of the genre's history and development in both its popular and 'literary' manifestations. Written from a feminist and anti-homophobic perspective, Fletcher's subtle arguments about the romantic speech act serve to demonstrate the genre's dependence on repetition ('Romance can only quote') and the shaky ground on which the romance's heterosexual premise rests. Her exploration of the subgenre of cross-dressing novels is especially revealing in this regard. With its deft mix of theoretical arguments and suggestive close readings, Fletcher's book will appeal to specialists in genre, speech act and performativity theory, and gender studies.
Travel stories chock-full of adventure, chuckles, history, short stories, human tragedy. Imagine a potato famine in Ireland in 1847 that wiped out 20–25% of the population. Wee Hannah was a survivor and lived into her 90’s. Excellent airplane read...entertains-informs-educates —S. L. Russell, PhD She has a subtle way of saying the outrageous and has a direct way of describing the funny and down-to-earth realities of a life packed with experiences that take you from a farm in a Kentucky hollow through the life of an international ex-patriot... —Jane K Michaels, PhD, University of Denver And who can tell these stories better than a blue-star mother and spouse of an Army officer that served his nation honorably for fifty-years?... Sandra has authored many books during her writing career. Her creative novels always bring a picture to the reader’s mind as if you are physically and emotionally there... —Lt. Col. Vaughn D. Barnett, US Army (RET)
How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book – the first extended single-author study of Smalley's music to be published – incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction between 'late-' and 'post-' modernism in music.
Bane Skiles is a handsome young man from a wealthy Hawaiian family in the early 1940s. On the verge of graduation from college, he makes plans to fulfill a boyhood dream and sail around the world alone in the familys sailboat, Voyager. He begins his journey in the fall of 1941only to have his voyage interrupted by the bombing of Pearl Harbor. Bane enlists in the Navy and soon becomes a PT boat captain with PT Boat Squadron 10, fighting in the Solomon Islands. While in love with a beautiful red haired Australian girl he finds himself having mysterious visions of a dark-haired woman covered in gold. After the war as Bane completes his voyage, he is pulled into the retrieval of a lost Biblical artifact stolen by the Nazis who believe it holds supernatural powers. In this historical novel, a world traveler is embroiled in the turmoil of World War II finds himself caught up in an adventure he never dreamed.
In a series of representative case studies, Marianne Van Remoortel traces the development of the sonnet during intense moments of change and stability, continuity and conflict, from the early Romantic period to the end of the nineteenth century. Paying particular attention to the role of the popular press, which served as a venue of innovation and as a site of recruitment for aspiring authors, Van Remoortel redefines the scope of the genre, including the ways in which its development is intricately related to issues of gender. Among her subjects are the Della Cruscans and their primary critic William Gifford, the young Samuel Taylor Coleridge and his circle, Elizabeth Barrett Browning's Sonnets from the Portuguese, George Meredith's Modern Love, Dante Gabriel Rossetti's House of Life and Augusta Webster's Mother and Daughter. As women became a force to be reckoned with among the reading public and the writing community, the term 'sonnet' often operated as a satirical label that was not restricted to poetry adhering to the strict formalities of the genre. Van Remoortel's study, in its attentiveness to the sonnet's feminization during the late eighteenth century, offers important insights into the ways in which changing attitudes about gender and genre shaped critics' interpretations of the reception histories of nineteenth-century sonnet sequences.
Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction’s evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre’s representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues under the Sea (1916) L’Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jetée (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) Avatar (2009)
A unique collection of concise but detailed information on 10,000 animals, plants, fungi and algae of the British Isles. Every species with an English common name is included. The compendium is in two parts. The first, smaller part, looks at various terms that people interested in natural history may come across. The second provides information on individual species or species groups, with entries on those with English (common) names, as well as selected families, orders, classes, etc. In the case of marine organisms, entries are given for intertidal and subtidal invertebrate species, and generally speaking for fish species that might be observed inshore. Indication is often given on distribution as well as whether a species is common, scarce or something in between. For some species a note is made of population size and trends. Comments are made where appropriate on etymology, both of the English name and the binomial. No other natural history dictionary or cognate publication relating to the British Isles is as comprehensive in taxonomic cover.
Revolutionary War Patriots: Bladen, Robeson, Cumberland, Sampson, and Duplin Counties, North Carolina By: Rev. Dr. Carolyn Cummings-Woriax History and storytelling are prominent in Rev. Dr. Carolyn Cummings-Woriax's life. As a child, her oral traditionalist father and other members of the community shared their stories of yesteryear. Rev. Dr. Cummings-Woriax holds special interests in Colonial War, the Whigs and Tories, the Tuscarora Indians War, and the Revolutionary War. These wars were harsh, particularly for those economically poor, with injustices and slavery placed upon those who had always known freedom, with forced transition to bondage by the encroaching occupants in the New Colony. Sadly, these wars played a major role in the writer’s ancestry—on both sides—as European family connections fought against the Natives of America family connections, which in turn was met by counterattacks. While in preparation of certification of her Daughters of American Revolution War Patriot, John Brooks, Rev. Dr. Cummings-Woriax discovered an unrecognized wealth of information. Patriots who fought side by side in these major battles continued their commonality as citizens within local counties. Her discovery showed that a more vital patriotism was taking place among the patriots as citizens in the New Colony. Rev. Dr. Cummings-Woriax returns to her biblical history to point out the words of God: Only God can raise up a nation, and only God can tear down a nation. She understands this is what God has done for the early patriots and their descends. The building of a new community of people was God’s doing.
Expedition Pointe is a college bar and grill located between two colleges. Its about three miles from Lewis College, a liberal arts institution that offers degrees in many areas, including premed. I graduated from Lewis College two years ago with a degree in premed, and now Im at Clark College, located about five miles on the other side of Expedition Pointe. Clark College is a medical school that is associated with Lewis College and the local medical center. Both colleges are located east of St. Louis and hidden among many thick-wooded areas in the little community of Kathleen, Missouri. People dont even realize the colleges are present if they are not a part of the collegiate environment. Both schools have famous alumni that include presidents, political figures, actors, and actresses, as well as authors, doctors, and such. I feel fortunate to be among their alumni.
Many families are comprised of the good and the bad, the cherished and the reprehensible, some change, others never intend to. This is the generational saga of the ups and downs of one such family. In Stanoli, author Dr. Vincent M.M. Galici Sr. narrates the story of generations of the Stanolis, an Italian family involved in organized crime. It journeys through the lives of key figures in the clan and traces their lifestyles, ideals, purposes, successes, failures, and the will to march on despite heartbreaking setbacks and sometimes inhuman decisions. Filled with colorful characters, Stanoli provides insight into one Mafia family where the will to correct poor choices and make a better life for their progeny is the hope and dream. Some achieve it while others fall short perpetuating a seemingly insurmountable cycle. Yet with each generational attempt, courage abides and promise of a better posterity is cultivated. Some will never change, leaving a legacy of gloom and doom, while others become the better person, paying whatever price to attain the dream and leave a bright and happy trail.
The coast is a dynamic geomorphological system. Studying the coast as a system provides a framework within which interactions between many features and complex processes can be considered and expressed. A system is a state at any time defined by its variables (Woodroffe 2002)Morphology is very appropriate measure of the state of a coastal system. Accretion and erosion are the morphological states of a beach. The terms like summer beach profile and winter beach profile (King 1972) or reflective and dissipative beaches are also used to describe these states. Thus the beach system can be described in terms of such morphological states. Beach slope, length, volumes are the quantitative variables of beach systems.
In her study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and shaped public feeling on the Peninsular campaign.
This guide is packed with vital information for collectors and lists more than 40,000 prices for cards identified by manufacturer, year, and size. Advice is provided by the experts on determining the condition of cards; buying, selling, and trading cards profitably; and a glossary of industry terms. 850 photos.
It is 1780 in the Buford battlefield. After British soldiers find a boy wounded and dying, they do not provide him with peace. Urged on by the malevolent spirit, the British torture the boy, leaving him to lie unnoticed and unburied for years. His only monument will be the barn that is erected one day over his bonesthe future haunt of the demon known as Lerajie. Over two hundred years later, Karen Hedrick finds her young daughter lying in shock on her barn floor and a strange, green-clad figure seemingly standing in the corner. After she scoops her daughter up and flees, the sheriffs department begins investigating. As a complex puzzle unfolds without a clue in sight, Karens husband suddenly turns up dead in a parking lot with a pair of binoculars around his neck and a deceased dog in the trunk of his car. After the investigation leads to nowhere, a university research team eventually begins investigating supernatural occurrences in the area. But what no one knows is that a determined demon has claimed the former battlefield as his home and is using the innocent to perpetuate evil. In this riveting tale, a demon brought to life during the Revolutionary War reigns terror on a modern community some two hundred years later.
This book introduces the methodology of critical discourse analysis (CDA) to the study of participatory planning. CDA uses linguistic analysis to elucidate social issues and processes and is particularly suited to institutional practices and how they are changing in response to changing social conditions. Illustrated by two case studies from Australia, it examines the talk between the various participants in a formal stakeholder committee context over five years, during which time they went through several phases of changing power dynamics, conflict and reconciliation. The book demonstrates the value of CDA to this field of research and develops specific techniques and conceptual tools for applying the methodology to the 'formal talk' context of collaborative planning committees. It also sheds light on the dynamics of interaction between 'stakeholders' and bureaucracies - particularly with respect to inherent communicative barriers, power inequalities, and the development of new discursive practices.
Dr John Davis Has written other books about sport & rugby league, however in this case he has produced a lighthearted animal book to amuse and inspire good morality in humans.
Equips parents to teach their children how to make sexuality a safe, healthy, and sacred part of their lives. How parents address sex—their openness, the context, and their attitudes—will impact how their children view their own sexuality and self-worth. Dr. Chirban helps parents know when, how, and how much, and stresses the vital importance of their role in sex education. He uses humor, compassion, and real-life examples to prepare parents for healthy and ongoing conversations that equips their kids to own their own sexuality and provide an understanding of the larger issues of relationships, love, commitment, and intimacy. In addition, parents discover how helping their children grasp these veiled yet critical keys to a fulfilling life deepens their own connection with their children. With specific helps for children from birth through young adult, Dr. Chirban provides context for what needs to be communicated at each stage of their development as well as tips for the inevitable surprise questions. In addition, he tackles complicated issues such as pornography, relationships and the Internet, sexting, and homosexuality. Most important is the emphasis on strong family values and spirituality as it relates to sexuality. Previously released in 2007 as What's Love Got to Do With It?, this revised book adds new insights from today's culture that make it even more relevant to parents and families.
The author is one of Castleford's most dedicated supporters. His personal experience following the club stretches back almost fifty years. In addition, he has endeavoured to educate himself about the early years of the team's fortunes, not least the achievements of the 1930s and the doldrums of the 1950s.
The Watts Memorial to Heroic Self-Sacrifice in Postman's Park, London, is a Victorian monument containing fifty-four ceramic plaques commemorating sixty-two individuals, each of whom lost their own life while attempting to save another. Every plaque tells a tragic and moving story, but the short narratives do little more than whet the appetite and stimulate the imagination about the lives and deaths of these brave characters. Based upon extensive historical research, this book will, for the first time, provide a full and engaging account of the dramatic circumstances behind each of the incidents, and reveal the vibrant and colourful lives led by those who tragically died.
In this examination of the doctor-patient relationship, Drs. Wen and Kosowsky argue that diagnosis, once the cornerstone of medicine, is fast becoming a lost art, with grave consequences. Using real-life stories of cookbook-diagnoses-gone-bad, the doctors illustrate how active patient participation can prevent these mistakes. Wen and Kosowsky offer tangible follow-up questions patients can easily incorporate into every doctor's visit to avoid counterproductive and even potentially harmful tests. In the pursuit for the best medical care available, readers can't afford to miss out on these inside-tips and more: - How to deal with a doctor who seems too busy to listen to you - 8-Pillars to a Better Diagnosis - How to tell the whole story of your illness - Learning test risks and evaluating whether they're worth it - How to get a working diagnosis at the end of every doctor's visit By empowering patients to engage with their doctors as partners in their diagnosis, When Doctors Don't Listen is an essential guide that enables patients to speak up and take back control of their health care.
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
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