Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist’s writings. Liam Lenihan critically assesses the artist’s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan’s book delves into the connections between Barry’s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions.
In this collection, the result of a lifetime’s study, Brendan Bradshaw provides an insight into how concepts of ‘nationalism’ and ‘national identity’ can be understood and applied to pre-modern Ireland. Drawing upon a selection of his most provocative and pioneering essays, together with three new pieces, the limits and contexts of Irish nationalism are explored and its impact on both early modern society and later generations, examined. The volume illuminates political and religious developments within Ireland, and how these affected events across the British Isles and beyond.
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