As a phenomenologist Lacoste is concerned with investigating the human aptitude for experience; as a theologian Lacoste is interested in humanity’s potential for a relationship with the divine, what he terms the ‘liturgical relationship’. Beginning from the proposition that prayer is a theme that occurs throughout Lacoste’s writing, and using this proposition as a heuristic through which to view, interpret and critique his thought, this book examines Lacoste’s place amid both the recent ‘theological turn’ in French thought and the post-war emergence of la nouvelle théologie. Drawing upon unpublished and out of print material previously only available in French, Romanian or German, the book will be of interest to scholars of philosophy, phenomenology and theology.
John D. Caputo’s deconstructive theology and Slavoj Žižek’s materialist theology are two radical theologies that explore what it might mean to pass through the death of God and to abandon this experience as specifically Christian. Moody demonstrates how these theologies are transforming everyday religious practices through an examination of the work of Peter Rollins and Kester Brewin, two figures at the radical margins of a contemporary expression of Western religiosity called emerging Christianity. The author uses her analysis of all four figures to argue that deconstructive practices can enable religious communities to become part of a wider materialist collective in which the death of God continues to resonate.
Baker, James and Reader offer new religious engagement with the public sphere via means of interdisciplinary analysis and empirical examples, developing what we call a Relational Christian Realism building upon interaction with contemporary Philosophy of Religion. This book represents an exciting contribution to philosophy and practice of religion on both sides of the Atlantic and aspires to be sufficiently interdisciplinary to also appeal to readerships engaged in the study of modern political and social trends.
As a phenomenologist Lacoste is concerned with investigating the human aptitude for experience; as a theologian Lacoste is interested in humanity’s potential for a relationship with the divine, what he terms the ‘liturgical relationship’. Beginning from the proposition that prayer is a theme that occurs throughout Lacoste’s writing, and using this proposition as a heuristic through which to view, interpret and critique his thought, this book examines Lacoste’s place amid both the recent ‘theological turn’ in French thought and the post-war emergence of la nouvelle théologie. Drawing upon unpublished and out of print material previously only available in French, Romanian or German, the book will be of interest to scholars of philosophy, phenomenology and theology.
Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams argues that these tours were a central aspect of nineteenth-century authorship, at a time when authors were becoming celebrities and celebrities were international. Spanning the years from 1834 to 1904, Adams’s book examines the British lecture tours of American authors such as Frederick Douglass, Harriet Beecher Stowe, and Mark Twain, and the American lecture tours of British writers that include Harriet Martineau, Charles Dickens, Oscar Wilde, and Matthew Arnold. Adams concludes her study with a discussion of Henry James, whose American lecture tour took place after a decades-long absence. In highlighting the wide range of authors who participated in this phenomenon, Adams makes a case for the lecture tour as a microcosm for nineteenth-century authorship in all its contradictions and complexity.
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