Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.
These essays investigate the relation of traditional music to Irish modernity. The author integrates a survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins and he argues that the formation of Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce. Dowling concludes with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland.
Tension in sport can occur at any level and is not simply confined to encounters or occasions when the ultimate or top skills are on display, although many, if not all, of the events chosen in this book do indeed feature extremely high skill levels. Perhaps the most obvious ingredient of tension is uncertainty, where the outcome is unknown throughout the majority or even all of the proceedings as the drama develops and reaches its peak. After all, how many times do you hear people say that they prefer to watch something live rather than watch it later in the day when it is repeated? Clearly, if you watch the same sporting event repeatedly it is most probably because you have enjoyed the outcome, all the tension having disappeared. At the height of tension the outcome is completely unknown until the very final seconds or even second.
Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou’s work performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas… demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
Combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves through texts, art, architecture and material objects, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts. Broomhall and Spinks analyse late medieval and early modern women's opportunities to narrate their experiences and ideas, as well as the processes that have shaped their representation in the heritage and cultural tourism of the Netherlands and Belgium today. The authors study female-authored objects such as familial and political letters, dolls' houses, account books; visual sources, funeral monuments, and buildings commissioned by female patrons; and further artworks as well as heritage sites, streetscapes, souvenirs and clothing with gendered historical resonances. Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, the authors argue that interpretations of late medieval and early modern women's experiences by historians and art scholars interact with presentations by cultural and heritage tourism providers in significant ways that deserve closer interrogation by feminist researchers.
Adopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This new 'cult of mountains' reacted to the symptoms and alienating forces associated with modern culture, defining and reinforcing models of subjectivity based on renewed wholeness and an aggressive attitude to physical and mental health. The arts were critical to this project, none more so than music, which occupied a similar space in Austro-German culture: autonomous, pure, sublime. In Modernism and the Cult of Mountains opera serves as a nexus, shedding light on the circulation of contesting ideas about politics, nature, technology and aesthetics. Morris investigates operatic representations of the high mountains in German modernism, showing how the liminal quality of the landscape forms the backdrop for opera's reflexive engagement with the identity and limits of its constituent media, not least music. This operatic reflexivity, in which the very question of music's identity is repeatedly restaged, invites consideration of musical encounters with mountains in other genres, and Morris shows how these issues resonate in Strauss's Alpine Symphony and in the Bergfilm (mountain film). By using music and the ideology of mountains to illuminate aspects of each other, Morris makes an original and valuable contribution to the critical study of modernism.
About the Book Miracles, judgment, helping others, prayer—in getting the most from religion, taking the Bible literally may not work, nor may taking a totally liberal approach. Going Beyond Literalism (In Religion) examines ways to approach religion and faith that allow the faithful to get the most from their efforts. About the Author Rev. Dr. James L. McLeod celebrates many years’ experience in his professional network, and has been noted for achievements, leadership qualities, and the credentials and successes he has acquired in his field. He earned the Albert Nelson Marquis Lifetime Achievement Award from Marquis Who’s Who, the world’s premier publisher of biographical profiles. Dr. McLeod began his career as minister with the Presbyterian Church from 1963 to 1985. Since 1985, he has served as a minister for the Associate Reformed Presbyterian Church, and from 1988 to 1999, he held a post at the First Associate Reformed Presbyterian Church in Augusta, Georgia. During this time, he was also an educator at Georgia State Schools from 1972 to 1991. From 1991 to 2003, he was active as the president of Brunswick Financial in Georgia. Dr. McLeod contributed to the Brunswick Gallery as president from 1993 to 2003. Prior to embarking on his career, Dr. McLeod received his Bachelor of Arts from Washington and Lee University in Lexington City, Virginia in1959. Following this achievement, he earned his Master of Arts and his Bachelor of Divinity from Emory University in Atlanta, Georgia in1968. He concluded his education with a doctorate from Mississippi State University in 1972. Dr. McLeod was ordained to ministry by the Presbyterian Church in 1963. In addition to his career, Dr. McLeod is the author of The Presbyterian Tradition in the South in 1978, The Great Doctor Waddel in 1985, and Flannery O’Connor and Me in 2017, among others. He was a member of the Society of the Cincinnati in Washington, DC in 1970 and a councilman of the city of Brunswick, Georgia from 1994 to 1996. From 1996 to 1998, Dr. McLeod served as mayor pro tempore for the city of Brunswick, Georgia. Dr. McLeod is a fellow of the Antiquaries of Scotland and a member of the National Education Association. He is also a member of the Georgia Association of Educators, the Fulbright Alumni Association, the Pinnacle Club of Augusta, Georgia and Phi Delta Kappa. In 1986, he was named a Scholar of the National Endowment for the Humanities. Dr. McLeod has previously been selected for inclusion in the 33rd edition of Who’s Who in Finance and Industry, the 34th edition of Who’s Who in Finance and Business, and multiple editions of Who’s Who in America, Who’s Who in the South and Southwest, and Who’s Who in the World. The son of a minister, the Rev. Dr. James L. McLeod considers himself a “conservative” Protestant. He has spent thirty-nine years in the ministry and is now retired. Dr. McLeod studied at the Darlington School in Rome, Georgia, and graduated from Washington and Lee University, Lexington, Virginia. He attended Princeton Theological Seminary in Princeton, New Jersey and the Emory University School of Theology (Candler) in Atlanta, Georgia.
An examination of how religious identity changed in twentieth-century England, using Birmingham as a case-study to illuminate wider trends. The ongoing debate about secularisation and religious change in twentieth-century Britain has paid little attention to the experience of those who swam against the cultural tide and continued to attend church. This study, based on extensive original archive and oral history research, redresses this imbalance with an exploration of church-based Christianity in post-war Birmingham, examining how churchgoers interpreted and responded to the changes that theysaw in family, congregation, neighbourhood and wider society. One important theme is the significance of age and generational identity to patterns of religiosity amidst profound change in attitudes to youth, age and parenting andgrowing evidence of a widening "generation gap" in Christian belief and practice. In addition to offering a new and distinctive perspective on the changing religious identity of late twentieth-century English society, the book also provides a rare case-study in the significance of age and generation in the social and cultural history of modern Britain. Ian Jones is the Director of the Saltley Trust (an educational charity), Birmingham.
Two Lives...and Then Some: The Parti ng, Volume 3 of Gordon Graham’s memoirs, is a tribute to Barbara Graham, his wife Barbara who died in 2006 of Motor Neurone Disease. We follow Gordon from his days working as personnel manager at in Washington, D.C., through law school and into work as a civil rights acti vist and government anti -poverty worker. He returns to Clinton where he is successful in his bid for a School Committ ee seat. He turns to another career as general counsel for a major state environmental agency where the latent sti rrings of religious vocati on surface and he decides to enter seminary. His journey then takes him to Northern Ireland where as an ordained priest of the Anglican Communion he serves in parishes, works with other Christi an churches, and does church development work. Throughout it all, Barbara pursues her interest in music and parti cipates in choirs and chorales and makes her own eff ort in the church to bring people together. Readers will laugh out loud at many of Gordon’s stories but they will shed tears as they share those last days of Barbara’s life.
Jean-Luc Marion is one of the leading Catholic thinkers of our time: a formidable authority on Descartes and a major scholar in the philosophy of religion. This book presents a concise, accessible, and engaging introduction to the theology of Jean-Luc Marion. Described as one of the leading thinkers of his generation, Marion's take on the postmodern is richly enhanced by his expertise in patristic and mystical theology, phenomenology, and modern philosophy. In this first introduction to Marion's thought, Robyn Horner provides the essential background to Marion's work, as well as analysing the most significant themes for contemporary theology. This book serves as an ideal starting point for students of theology and philosophy, as well as for those seeking to further their knowledge of cutting-edge thinking in contemporary theology.
Deepening Your Personal Relationships was written by three experts in the field. Their combined expertise will help you in Developing Emotional Intimacy and Good Communication, which will be beneficial in all types of relationships. The book explains how to achieve healthy and fulfilling interpersonal relationships by using effective communication, empathy, shared transformational development, and constructive conflict resolution. Deepening Your Personal Relationships provides original, meaningful, and transformational insights that are especially helpful in understanding how to overcome our subconscious resistance against emotional intimacy and good communication. Readers wanting to enhance their personal relationships, gain insight into transformational self-help, and achieve social transformation will find this book especially helpful. It will also be of keen interest to professional relationship counselors, such as marriage counselors, family counselors, and conflict mediators. The goal is to understand how good relationships can produce enhanced levels of spiritual development, psychological healing, self-understanding, creative functioning, inner peace and happiness, and ultimately, fulfillment in life.
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