The amusement parks which first appeared in England at the turn of the twentieth century represent a startlingly novel and complex phenomenon, combining fantasy architecture, new technology, ersatz danger, spectacle and consumption in a new mass experience. Though drawing on a diverse range of existing leisure practices, the particular entertainment formula they offered marked a radical departure in terms of visual, experiential and cultural meanings. The huge, socially mixed crowds that flocked to the new parks did so purely in the pursuit of pleasure, which the amusement parks commodified in exhilarating new guises. Between 1906 and 1939, nearly 40 major amusement parks operated across Britain. By the outbreak of the Second World War, millions of people visited these sites each year. The amusement park had become a defining element in the architectural psychological pleasurescape of Britain. This book considers the relationship between popular modernity, pleasure and the amusement park landscape in Britain from 1900-1939. It argues that the amusement parks were understood as a new and distinct expression of modern times which redefined the concept of public pleasure for mass audiences. Focusing on three sites – Blackpool Pleasure Beach, Dreamland in Margate and Southend's Kursaal – the book contextualises their development with references to the wider amusement park world. The meanings of these sites are explored through a detailed examination of the spatial and architectural form taken by rides and other buildings. The rollercoaster – a defining symbol of the amusement park – is given particular focus, as is the extent to which discourses of class, gender and national identity were expressed through the design of these parks.
Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt environment, taking different cultural contexts and historical periods into consideration. It studies some of the ethical questions raised by the nature of luxury in architecture and discusses whether architectural luxury is an unqualified benefit or something which should only be present within strict limits. The author argues how the ideas of permissible and impermissible luxury have informed architecture and how these notions of ethical approval have changed from one context to another. Providing voluptuous settings for the nobles and the leisure class, luxury took the form of not only grand palaces, but also follies, country and suburban houses, private or public entertainment venues and ornate skyscrapers with fast lifts. The Architecture of Luxury proposes that in Western societies the growth of the leisure classes and their desire for various settings for pleasure resulted in a constantly increasing level of ‘luxury’ sought within everyday architecture.
Maxwell Fry and Jane Drew were pioneers of Modern Architecture in Britain and its former colonies from the late 1920s through to the early 1970s. As a barometer of twentieth century architecture, their work traces the major cultural developments of that century from the development of modernism, its spread into the late-colonial arena and finally, to its re-evaluation that resulted in a more expressive, formalist approach in the post-war era. This book thoroughly examines Fry and Drew's highly influential 'Tropical Architecture' in West Africa and India, whilst also discussing their British work, such as their post World War II projects for the Festival of Britain, Harlow New Town, Pilkington Brothers’ Headquarters and Coychurch Crematorium. It highlights the collaborative nature of Fry and Drew's work, including schemes undertaken with Elizabeth Denby, Walter Gropius, Denys Lasdun, Pierre Jeanneret and Le Corbusier. Positioning their architecture, writing and educational endeavours within a wider context, this book illustrates the significant artistic and cultural contributions made by Fry and Drew throughout their lengthy careers.
Preliminary Material -- List of Figures -- Series Editor's Preface -- Acknowledgements -- Introduction -- Open City and the Politics of the Everyday -- The Sydney Front and Grotesque Realism -- Jenny Kemp's Landscapes of the Psyche -- The Aboriginal Protesters Confront the Postdramatic Text -- An International Perspective on the Postdramatic Theatre Text -- (Trans)forming the Lexicon of “Theatre” in Australia -- Conclusion -- Bibliography -- Index.
An early reviewer of this book stated that he had difficulty assessing its marketability because it "falls between the cracks" of geological literature. We have designed this book to meet a need of modem geology: namely, a single source providing both detailed and synoptic stratigraphy of the various regions of North America, through geological time. Shortly after beginning work on such a book, we realized why it had not yet been written: it required six years of effort, assimilation of an incredible amount of information, and two years' additional work to cut the volume down to publishable size. Further, by the time the final chapter was written, the fIrst few were already out of date. Nevertheless, the book lies in front of you. It is intended to serve several purposes. As a textbook, it will serve the following courses: • Regional stratigraphy • Sedimentary tectonics • Regional tectonics • Advanced historical geology • Survey-level paleontology Obviously, not all portions of the book are relevant to all of the above courses. We assume the reader will retain this book after the particular course is done, and will use it as a reference book. Hopefully, others will obtain the book solely for reference purposes. We believe it will be especially useful for the working geologist or academic geologist seeking generalized and some moderately detailed information about a region or geological time interval which is unfamiliar.
In a series of inspirational profiles, Cora Voyageur celebrates 100 remarkable Indigenous Albertans whose achievements have enriched their communities, the province, and the world. As a child, Cora rarely saw Indigenous individuals represented in her history textbooks or in pop culture. Willie Nelson sang “My Heroes Have Always Been Cowboys,” but Cora wondered, where were the heroes who looked like her? She chose the title of her book in response, to help reflect her reality. In fact, you don’t have to look very hard to find Indigenous Albertans excelling in every field, from the arts to business and everything in between. Cora wrote this book to ensure these heroes receive their proper due. Some of the individuals in this collection need no introduction, while others are less well known. From past and present and from all walks of life, these 100 Indigenous heroes share talent, passion, and legacies that made a lasting impact. Read about: - Douglas Cardinal, the architect whose iconic, flowing designs grace cities across Alberta, across Canada, and in Washington, DC, - Nellie Carlson, a dedicated activist whose work advanced the cause of Indigenous women and the education of Indigenous children, - Alex Janvier, whose pioneering work has firmly established him as one of Canada’s greatest artists, - Moostoos, “The Buffalo,” the spokesperson for the Cree in Treaty 8 talks who fought tirelessly to defend his People’s rights, - And many more.
A survival guide with an insider's perspective, for the millions of unprepared caregivers of aging loved ones. As Americans are living longer, an unprecedented number of people now require long-term care during their last years. More than 15 million adult children now care for their elderly parents, and unsuspecting caregivers are usually unprepared financially, emotionally, and practically for the relentless job they will face. In The Good Caregiver, world-renowned expert on aging and long- term care Dr.Robert Kane provides a road map for caregiving. More than just a professional expert, Dr. Kane draws on his personal experience of caring for his aging mother after she struggled from a debilitating stroke. Dr. Kane offers heartfelt advice for those learning how to best care for their loved one and how to make thoughtful, informed decisions at each stage of the caring process: ? How does a nursing home differ from assisted living? ? How is a homemaker different from a home health aide? ? How far can you trust a hospital discharge planner? ? What services does Medicare cover, and much, much more The Good Caregiver equips readers to deal more effectively with the challenges of day-to-day care and to navigate the system itself, including legal, financial, and interpersonal hurdles. Filled with stories and sidebars from other caregivers, The Good Caregiver offers a candid, personal approach to caregiving, providing fearless answers to difficult scenarios with humor and encouragement.
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