Dr Henry L Novello's Books

Death as Transformation

A Contemporary Theology of Death

By: Dr Henry L Novello

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Death as Transformation

A Contemporary Theology of Death

By: Dr Henry L Novello

A key tenet of Christian faith is that the crucifixion of Jesus Christ is a unique death by which the powers of death in the world have been conquered, so that Christian life in the Spirit is marked by the promise and hope of 'new life' already anticipated in the community of baptized believers. Notwithstanding this basic tenet regarding the Christian life as a participation in the redemptive death of Jesus Christ, theology in the past, as well as much contemporary theology, tends to assign no salvific significance to the event of our own death, focusing instead on death in negative terms as the wages of sin. This work is a significant retort to theological neglect, both Catholic and Protestant, of the positive and transformative aspect of our death when conceived as a dying into the redemptive death of Jesus Christ. The development of Henry L. Novello's proposed theology of death takes place in conversation with the pre-eminent contemporary contributors to this field of theological inquiry. By offering comprehensive critiques of Karl Rahner, Hans Urs von Balthasar, Karl Barth, Eberhard Jüngel and Jürgen Moltmann, Novello painstakingly pieces together a positive construal of death as salvific and transformative. What is especially distinctive about Novello's work is that he develops the idea of death as a sharing in the 'admirable exchange of natures' in the person of Jesus Christ, from which emerges his theory of resurrection at death for all. The reach of the work is extended by exploring some pastoral and liturgical implications of a theology of death conceived as the privileged moment for the actualization of God's grace in Jesus Christ, and thus being created anew in the power of the Spirit.

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Page Count

272

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409481468

ISBN 13

9781409481461

The Provincial Music Festival in England, 1784–1914

By: Dr Pippa Drummond

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The Provincial Music Festival in England, 1784–1914

By: Dr Pippa Drummond

A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.

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Page Count

326

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409494616

ISBN 13

9781409494614

The Musical Life of Nineteenth-Century Belfast

By: Dr Roy Johnston,Dr Declan Plummer

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The Musical Life of Nineteenth-Century Belfast

By: Dr Roy Johnston,Dr Declan Plummer

Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers they reveal a picture of sustained vitality and development that justifies Belfast’s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.

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Page Count

401

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

0754663256

ISBN 13

9780754663256

Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?

By: Dr T E Muir

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Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?

By: Dr T E Muir

Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. Contemporary literature of all kinds abounds, along with numerous collections of sheet music, some running to hundreds, occasionally even thousands, of separate pieces, many of which have since been forgotten. Apart from compositions in the latest Classical Viennese styles and their successors, much of the music performed constituted a revival or imitation of older musical genres, especially plainchant and Renaissance Polyphony. Furthermore, many pieces that had originally been intended to be performed by professional musicians for the benefit of privileged royal, aristocratic or high ecclesiastical elites were repackaged for rendition by amateurs before largely working or lower middle class congregations, many of them Irish. However, outside Catholic circles, little attention has been paid to this subject. Consequently, the achievements and widespread popularity of many composers (such as Joseph Egbert Turner, Henry George Nixon or John Richardson) within the English Catholic community have passed largely unnoticed. Worse still, much of the evidence is rapidly disappearing, partly because it no longer seems relevant to the needs of the modern Catholic Church in England. This book provides a framework of the main aspects of Catholic church music in this period, showing how and why it developed in the way it did. Dr Muir sets the music in its historical, liturgical and legal context, pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism. As a result the book will appeal not only to scholars and students working in the field, but also to church musicians, liturgists, historians, ecclesiastics and other interested Catholic and non-Catholic parties.

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Page Count

318

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409493830

ISBN 13

9781409493839

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

By: Dr Derek Carew

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The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

By: Dr Derek Carew

Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.

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Page Count

454

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409493784

ISBN 13

9781409493785

Playing the Cello, 1780–1930

By: Dr George Kennaway

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Playing the Cello, 1780–1930

By: Dr George Kennaway

This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.

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Page Count

299

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409438333

ISBN 13

9781409438335

Book's by Dr Henry L Novello

Death as Transformation

Death as Transformation

The Provincial Music Festival in England, 1784–1914

The Provincial Music Festival in England, 1784–1914

The Musical Life of Nineteenth-Century Belfast

The Musical Life of Nineteenth-Century Belfast

Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?

Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy?

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

Playing the Cello, 1780–1930

Playing the Cello, 1780–1930

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