This book is an exploration of how urban life in Copenhagen, in the period known as the Golden Age (c. 1800 to 1850), was experienced and structured socially, institutionally, and architecturally. It draws on a broad historical source material - spanning urban anecdotes, biography, philosophy, literature, and visual culture - to do so. The book argues that Copenhagen emerged as a modern city at this time, despite the fact that the Golden Age never witnessed the appearance of the main characteristics of the modernisation of cities associated with industrialisation, such as street lighting, sewer systems, and railroads. The book outlines the historical and topographical context of Copenhagen in the Golden Age with a special focus on the works of the most prominent architect of the period, C.F. Hansen. The characterisation of the city is complemented by investigations into writings of three citizens: the philosopher Søren Kierkegaard, the novelist Thomasine Gyllembourg, and the criminal Ole Kollerød, who all take an interest in the city's institutional and urban structures as well as their own place in it. From these different sources, a picture is painted of urban life and thought at a time when the city began to take on characteristics of ambiguity and alienation in European thinking, while at the same time the city itself retained some pre-modern motifs of a symbolic order. This transformation is set in a larger process of cultural re-orientation, from traditional Baroque culture to what might be termed Romantic culture. The book reconsiders the significance of this transformation for the emergent order of the modern European city in the nineteenth century and thus of the very foundation on which our own urban culture rests.
This book argues that design drawings should be recognised as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The book argues that this ‘in-between’ quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (e.g. form, proportion, colour), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. It also adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Frascari is best-known for his extraordinary texts, which explore the intellectual, theoretical and practical substance of the architectural discipline. Throughout his academic career, he continued to work on numerous architectural projects, including exhibitions, competition entries, and designs for approximately 35 buildings. Sam Ridgway draws on a wide selection of Frascari’s texts, including his richly poetic book Monsters of Architecture, to explore the themes of representation, demonstration, and anthropomorphism. Three of Frascari’s delightful buildings are then brought to light and interpreted, revealing a sophisticated and interwoven relationship between texts and buildings.
Brussels, a complex city with a turbulent architectural and urban past, forms a compelling case for examining the tensions between urban politics, architectural imaginations, society’s needs and desires, and the city’s history and fabric. Inspired by pragmatist-relational philosophies, this book tests the potential of criticality through-practice. It studies a series of critical actions and tools, which occurred in Brussels’ architectural and urban culture after 1968. In addition, by showing how pragmatist-relational philosophies can be made relevant for architectural theory, the book opens hopeful potentials for how architectural theory can better contribute to the formulation of a critical agenda for architecture.
The author of Breakdown, Unconscionable and No Land an Island No People Apart again tackles U.S. foreign and domestic affairs in context of global relations and the inescapable nexus of act and consequence. This time Dr. Carolyn LaDelle Bennett ponders Solutions in thought and act: America, one nation indivisible held together by (citizen) Duty; Peace, words without violence; to V- X- Y- Z, Vive la Difference from Xenophobia and Zealotry. Along with the books alphabetic textual design are centerfold imagesalso centering the authors motive and protestof people displaced from four continents (Europe, Asia, Africa, and the Americas), rendered homeless by tribal politics, leaders foreign and domestic policies, endless war and conflict. For the student, researcher or seeker of alternative perspectives, the book contains full and detailed reference and index sections as well as appendices of pertinent biographical material and historic documents of the United States and the United Nations.
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