The Materiality of Religion in Early Modern English Drama is the first book to present a detailed examination of early modern theatrical properties informed by the complexity of post-Reformation religious practice. Although English Protestant reformers set out to destroy all vestiges of Catholic idolatry, public theater companies frequently used stage properties to draw attention to the remnants of traditional religion as well as the persistent materiality of post-Reformation worship. The Materiality of Religion in Early Modern English Drama explores the relationship between popular culture and theatrical performance by considering the social history and dramatic function of these properties, addressing their role as objects of devotion, idolatry, and remembrance on the professional stage. Rather than being aligned with identifiably Catholic or Protestant values, the author reveals how religious stage properties functioned as fulcrums around which more subtle debates about the status of Christian worship played out. Given the relative lack of existing documentation on stage properties, The Materiality of Religion in Early Modern English Drama employs a wide range of source materials-including inventories published in the Records of Early English Drama (REED) volumes-to account for the material presence of these objects on the public stage. By combining historical research on popular religion with detailed readings of the scripts themselves, the book fills a gap in our knowledge about the physical qualities of the stage properties used in early modern productions. Tracing the theater's appropriation of highly charged religious properties, The Materiality of Religion in Early Modern English Drama provides a new framework for understanding the canonization of early modern plays, especially those of Shakespeare.
Every child is born a billionaire. After all, they come into the world with over one hundred billion brain cells! So how can we, as parents, help our children fully develop all those brain cells, live up to their full potential, and enjoy a rich, happy life? Jennifer Luc and Dr. Stéphane Provencher combine personal experiences and insights, medical research, and expert advice from around the world to share unique, tested, and proven billionaire parenting strategies intended to help today's parents make informed choices for their children. With a focus on fostering productive, enthusiastic, and joyful children, Luc and Dr. Provencher instruct parents on a variety of topics that include pre-natal care and pregnancy, the design of a child's brain and the stages of its development, food choices and their effects on the body, and Whole-Listic methods that help nurture emotional needs of children. Included are methods parents can utilize to promote compassion, encourage gratitude, and teach the art of forgiveness to their children. Billionaire Parenting shares practical tips and global wisdom designed to empower parents with innovative and Whole-Listic methods to nurture emotional needs while guiding you to find their inner strengths.
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
Sin is a most confounding enemy—and one that hinders man from living a fulfilling life. To help mankind cope with the problem of sin and ill health, however, God has given humanity many tools, including endowing them with His image, likeness, and intelligence to develop medicines capable of overcoming spiritual and physical diseases. God also gave mankind the Presbytery Crisis Prayer Ministry (PCPM), granting it to the church in fulfillment of Christ’s threefold ministry—to preach, to teach, and to heal. According to the revelation of the epistle of James, the local church is to function as God’s hospital, with the presbytery and church elders operating as His divine physicians.
This book establishes new information about the likely content of ten lost plays from the period 1580–1642. The plays’ authors include Nashe, Heywood, and Dekker; and they connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. In the process, the study offers innovative thinking both on the practicalities of digital humanities and on the emerging field of lost play studies.
This book provides an innovative and critical view into the linkages between discourse and politics and between culture and policies within the United States looking at various critical moments in the history of the development of the American Empire. Ultimately, this book provides insight into the complex interrelationships between policy, the military, discourse, and culture focusing upon the power centres of discourse creation while connecting previously disjointed lines of historical and media research considering the U.S. military and its undisputed global impact throughout the twentieth and twenty-first century.
Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.
The work of art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences, institutional framework and legacy of his work, this book uses previously unexamined archival material and unseen artworks to reveal the context within which Ehrenzweig worked, and how that influenced him and those artists with whom he worked closely.
Drawing on history, art history, literary criticism and theory, gender studies, theology and psychoanalysis, this interdisciplinary study analyzes the cultural significance of the Shrine of our Lady of Walsingham, medieval England's most significant pilgrimage site devoted to the Virgin Mary, which was revived in the twentieth century, and in 2006 voted Britain's favorite religious site. Covering Walsingham's origins, destruction, and transformations from the Middle Ages to the present, Gary Waller pursues his investigation not through a standard history but by analyzing the "invented traditions" and varied re-creations of Walsingham by the "English imagination"- poems, fiction, songs, ballads, musical compositions and folk legends, solemn devotional writings and hostile satire which Walsingham has inspired, by Protestants, Catholics, and religious skeptics alike. They include, in early modern England, Erasmus, Ralegh, Sidney, and Shakespeare; then, during Walsingham's long "protestantization" from the sixteenth through nineteenth centuries, ballad revivals, archeological investigations, and writings by Agnes Strickland, Edmund Waterton, and Hopkins; and in the modern period, writers like Eliot, Charles Williams, Robert Lowell, and A.N. Wilson. The concluding chapter uses contemporary feminist theology to view Walsingham not just as a symbol of nostalgia but a place inviting spiritual change through its potential sexual and gender transformation.
The symphony retained its primacy as the most prestigious large-scale orchestral form throughout the first half of the twentieth century, particularly in Britain, Russia and the United States. Likewise, Australian composers produced a steady stream of symphonies throughout the period from Federation (1901) through to the end of the 1950s. Stylistically, these works ranged from essays in late nineteenth-century romanticism, twentieth-century nationalism, neo-classicism and near-atonality. Australian symphonies were most prolific during the 1950s, with 36 local entries in the 1951 Commonwealth Jubilee Symphony competition. This extensive repertoire was overshadowed by the emergence of a new generation of composers and critics during the 1960s who tended to regard older Australian music as old-fashioned and derivative. The Australian Symphony from Federation to 1960 is the first study of this neglected genre and has four aims: firstly, to show the development of symphonic composition in Australia from Federation to 1960; secondly, to highlight the achievement of the main composers who wrote symphonies; thirdly, to advocate the restoration and revival of this repertory; and, lastly, to take a step towards a recasting of the narrative of Australian concert music from Federation to the present. In particular, symphonies by Marshall-Hall, Hart, Bainton, Hughes, Le Gallienne and Morgan emerge as works of particular note.
The author tells her life story through journals and real life vignettes written in the first person. She describes her experiences while growing up in a segregated, mid-twentieth century African American community. Nurturing relationships and activities in her working class African American home, learning in segregated African American schools, and strong connections between her home, schools, and other community institutions are described. Family history and customs, community characteristics, and socio-economic and political circumstances and events that affected her early life and her upbringing are described. Included in her story are prominent people, places, events, and circumstances that facilitated her holistic development from early childhood through adolescence. Readers will be able to infer how all the above factors and enriched learning activities in and outside of school resulted in her a positive self-image and outlook on life as well as her determination to pursue chemistry studies in challenging higher education institutions. Throughout the book the author provides commentary in which she explicitly connects her early life with events and experiences (academic, professional, and personal family life) that occurred along her journey in later years.
Human Factors Methods and Accident Analysis is the first book to offer a practical guide for investigators, practitioners and researchers wishing to apply accident analysis methods. It is also unique in presenting a series of novel applications of accident analysis methods, including HF methods not previously used for these purposes (e.g. EAST, critical path analysis), as well as applications of methods in new domains.
Sexy Christians." The phrase sounds like an oxymoron, but God never intended it to be. Sexual fulfillment is, in fact, God's idea. Yet many Christians seem to think the more spiritual they are, the less sexual they will be, and the more sexual they are, the less spiritual they will be. Dr. Ted and Diane Roberts want to turn this thinking on its head. Readers will learn why men and women see sex differently, what the greatest aphrodisiac is, and how to avoid the most lethal killer to a great sex life. The authors also explore what men's and women's sexual needs are and why they are so different, what sex is all about from God's perspective, and what the differences are between male and female sexual response cycles. End-of-chapter questions encourage couples to apply the book's principles at home. Readers and groups can go a step further with the Sexy Christians Workbook. Loaded with additional content, this workbook is designed to challenge couples to explore the rewarding work of intimacy.
Pustules and plague corpses in Smithfield. Women disguised in men's clothing. A shark in the Thames. London's East End has a history soaked in blood. The Great Plague of London can be traced to its streets; Jack the Ripper prowled here, as did the Ratcliffe Highway murderer and the gunmen of the famous Sidney Street siege. Communists, fascists, suffragettes and the Skeleton Army have all fought through the streets of the East End, before it weathered the worst that the Nazi bombers could throw at it during the dark days of the Blitz. Historically viewed as a 'den of iniquity', and once teeming with opium dens, bodysnatchers and paupers, this is a story of dreadful odds and of determination, filled with horror, grim British humour and hundreds of incredible years of history.
Focusing on top civilian and military advisors within the national security establishment, this significant book looks at four case studies with a focus on civil-military relations within the US Department of Defense. It investigates whether balanced approaches produce more effective policies and outcomes than dominating structures. The culmination of Gibson's treatise is the advancement of the 'Madisonian approach' to civilian control of the military, a normative framework designed to replace Samuel Huntington's 'Objective Control' model and also the 'Subjective Control' model, initially practised by Defense Secretary Robert McNamara and most recently by Defense Secretary Donald Rumsfeld. The Madisonian approach calls for changes in US law and new norms to guide the interactions of key participants who populate the civil-military nexus. This book is destined to influence US strategic thinking and should be added to the syllabus of courses in civil-military relations, strategic studies and military history. Given the struggling US policy in Iraq, the time is right for a critical review of US civil-military relations and this book provides the departure point for analysis and a potential way forward.
From the first settlers in 1735, Orangeburg has evolved through the years into a beautiful and vibrant city. This volume features former small-town life when there were still livery stables, bicycle shops, and emerging car dealers. One can almost hear the clanking of the bottles being filled on the conveyor line at the Orangeburg Coca-Cola Bottling Company or see the stalwart firemen protecting buildings and homes, not to mention repairing and refurbishing used toys for indigent children at Christmastime. The town's fame extended into the political sphere as well--President Kennedy personally informed the publisher of the local newspaper that his most successful Navy assignment in World War II was when he was sent to Orangeburg. From the county fair to the Hawthorne School of Aeronautics, where over 5,000 pilots were trained in World War II, it is all here in this glorious collection of old Orangeburg photographs.
This book provides a detailed exploration of the relationships between individual architects, educators, artists and designers that laid the foundation and shaped the approach to designing new school buildings in post-war Britain. It explores the life and work of Mary Medd (née Crowley) (1907-2005) who was alongside her husband and professional partner, David Medd, one of the most important modernist architects of the 20th century. Mary Medd devoted the major part of her career to the design of school buildings and was pioneering in this respect, drawing much inspiration from Scandinavian architecture, arts and design. More than a biography, the book draws attention to the significance of relationships and networks of friendships built up over these years among individuals with a common view of the child in educational settings.
The origin of this book is the compelling evidence that a high proportion of machinery-related deaths and injuries are attributable to genuine and serious risks originating within machine design and construction. Through a unique blending of rich empirical data coupled with safety, human factors, socio-legal and learning scholarship, Elizabeth Bluff provides both a nuanced account of firms’ performance for machinery safety, and makes conceptual and theoretical contributions to understanding and explaining their performance. These insights provide the foundations to enhance regulatory design, and the book’s conclusion recommends some innovative directions for regulatory interventions to sustain the safe design and construction of machinery.
Susan Burney (1755-1800) was the third daughter of the music historian Charles Burney and the younger sister of the novelist Frances (Fanny) Burney. She grew up in London, where she was able to observe at close quarters the musical life of the capital and to meet the many musicians, men of letters, and artists who visited the family home. After her marriage in 1782 to Molesworth Phillips, a Royal Marines officer who served with Captain Cook on his last voyage, she lived in Surrey and later in rural Ireland. Burney was a knowledgeable enthusiast for music, and particularly for opera, with discriminating tastes and the ability to capture vividly musical life and the personalities involved in it. Her extensive journals and letters, a selection from which is presented here, provide a striking portrait of social, domestic and cultural life in London, the Home Counties and in Ireland in the late eighteenth century. They are of the greatest importance and interest to music and theatre historians, and also contain much that will be of significance and interest for Burney scholars, social historians of England and Ireland, women's historians and historians of the family.
From the moment governments began making money from levying duty on imported goods, a smuggling trade developed to avoid paying such taxes. Whilst the popular image of historic smuggling remains a romantic one, this book makes clear that the illicit trade could be a large-scale and systematic business that relied on the connivance of well-connected merchants. Taking the port of Bristol as a case study, the book provides the most sophisticated historical study ever undertaken of the smugglers’ trade, in England or abroad. Following on from the author’s prize-winning article in Economic History Review, the volume employs the business accounts of sixteenth-century merchants to reconstruct their illicit operations. It presents a detailed analysis of the merchants’ illegal businesses, assessing how individual merchants, and Bristol’s commercial class, were able to protect their contraband trade. More fundamentally, it examines how and why the illicit trade developed, why the Crown was unable to suppress it, and the role smuggling played within Bristol’s wider economy. Through an investigation of these matters the study explores a world that has long attracted popular interest, but which has always been assumed to be immune to serious historical investigation. The book offers a pioneering study, demonstrating that a detailed examination of a particular time and place, based on a close and integrated reading of both official and private records, can make it possible for historians to investigate illicit economies to a greater degree than has previously been believed possible.
John Antill (1904-1986) was one of the foremost composers of Australia’s ‘post-colonial period’. Although a relatively prolific and much esteemed composer in Australia, Antill’s wider reputation is sustained chiefly by his famous ballet Corroboree - a work which was perceived to bring an authentic Australian musical style before both a national and international audience for the first time. Through Sir Eugene Goossens’s championship, the work was heard by enthusiastic audiences in Australia, Britain, Europe and the USA, and was, for many years, the best-known work of any Australian-born and resident composer. Indeed it has remained, for both Australian and overseas audiences, an Australian musical ‘icon’. David Symons traces Antill’s development as a composer from his early, pre-Corroboree works, which display a late Romantic to post-impressionist style, through an analysis of the virile, dissonant, ‘primitivist’ idiom of his magnum opus, to an examination of his later output of theatrical, orchestral and vocal/choral works. The book provides comprehensive and valuable insight into Antill’s musical output, at the same time focussing on more detailed analyses of his major works which have reached public performances and/or recordings. In this way the book not only presents a developmental picture of Antill’s works, but also demonstrates why they have made him one of Australia’s most prominent musical creators of the post-colonial period.
Since the beginning of the twentieth century, critics have predominantly offered a negative estimate of John Donne’s Metempsychosis. In contrast, this study of Metempsychosis re-evaluates the poem as one of the most vital and energetic of Donne’s canon. Siobhán Collins appraises Metempsychosis for its extraordinary openness to and its inventive portrayal of conflict within identity. She situates this ludic verse as a text alert to and imbued with the Elizabethan fascination with the processes and properties of metamorphosis. Contesting the pervasive view that the poem is incomplete, this study illustrates how Metempsychosis is thematically linked with Donne’s other writings through its concern with the relationship between body and soul, and with temporality and transformation. Collins uses this genre-defying verse as a springboard to contribute significantly to our understanding of early modern concerns over the nature and borders of human identity, and the notion of selfhood as mutable and in process. Drawing on and contributing to recent scholarly work on the history of the body and on sexuality in the early modern period, Collins argues that Metempsychosis reveals the oft-violent processes of change involved in the author’s personal life and in the intellectual, religious and political environment of his time. She places the poem’s somatic representations of plants, beasts and humans within the context of early modern discourses: natural philosophy, medical, political and religious. Collins offers a far-reaching exploration of how Metempsychosis articulates philosophical inquiries that are central to early modern notions of self-identity and moral accountability, such as: the human capacity for autonomy; the place of the human in the ‘great chain of being’; the relationship between cognition and embodiment, memory and selfhood; and the concept of wonder as a distinctly human phenomenon.
Jacob Goode came first to Sydney in the early 1830’s but came north after some bad decisions corroded his business. He became one of the colourful characters of the early settlement of Moreton Bay, Queensland. Becoming an hotelier gave him the opportunity to indulge in his favourite pass times of horse racing and excessive use of alcohol. When things got a bit too hot to handle he sold his hotel, packed his dray, and headed for the mountains to the north-west. Being given approval by the owner of the station on which he stopped on his odyssey (that’s a good word eh?) he set up camp and before the end of 1848 the Burnett Inn, or Goodes Inn, as it was also known, was established at Noogoonida. Once settled his his wife, Jane, arrived to help him run the Inn. This area of the South Burnett could have been likened to the roaring days of the American West; characters came and went and put life into the buildings that he established before his death in 1858. In ten years, Jacob had established the area and provided the Inn, Store, Post Office, holding yards, Church, Court Room and Police Quarters and Gaol, which was the genesis of the township of Nanango. Jacob and Jane lived a full life but ten years of excessive drinking and incurred debts caused their eventual death and the demise of his dreams.
The Single Homemaker and Material Culture in the Long Eighteenth Century represents a new synthesis of gender history and material culture studies. It seeks to analyse the lives and cultural expression of single men and women from 1650 to 1850 within the main focus of domestic activity, the home. Whilst there is much scholarly interest in singleness and a raft of literature on the construction and apprehension of the home, no other book has sought to bring these discrete studies together. Similarly, scholarly work has been limited in evaluating gendered consumption practices during the long eighteenth century because of an emphasis on the homes of families. Analysing the practices of single people emphasises the differences, but also amplifies the similarities, in their strategies of domestic life.
Challenging a long-standing trend that sees the Renaissance as the end of communal identity and constitutive group affiliation, author Joshua Phillips explores the perseverance of such affiliation throughout Tudor culture. Focusing on prose fiction from Malory's Morte Darthur through the works of Sir Philip Sidney and Thomas Nashe, this study explores the concept of collective agency and the extensive impact it had on English Renaissance culture. In contrast to studies devoted to the myth of early modern individuation, English Fictions of Communal Identity, 1485–1603 pays special attention to primary communities-monastic orders, printing house concerns, literary circles, and neighborhoods-that continued to generate a collective sense of identity. Ultimately, Phillips offers a new way of theorizing the relation between collaboration and identity. In terms of literary history, this study elucidates a significant aspect of novelistic discourse, even as it accounts for the institutional disregard of often brilliant works of early modern fiction.
The Essex village of Earls Colne boasts one of the most comprehensive collections of historical documents in Britain, and has been the subject of an intensive and ongoing research project to collate and computerise the surviving records. As such, Earls Colne is undoubtedly one of the most studied parishes in England. Yet whilst much is now known about the village and its inhabitants, little work has been done on the social relationships that bound the community together within its mental and physical landscape. As such, scholars will welcome Dr MacKinnon’s investigation into the social, political and cultural world of early modern England as represented by Earls Colne. The book provides a fresh approach to the study of the landscape of a seventeenth-century village by focussing on the relationships between political power and cultural artefacts. It examines how private, public and communal spaces within society were generated, gendered and governed, and how this was recorded and perpetuated in the records, names, and monuments of the parish and surrounding landscape. Yet whilst the ‘elites’ tried to represent a select social landscape through their control of the local records and documents, these attempts were always counterbalanced by the less powerful members of the community who occupied and contested these spaces. By reconstructing the dynamics of Earls Colne through a careful reading and cross-referencing of the surviving documents, buildings and place names, this book offers a fascinating insight into how the sights and sounds of early modern society were imbued with the social relations of parish politics. As well as deepening our understanding of Earls Colne itself, the book offers historians the potential to revisit other local studies from a fresh perspective.
Maritime Power in the Black Sea provides the first comprehensive assessment and evaluation of the comparative maritime power of the six littoral states in the Black Sea - Turkey, Russia, Ukraine, Georgia, Romania and Bulgaria. This book examines the maritime capabilities and assets of each of these states and also considers the implications of the distribution of maritime power on both regional and international security.
This Guideline Book is based on the facts of the Nobel Prize, and how you can contribute knowledge to humanity in order to win in any fields of the awarding Nobel Prizes from the Nobel Prize Foundation if you are a knowledge contributor in any field of the six prizes of the Nobel Prize. It's very hard to get or win the Nobel Prize easily if you're not a knowledge contributor. Wisely, if you try your best to contribute any knowledge to humanity then you can win any of the Nobel Prizes unconditionally. Let me tell you, the Nobel Prize needs special dedications in self-reliance to achieve something in any fields of knowledge, and the true concentration is the only option for your tireless efforts and ability to contribute or invent some knowledge to humanity. This guideline book will also help you if you're a true challenger, a solver or a servant to God who wants to help and contribute some knowledge to humanity because it will teach you whatever you may need to know more about the Nobel Foundation, the Nobel Founder, Nobel Prizes & The Nobel Prize Committees and how they govern the Nobel Prize? I wrote this guideline book for you to enjoy simply and learn how you can win the Noble Prize? And how you can put your name in the List of the World Nobel Laureates? It is based on how really you can win the Nobel Prize? Try it now! Following the right footsteps of your honesty and kindness for any concentrated contributions for any knowledge to humanity then you're officially the Nobel Prize Winner! Hopefully, this guideline book can help you to master how you can know the Nobel Prize? You can solve any obstacles while adjusting your new lifestyle peacefully during your research for any knowledge contributions to humanity in order to hunt and win the Nobel Prize. This is also intended for every Nobel Prize Aspirant who likes to touch and win the meaning of a true Global Prize, which you can only win if you're really a knowledge contributor of any one of the six recognized fields by the Nobel Prize Foundation and its Nobel Prize Committees. You will enjoy it as you're reading and learning something from this guideline book for the Nobel Prize that is valuable to your new or future struggle for the Nobel Prize wherever and whenever you're ready to contribute anything about knowledge to humanity.
How to Become a Miracle-Worker with Your Life is about a powerful ancient technique to solve any kind of problem in a permanent way. This technique, called Ho’oponopono became well-known worldwide when it was used by a doctor to cure a ward of deranged dangerous prisoners without him having any type of personal contact with them. This tool is based on the principles of repentance, forgiveness, love and gratitude. This almighty technique has a very wide application; it can be used to resolve all types of difficulties in different areas, such as relationships, health conditions, financial challenges and career problems. The simplicity and effortlessness regarding the use of this problem-solving tool makes it suitable to be used by anybody on any occasion. The effects of the use of this technique are long-lasting, for this technique focuses on the causes of problems instead of their consequences. This book provides the reader with a stepwise process to apply this powerful technique, with countless practical exercises. With the frequent use of this technique the reader will gradually become healthier, wealthier and more fulfilled regarding career, business, relationships, and other relevant areas.
Author Alan Brown shines the light on some of worst characters in Mississippi history. Mississippi's nickname--"The Magnolia State"--highlights the region's natural and architectural beauty. However, Mississippi is also home to a rogue's gallery of thieves and murderers, beginning with the nation's first serial killers--the Harpe Brothers--and continuing to the present with Glen Rogers, "The Cross Country Killer." Lurking through Mississippi Scoundrels is a wide variety of scalawags, ranging from the 19th century "hell raisers " in Natchez-under-the-Hill to racist murderers, like Byron De La Beckworth and Samuel Bowers. Readers will also find "bad men" who have morphed into folk heroes, like Rube Burrow--"The King of the Train Robbers"--and Texas Red, Franklin County's African-American outlaw. But this book isn't all about atrocious men. Here you'll encounter vile women such as Ouida Keaton and Ruth Thompson, both of whom committed matricide, and Carolee Biddy, who killed her stepdaughter.
Through an analysis of textual representations of the American landscape, this book looks at how North America appeared in books printed on both sides of the Atlantic between the years 1660 and 1745. A variety of literary genres are examined to discover how authors described the landscape, climate, flora and fauna of America, particularly of the new southern colonies of Carolina and Georgia. Chapters are arranged thematically, each exploring how the relationship between English and American print changed over the 85 years under consideration. Beginning in 1660 with the impact of the Restoration on the colonial relationship, the book moves on to show how the expansion of British settlement in this period coincided with a dramatic increase in the production and consumption of the printed word and the further development of religious and scientific explanations of landscape change and climactic events. This in turn led to multiple interpretations of the American landscape dependent on factors such as whether the writer had actually visited America or not, differing purposes for writing, growing imperial considerations, and conflict with the French, Spanish and Natives. The book concludes by bringing together the three key themes: how representations of landscape varied depending on the genre of literature in which they appeared; that an author's perceived self-definition (as English resident, American visitor or American resident) determined his understanding of the American landscape; and finally that the development of a unique American identity by the mid-eighteenth century can be seen by the way American residents define the landscape and their relationship to it.
In her light-hearted, accessible style, Dr. Denise O’Dwyer, Chartered Principal Psychologist from Ireland, offers a contemporary summary of thoughts, ideas, insights, research and reflections - many of which regularly present for people, both in and outside of formal therapy. Psychology with a Sparkle is a journey of professional insights, personal stories, scientific research, and tips and strategies for dealing with the seemingly fixed and immovable, to sparkling fluidity. The author explains how people can successfully overcome maladaptive thinking and behavior patterns, silence their inner critic, improve relationships, overcome imposter syndrome, and strive toward becoming their personal best – physically, emotionally, psychologically, spiritually and sartorially. Learn How To: • overcome fears and self-limiting beliefs • take an honest appraisal of strengths and areas for development • establish personal values, goals, standards and daily non-negotiables • improve relationships and sexual intimacy • explore adult attachment styles • lead from the heart as well as the intellect • dress to express • celebrate and share unique gifts and talents The author highlights how each individual’s definition of success is different, and how it is up to each person to define and establish what success means, in shaping their lives and lifestyles. “Someone who is healthy has a million dreams. Someone who is not, has one.”
About the Book The inspiration of Church Fathers, Church Councils, and the Roman Church was to impose a Church order. The Church Order resolved to bring separation between “oppressive Judaism” and the Grace of the Risen Lord. Examination of the history of the established Church and of the scriptural intent of the I AM on current established theology does not support this pretense. The promises of Yehovah were for those who descended from Abraham, and those who chose to become his heirs according to the covenants made with them. Is the current teaching of the Church in accord with the six covenants, or were those covenants alleviated? Is the I AM the same yesterday, today, and forever? Did He change His mind? Or is there a plan laid out in Scripture that we have ignored, altered, or misunderstood. About the Author The Rev. Dr. Lawrence Olin Watt studied at Ottawa University (1969-1973, Midwestern Baptist Theological Seminary (1973 and 2017-2020), Central Baptist Theological Seminary (1974-1979), Central Michigan University (1992-1994), and the University of Phoenix (2005-2013). He has been a pastor in Churches in Kansas, Missouri, Illinois, Indiana, Michigan, and Maryland. He was a Special Education Administrator in Prince George’s County, Maryland. He worked with emotionally challenged teenage boys in the Juvenile Justice Systems in Porter County, Indiana and Newaygo County Michigan. Dr. Watt was on the Board of Directors for a support group assisting survivors of Suicide. Dr. Watt and his wife Keli have six adult children and a plethora of foster children. Dr. Watt is currently retired from the school and Juvenile Justice systems. He Continues to serve as Pastor of Central Seventh Day Baptist Church in Upper Marlboro, Maryland. In his spare time, Dr. Watt works (plays) with his four Mopar Hemis. He enjoys driving them across the United States and Canada.
Drawing from unique source material in the Lambeth Palace Library archives and reproducing many original writings of Ramsey for the first time, Webster explores key questions which surround Ramsey’s tenure. How did Ramsey react to the rapid hollowing-out of the regular constituency of the church whilst at the same time seeing sweeping changes in the manner in which the church tried to minister to those members? What was his role in the widening of the church's global vision, and how did the nature of the role of archbishop as figurehead change in this period?
We are on the cusp of a dramatic wave of technological change - from blockchain to automated smart contracts, artificial intelligence and machine learning to advances in cryptography and digitisation, from Internet of Things to advanced communications technologies. These are the new technologies of freedom. These tools present a historical unprecedented opportunity to recapture individual freedoms in the digital age - to expand individual rights, to protect property, to defend our privacy and personal data, to exercise our freedom of speech, and to develop new voluntary communities. This book presents a call to arms. The liberty movement has spent too much time begging the state for its liberties back. We can now use new technologies to build the free institutions that are needed for human flourishing without state permission. The New Technologies of Freedom is part of a joint project between the RMIT Blockchain Innovation Hub, an academic research centre based at RMIT University in Melbourne Australia, and the Mannkal Economic Education Foundation. Mannkal's mission is developing future free market leaders. Mannkal promotes free enterprise, limited government and individual initiative for the benefit of all Australians. The American Institute for Economic Research in Great Barrington, Massachusetts, was founded in 1933 as the first independent voice for sound economics in the United States. Today it publishes ongoing research, hosts educational programs, publishes books, sponsors interns and scholars, and is home to the world-renowned Bastiat Society and the highly respected Sound Money Project. The American Institute for Economic Research is a 501c3 public charity.
One of the most fascinating figures of the American Revolution, General Francis Marion slipped in and out of the Carolina swamps to strike sudden, devastating blows against the British. Cutting through the Swamp Fox legend, Robert D. Bass has arrived at a realistic and fascinating appraisal of this military genius with this 1959 literary work. “[A] close but spirited chronology of the raids and routs [General Francis Marion] led against the British. A humane man, a dedicated soldier with a devotion to duty and a worship of liberty, [he] was also a taciturn, moody and introverted character. With an intuitive sense of strategy, particularly that of the swift advance and the rapid retreat, he became a sound and savage fighter [...] rose from the ranks as an unknown captain to become a Brigadier General. Here, bivouac by bivouac, are the lashes and the sieges in which he engaged; the daring rescue of 150 Rebel prisoners from Sumter’s house; the bedevilment and the destruction of the British is small diversionary actions; and the indefatigable endurance of that gaunt, ill-kempt, gallant fighter who became a nemesis to Cornwallis and the entire British Army....”—Kirkus Review
The Baroque Spanish stage is populated with virile queens and feminized kings. This study examines the diverse ways in which seventeenth-century comedias engage with the discourse of power and rulership and how it relates to gender. A privileged place for ideological negotiation, the comedia provided negative and positive reflections of kingship at a time when there was a perceived crisis of monarchical authority in the Habsburg court. Author María Cristina Quintero explores how playwrights such as Pedro Calderón de la Barca, Tirso de Molina, Antonio Coello, and Francisco Bances Candamo--taking inspiration from legend, myth, and history--repeatedly staged fantasies of feminine rule, at a time when there was a concerted effort to contain women's visibility and agency in the public sphere. The comedia's preoccupation with kingship together with its obsession with the representation of women (and women's bodies) renders the question of royal subjectivity inseparable from issues surrounding masculinity and femininity. Taking into account theories of performance and performativity within a historical context, this study investigates how the themes, imagery, and language in plays by Calderón and his contemporaries reveal a richly paradoxical presentation of gendered monarchical power.
In this book, Daniel Cadman examines the development of neo-Senecan drama, also known as ‘closet drama’, during the years 1590–1613. In analyzing how these plays illuminate various aspects of early modern political culture, the book addresses gaps in the scholarship of early modern drama and explores new contexts in relation to more familiar writers, as well as extending the critical debate to include hitherto neglected authors.
Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.
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