During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ‘Old Hundredth’, ‘Martyrs’, and ‘French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.
This book examines the struggle for Protestant consensus and unity through the work of John a Lasco (1499–1560). It is only in recent years that scholars have begun to recognize the importance of Lasco as one of the leading figures of the European Reformation, and a pivotal figure between Lutheran and Reformed theologians. The Polish reformer was among the most dynamic church organizers of the sixteenth century, dedicated to healing the divisions among evangelicals and searching for the key to Protestant unity in the example of the Apostolic Church. It was to this end that he published the Forma ac ratio in 1555, a work that recorded the rites and practices of the London Strangers' Church (of which he had been the first superintendent) and to provide a model for uniting the disparate Protestant communities on the Continent. Although some recent works have focused on aspects of Lasco's early career in Germany and England, this is the first book to provide a comprehensive analysis of the Forma ac ratio, and the reformer's reasons for writing it. This study also puts Lasco's distinct model for Protestant churches into the wider European context and assesses his impact on the struggle for unity through an examination of his correspondence, the reaction to his writings, and his influence on Protestant congregations across Europe.
This study examines the history of record collecting; profiles collectors and the collecting process; considers categories—especially music genres—and types of record collecting; and outlines and discusses the infrastructure within which collecting operates. Shuker situates this discussion within the broader literature on collecting, along with issues of cultural consumption, social identity and 'the construction of self' in contemporary society. Record collecting is both fascinating in its own right, and provides insights into broader issues of nostalgia, consumption and material culture.
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