Exploring the different points of view and 'tones of voice' adopted in theology for the meeting of religions, this book presents a contemporary philosophical and theological engagement with key issues of how different faiths might meet, of comparative philosophy of religion, of the use of aesthetics, of inter-religious ethics and issues relating to the self. Providing a critical evaluation of contemporary liberal, post-liberal and conservative voices, and an engagement with movements such as Radical Orthodoxy and Scriptural Reasoning to mention a few, this book highlights the use of the creative imagination and explores new ideas for the meeting of religions.
For much of the modern period, theologians and philosophers of religion have struggled with the problem of proving that it is rational to believe in God. Drawing on the thought of Thomas Aquinas, this book, a companion to Theological Philosophy, lays the foundation for an innovative effort to overturn the longstanding problem of proving faith's rationality, and to establish instead that rationality requires to be explained by appeals to faith. To this end, Schumacher advances the constructive argument that rationality is not only an epistemological question concerning the soundness of human thoughts, which she defines in terms of ‘intellectual virtue’.
For much of the modern period, theologians and philosophers of religion have struggled with the problem of proving that it is rational to believe in God. Drawing on the thought of Thomas Aquinas, Theological Philosophy seeks to overturn the longstanding problem of proving faith's rationality and to establish instead that rationality requires to be explained by appeals to faith. Building on a constructive argument developed in a companion book, Rationality as Virtue, Lydia Schumacher advances the conclusion that belief in the God of Christian faith provides an exceptionally robust rationale for rationality and is as such intrinsically rational.
How should we relate to 'others' - those within a particular tradition, those of different traditions, and those who are oppressed? In the light of these anxieties, and building on the work of Andrew Shanks, this book offers a vision of Christ as 'the Shaken One', rooted in community with others. Shaped through dialogue with the theologies of John Hick and Lesslie Newbigin, Adams urges Christian communities to attend more deeply to the demands of ecumenical, dialogical and political theologies, to embody an ever greater 'solidarity of others' - a quality of community better demonstrating Christlike 'other-regard'.
Understanding the religious beliefs and practices of the other raises hermeneutic questions on the extent to which the dialogical call to openness is related to commitment, the meaning of religious identity, and whether openness to the beliefs of the other poses a threat to one's religious identity. If interreligious learning demands that the interlocutors unite their attitude of commitment and openness, how does this occur without the loss of alterity? This book addresses these questions within the context of Christian-Muslim dialogue on Christology as an exercise in learning - a new form of dialogue which leads Christians and Muslims to the discovery of common values such as prayer and submission to God; peace and peaceful co-existence, and solidarity with the poor and marginalised.
Moral life gathers its shape, force and meaning in relation to an underlying sense of reality, imaginatively conceived. Significant contemporary writing in philosophy appeals to the concept of ‘transcendence’ to explore what is deepest in our moral experience, but leaves this notion theologically unspecified. This book reflects on the appeal to transcendence in ethics with reference to the Resurrection of Jesus. Bachelard argues that the Resurrection reveals that the ultimate reality in which human life is held is gracious, forgiving and reconciling, a Goodness that is ‘for us’. Faith in this testimony transforms the possibilities of moral life, both conceptually and in practice. It invites our participation in a goodness experienced non-dualistically as grace, and so profoundly affects the formation of the moral self, the practice of moral judgement and the shape of moral concepts. From this perspective, contemporary philosophical discussion about 'transcendence' in moral thought is cast in a new light, and debates about the continuity between theological and secular ethics gain a thoroughly new dimension. Bachelard demonstrates that placing the Resurrection at the heart of our ethical reflection resonates with the deepest currents of our lived moral experience and transfigures our approach to moral life and thought.
Among numerous cancers, breast cancer is one type of cancer in which most tumors are formed in females' breasts and rarely in males. Cell growth remains irregular in this type of cancer, and a cancerous tumor in the breast of women develops without a gap. The increasing occurrence of breast cancer in women typically leads to the death of females. Breast Cancer may be caused due to inherited DNA or abnormal change in DNA / RNA structure. The structure and arrangement of nucleotides in genomes decide the characteristics of living organisms. During the transition from parent to child via inheritance, certain abnormal changes in the arrangement of genes take place. The search for disease incidence and control procedures are being carried out quickly, despite considerable progress in breast cancer. It is determined that one reason for the origin and spread of breast cancer in subsequent generations is also genetic. Researchers concentrate on studying cancer cell gene sequences to detect instances of similarities and unusual changes in gene structure from parent to generation of children
Both timely and topical, with 2005 marking the 60th anniversary of the end of the Second World War, this unique book examines the little-known and under-researched area of German migration to Britain in the immediate post-war era. Authors Weber-Newth and Steinert analyze the political framework of post-war immigration and immigrant policy, and the complex decision-making processes that led to large-scale labour migration from the continent. They consider: * identity, perception of self and others, stereotypes and prejudice * how migrants dealt with language and intercultural issues * migrants' attitudes towards national socialist and contemporary Germany * migrants' motivation for leaving Germany * migrants' initial experiences and their reception in Britain after the war, as recalled after 50 years in the host country, compared to their original expectations. Based on rich British and German governmental and non-governmental archive sources, contemporary newspaper articles and nearly eighty biographically–oriented interviews with German migrants, this outstanding volume, a must-read for students and scholars in the fields of social history, sociology and migration studies, expertly encompasses political as well as social-historical questions and engages with the social, economic and cultural situation of German immigrants to Britain from a life-historical perspective.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship.
The myth of Scott of the Antarctic, Captain Robert Falcon Scott, icon of fortitude and courage who perished with his fellow explorers on their return from the South Pole on March 29th, 1912, is an enduring one, elevated, dismantled and restored during the turbulence of the succeeding century. Until now, the legend of the doomed Terra Nova expedition has been constructed out of Scott's own diaries and those of his companions, the sketches of 'Uncle Bill' Wilson and the celebrated photographs of Herbert Ponting. Yet for the final, fateful months of their journey, the systematic imaging of this extraordinary scientific endeavor was left to Scott himself, trained by Ponting. In the face of extreme climactic conditions and technical challenges at the dawn of photography, Scott achieved an iconic series of images; breathtaking polar panoramas, geographical and geological formations, and action photographs of the explorers and their animals, remarkable for their technical mastery as well as for their poignancy. Lost, fought over, neglected and finally resurrected, Scott's final photographs are here collected, accurately attributed and catalogued for the first time: a new dimension to the last great expedition of the Heroic Age and a humbling testament to the men whose graves still lie unmarked in the vastness of the Great Alone.
Adopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This new 'cult of mountains' reacted to the symptoms and alienating forces associated with modern culture, defining and reinforcing models of subjectivity based on renewed wholeness and an aggressive attitude to physical and mental health. The arts were critical to this project, none more so than music, which occupied a similar space in Austro-German culture: autonomous, pure, sublime. In Modernism and the Cult of Mountains opera serves as a nexus, shedding light on the circulation of contesting ideas about politics, nature, technology and aesthetics. Morris investigates operatic representations of the high mountains in German modernism, showing how the liminal quality of the landscape forms the backdrop for opera's reflexive engagement with the identity and limits of its constituent media, not least music. This operatic reflexivity, in which the very question of music's identity is repeatedly restaged, invites consideration of musical encounters with mountains in other genres, and Morris shows how these issues resonate in Strauss's Alpine Symphony and in the Bergfilm (mountain film). By using music and the ideology of mountains to illuminate aspects of each other, Morris makes an original and valuable contribution to the critical study of modernism.
The first focused study of Vasari’s original contributions to museum formation, this collection presents a cross-disciplinary overview of Vasari’s approaches to collecting and display, and his impact and legacy with respect to the museum institution. Vasari specialists unite with scholars of historical museology to address the subject from the full range of aspects - collecting, installation, conceptual-historical - in which his influence is strongly felt.
A look at eye surgery in New Zealand and its many, often colourful, practitioners. This book throws new light on eye surgery from our colonial days to the present. Some early surgeons were itinerants who operated in hotel rooms and advertised like snake-oil salesmen. In contrast, others were at the top of the specialty and were huge contributors to medical education in New Zealand and Australia. Since the 1990s there has been a remarkable ascent of academic ophthalmology, resulting in New Zealand ophthalmologists and ophthalmic researchers becoming recognised internationally. It is a specialty which is serving New Zealanders superbly.
With empathy, humor, and unique insight, a psychologist examines drama addiction and charts a path for healing in this groundbreaking book. Do you know someone who seems to thrive on chaos, a person who manufactures crisis where there is none, makes mountains out of molehills, and whose very presence feels like an inescapable whirlwind? You may even label them a “drama queen.” This person might be someone close to you. This person might even be you. In this groundbreaking book, clinical psychologist and mind-body expert Dr. Scott Lyons turns the notion of the “drama queen” on its head, showing that drama is actually an addiction and those who are suffering with it are experiencing a much deeper psychological, biological, and social pain. For a person addicted to drama, the intensity becomes their way of coping. Their life is a constant cycle of crisis, chaos, and chronically high levels of stress. They may never be able to relax without an internal alarm going off, sending them spiraling back toward chaos. Drama is the stirring, the excitement, the exaggeration, the eruption, the unrest, and the medicine to feel alive in relation to the numbing of the internal and external world around them. For a person addicted to drama, the drama is often how they survive—or think they do. With studies, primary research, and patient stories, Dr. Lyons deconstructs this little-understood addiction, sharing: what drama addiction is and what it is not how to identify patterns of drama addiction in yourself and others the somatic effects of drama addiction, including chronic fatigue, autoimmune disease, joint and muscle pains, and other conditions the origins of drama addiction— and how we are heading towards a global pandemic of a dependency on crisis and chaos accessible exercises for recovery and healing Rather than dismiss addiction to drama as just attention-seeking, Dr. Lyons offers clear-eyed empathy, humor, and practical strategies to help us all understand and break free of the drama cycle.
Diagnostic paleoradiology is the use of X-ray studies to detect ancient diseases. The broad range of themes and imaging techniques in this volume reflects four decades of research undertaken by Don Brothwell in anthropology, human paleopathology, and zooarchaeology, combined with two decades of skeletal radiology experience during which Rethy Chhem read over 150,000 X-ray and CT studies. All the authors are leading experts in the fields of Radiology and Bioanthropology.
Over 10 million copies sold Written by the leading authority on sports card values, this collectors' classic is the definitive guide to organizing and pricing baseball card collections. A bestseller for over 25 years, The Official(R) Price Guide to Baseball Cards continues to cover all major baseball card manufacturers, including Bowman, Donruss/Playoff, Fleer, Topps, and Upper Deck. -Close to 300,000 prices for individual cards and complete sets issued from 1948 to the present -Professional advice on buying, selling, grading, and storing cards -Valuable coupons for discounts on Beckett Grading Services and Beckett magazines
This guide is packed with vital information for collectors and lists more than 40,000 prices for cards identified by manufacturer, year, and size. Advice is provided by the experts on determining the condition of cards; buying, selling, and trading cards profitably; and a glossary of industry terms. 850 photos.
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