It is said that parenting is the most important role in life, as well as the one for which there is the least amount of preparation! It is only natural to wonder how to be a good parent, to seek parenting advice, or to inquire into how to discipline children. Parenting teenagers requires the strongest parenting skills – and an almost endless supply of parenting tips. In the book “Generation gap”, Gnani Purush (embodiment of Self knowledge) Dada Bhagwan offers one of the most unique and best parenting books among the myriad of spiritual books available. Dadashri offers spiritual behavior modification techniques in support of good parenting and living for love in one’s family relationships. For anyone facing child behavior problems, undertaking teen parenting, or simply seeking a positive parenting program, this book will prove an invaluable resource.
Life requires continuous adjustment in relation to unpleasant and unfavorable circumstances. In everyday situations (such as opening an umbrella in the rain, or wearing a jacket in the cold) we generally don’t resist these required adjustments. However, when dealing with difficult people, facing unhealthy relationships, in family relationships, or in the midst of marriage problems, adjustments become increasingly difficult. Some of our relationships could even be said to be the very definition of conflict! We ask ourselves, how can we possibly adjust in these emotionally-challenging situations? In the book “Adjust Everywhere”, Gnani Purush (embodiment of Self knowledge) Dada Bhagwan offers the ultimate conflict resolution skills in the form of spiritual conflict resolution strategies. His key phrase “Adjust Everywhere” is explained in the context of many common and everyday relationship challenges. Whether seeking relationship tips, marriage advice, or simply to learn how to stay healthy, this book will prove an invaluable resource.
With so much concern in the world today about the effects of climate change, Eleu explains to the next generation that the number one thing that kids can do to help the planet is to be a vegan.
Eleu educates kids about how Covid-19 and many other diseases, including HIV, the common cold, swine flu, the avian flu, SARS, Ebola, MERS, mad cow disease, typhoid fever, leprosy, and anthrax, came from humans eating meat and bothering animals in the wild and explains how there would be no such problems like the one humans faced in 2020 if everyone was vegan.
Eleu determines that everything would be more fun if she was a cat. A magical wish grants her the opportunity to spend a day pouncing, climbing, slinking, and sneaking all over the house -- all the while driving Dada nuts!!
Unlike accounts that focus on 1940s Surrealism in the U.S. as a point of departure for the ascendance of the New York School, this study contends that Surrealism has been integral to the development of American visual culture over the course of the twentieth century. Through analysis of Surrealism in the museum and the marketplace, Sandra Zalman tackles Surrealism’s multi-faceted circulation as both elite and popular, and argues that Surrealism worked as a powerful agitator to disrupt dominant ideas of modern art.
“An artist does not produce the visible, he renders things visible. He reveals what we cannot see. He opens our eyes blinded by habit. He advances into the very heart of creation. He grasps life’s hidden forces and reveals them on canvas” – Govind Madhav Solegaonkar. Beyond the Canvas is a narrative account of the life story of the master artist, Govind Solegaonkar, as seen through the eyes of his youngest granddaughter, Renuka. Govind Solegaonkar (1912–1986) was an artist who made a significant contribution to Indian art. An alumnus of the JJ School of Art and later the president of the Indian Art Society, Solegaonkar’s life was the epitome of burning passion and complete dedication to art. Renuka, a doctor and an artist herself, was two years old when Govind Solegaonkar passed away. Having known her grandfather only through his paintings, Renuka wanted to understand him and his life better. Feeling stuck in her artistic journey, she was looking for answers to questions about the meaning of art, artistry and the pursuit of one’s passion. What did it mean to be an artist? What does it take to follow one’s heart? Through Solegaonkar’s life story, his paintings and his writings, Renuka goes on an explorative journey to understand the artist behind the art.
Short Grandpa and Grandma Tales Part 1: Treasure of our Life is a unique and valuable collection of short stories. Children love to listen to stories from their grandparents. These stories inculcate good values and help them to understand the importance of affection, good character, and a sense of respect toward their elders. A childs realm of imagination and creativity is enhanced by listening to the stories of fairies, kings, animals, and boys and girls like themselves. Like a grandmother, Grandfather has a very important role to play in the upbringing of grandchildren. These stories are a treasure of tales by grandparents. They have been written in a simple, lucid manner. Children can listen to or read the stories and enjoy them. This book has been created with beautiful artwork to take the children into the wonderful world of fantasy and is most collectible for your kids bookshelf.
A young man and woman have to face many things initially in their life, such as the first day in school, the pleasant memory of the first day of the tour with their parents, relishing the first day of friendship, sweet memory of the first day of love. When a lover and his lady-love think about their first love, the sense-perception that originates within their inner self can’t be expressed in words. This memory of first love might have evolved even at the fag-end of life. An individual might have fallen in love many times, but first love is special. A lover can’t forget the thrill of the very sensitive first touch, bartering of infatuating looks, bewitches the relishing of a first kiss. The first love came in the life of Shubhro. Due to some unnatural reasons, his sweetheart, Chandralekha, lost her life forever. Frustrated Shubhro ran about distractedly from place to place bearing the memoir of his first love. Facing some distracted love in his life, he escaped to some distant regions. Will he be able to find peace of mind?
Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. For all four, collage was an important creative catalyst, employed cathartically, aggressively, and experimentally. Collage's catalytic effect, Cran argues, enabled each to overcome a potentially destabilizing crisis in representation. Cornell, convinced that he was an artist and yet hampered by his inability to draw or paint, used collage to gain access to the art world and to show what he was capable of given the right medium. Burroughs' formal problems with linear composition were turned to his advantage by collage, which enabled him to move beyond narrative and chronological requirement. O'Hara used collage to navigate an effective path between plastic art and literature, and to choose the facets of each which best suited his compositional style. Bob Dylan's self-conscious application of collage techniques elevated his brand of rock-and-roll to a level of heightened aestheticism. Throughout her book, Cran shows that to delineate collage stringently as one thing or another is to severely limit our understanding of the work of the artists and writers who came to use it in non-traditional ways.
The Sadguru of Sakori - Upasani Maharaj, born Kashinath Govindrao Upasani, (May 5, 1870 - December 24, 1941) was considered by his disciples to be a Sadguru. He lived in Sakori, India and is said to have received God-realization from Sai Baba of Shirdi. Upasani Maharaj was the principal teacher of Meher Baba. Meher Baba first met Upasani Maharaj in 1914 when latter was staying in Shirdi with Sai Baba.
When amateurs travel, they enjoy, and when professionals travel, they feel supercalifragilisticexpialidocious. That’s why Dr Yajan Suhag transformed himself into a professional traveller when he met Brawn Riders Delhi in the middle of his visit to Kasol, a village full of taboos. Initially, he used to travel without any planning, but after encountering ‘BRD’, he started making strategic execution, 3D mapping of his visualizations and dominant management of his pecuniary affairs. He visited some tremendously beautiful places in India like Manali, Churdhar, Valley of Flowers, Badrinath and Mana but travelled Kasol like a hypnotic pendulum in infinite spiral loops to transcend at each Planck moment.
….. It is a very difficult task to write a biographical novel. In order to ensure the right balance of facts with creative liberty, the author needs to have the skills of a good biographer, as well as, a novelist. A biographer is a researcher and collector of memories; whereas, a novelist is mainly a dreamer who can spin stories out of nothingness. But, the author of a biographical novel needs to be an amalgamation of both, creativity and fact-finding, both. S/he needs to diligently record all the facts related to the protagonist's life. Even though s/he may take creative liberty while writing the novel, it cannot be forgotten that finally it is a 'biography', which must do justice to the happenings in the protagonist's life. Dates, timelines, family members, enemies, relations, important incidents etc., need to be mentioned properly, without taking them into the ambit of creative liberty. Only after doing so much preparation does a novelist become set to write a good biographical novel. What prompts a biographer to turn a person's life account into a novel, instead of taking the easy route and narrating his/her story in a straight way? It is the excitement of interspersing an author's gift of imagination and ingenuity with the actualities of the protagonist's life. However, it is a tightrope walk to be able to exercise one's creative abilities, while staying true to the researcher within. Only the perfect alchemy of both these factors can result in an excellent biographical novel." – M.W. Dhond An inspirational biographical novel about the life, times, personality, and revolutionary thoughts of the great man, Jyotirao Phule: 'MAHATMA
The book, Endangered Nature, Tales in Indian Context, authored by Dr. Pawan Kumar, are some untold stories on the nature. These stories have their characters from villages of India, depicts the suffering of animals, birds, trees, and environment. Dr. Pawan Kumar is a young emerging writer of India, who has published many stories and essays in renowned magazines of India and abroad. He has given multiple talks and conducted many radio programs on his work. He already has published four books about his stories, essays, and novels. Mankind has made irreversible dents on Mother Nature and has gone astray in fulfilling obligations and responsibilities toward her. The trees are being cut down, natural water reservoirs are being destroyed, and environment has become polluted, bringing the global warming at its climax. Many species are endangered now. Elephant tusks, animal skins, their skeletons and teeth are being smuggled through human network across the globe. Killings of animals are on the rise. These innocent animals who are voiceless suffer immensely by these inhumane and barbarian acts to fulfill mankinds food or monitory gains. These animals have the same emotions, feelings, and sentiments as human beings have. They love their family, and they mourn in their loss of their near or dear ones as we do. The irony is these animals cant go to the courts to seek justice. These stories remind us that we cant escape from our wrong doings toward Mother Nature as we cant escape from the court of the Almighty.
I hope you are well, sound of your mind and enjoying your days and nights. I know, many of your questions remained unanswered and one such question is "Why did I disappear suddenly after a stupid quarrel with you?‟ Isn't it? Yes, it was a meaningless and useless quarrel to me also, as it was to you, but the things started wrong even before. Do you remember the night; we were together in my room? Don‟t waste your time in advocating who was faulty for what happened between us but try to remember how much you changed since then. If I am not wrong, you never loved me. You started with me flirting over phone and then sharing the kitchen but still you never loved me. And your decision of marrying me was nothing but the sympathy towards me. I know, you got emotional first after knowing about my family and then about Sumit's betrayal to me. And ultimately when the cancer grabbed me, you decided to help poor Parul by marrying her but then also you were confused about your decision. You may love me from your brain, by your body but never from the heart. I loved you very much and shared everything with you even my bed but your love hurt me more than Sumit's betrayal. I had promised myself that I would not contact you any day but I did because I am again on chemotherapy, my cancer was never gone, it is now at its second stage. Doctors said nothing but I am sure that I have almost finished my journey but a month or two more. I am done. Still I love you Mr. Revolution and so I don't want you to compromise with your life, you marry a beautiful girl but remember, this time you make a hearty relation. And lastly, you can't find me out and even don't try because if you search me, you will get a heartless and frozen body only, not Parul. Be happy forever and live a prosperous life. With love, Your Parul” This is Parul's letter to Biplob. Know what was wrong between them. This book is all about the heart touching story of Biplob, a budding doctor. What are the situations he goes through? How he manages? What does love mean to him? And at the end author asks: Is Everything Really Fair in Love and War? It is a story of love, reality and the compromised life that we live.....!!!!
Augenblick, meaning literally 'In the blink of an eye', describes a 'decisive moment' in time that is both fleeting yet momentously eventful, even epoch-makingly significant. In this book Koral Ward investigates the development of the concept into one of the core ideas in Western existential philosophy alongside such concepts as anxiety and individual freedom. Ward examines the whole extent of the idea of the 'decisive moment', in which an individual's entire life-project is open to a radical reorientation. From its inception in Kierkegaard's works to the writings of Jaspers and Heidegger, she draws on a vast array of sources beyond just the standard figures of 19th and 20th century Continental philosophy, finding ideas and examples in photography, cinema, music, art, and the modern novel.
Geet Gawai (Bhojpuri Folk Songs in Mauritius) by Dr. Sarita Boodhoo: This book by Dr. Sarita Boodhoo presents a collection of Bhojpuri folk songs from Mauritius, offering readers insights into the rich cultural heritage of the Bhojpuri-speaking community on the island. The book celebrates the musical traditions and expressions of the community. Key Aspects of the Book "Geet Gawai (Bhojpuri Folk Songs in Mauritius)": Cultural Heritage: The book showcases the cultural heritage and folk music traditions of the Bhojpuri-speaking community in Mauritius. Preservation of Folk Songs: "Geet Gawai" highlights the importance of preserving and promoting folk songs as an integral part of a community's identity. Music and Identity: The book explores the role of folk songs in shaping the cultural identity and collective memory of the Bhojpuri community. Dr. Sarita Boodhoo is the author of "Geet Gawai (Bhojpuri Folk Songs in Mauritius)," a book that celebrates the musical traditions of the Bhojpuri-speaking community in Mauritius. Dr. Boodhoo's work reflects her dedication to preserving and sharing the cultural heritage of the community through music.
Orthodox and outdated social codes imposed on widows cause Prabha, her mother-in-law, Yashoda, and daughter, Ritu great distress. Yashoda believes that the life of a widow is the most pitiable as she is considered an object of hatred that hampers her own progress and the progress of her whole family. There is no place where she can seek her existence, identity and pour out her grief. Widows are considered no longer fit to perform any pious and auspicious activities as society is under falsely prevailing dogmas, beliefs and superstitions. Prabha believes that instead of neglecting the widows, they need sympathy, acceptability and join hands of the people in every walk of life. Ritu feels great agony when listening to the taunts and comments of the neighbouring women on the widows. She overcomes the adverse situation by shifting from India to Chicago (America) to practise as a general physician. There, she seeks love and gets wounded in two consecutive volatile marriages: one with Sandeep, of Indian origin, and the other with Dr. Johnson, an American. The later one’s failure causes her grandmother’s heart attack, and she returns to India with her mother for her last cremation rites. The novel follows the powerful journey of the three and the challenges they face.
Creative strategies have been central to global social movements. From the theatrics of the 1999 Seattle protests, to the rebel clowns at the 2005 G8 summit in Gleneagles and the antics of the Yes Men, the crossovers between art and politics have increasingly become more visible and prolific. This book explores an innovative form of creative and communicative politics: the ‘performative encounter’, as a strategy for facilitating new ways of being, relating and making worlds. Unlike existing scholarship that frames such encounters in artistic or cultural terms, this book analyzes performative encounters through an organizational lens to accentuate their social-political potential, engaging a wealth of material from autonomist philosophy, political science, performance studies, geography and social movement texts. Intertwining conceptual and ethnographic research, it uniquely maps out one narrative of the encounter, tracing a line through the twentieth century from the Berlin Dadaists, to the Situationist International, to several contemporary German collectives and campaigns, showing how performative encounters intervene in global and local issues such as the privatization of public space and resources, human mobility and the corporatization of education.
“An artist does not produce the visible, he renders things visible. He reveals what we cannot see. He opens our eyes blinded by habit. He advances into the very heart of creation. He grasps life’s hidden forces and reveals them on canvas” – Govind Madhav Solegaonkar. Beyond the Canvas is a narrative account of the life story of the master artist, Govind Solegaonkar, as seen through the eyes of his youngest granddaughter, Renuka. Govind Solegaonkar (1912–1986) was an artist who made a significant contribution to Indian art. An alumnus of the JJ School of Art and later the president of the Indian Art Society, Solegaonkar’s life was the epitome of burning passion and complete dedication to art. Renuka, a doctor and an artist herself, was two years old when Govind Solegaonkar passed away. Having known her grandfather only through his paintings, Renuka wanted to understand him and his life better. Feeling stuck in her artistic journey, she was looking for answers to questions about the meaning of art, artistry and the pursuit of one’s passion. What did it mean to be an artist? What does it take to follow one’s heart? Through Solegaonkar’s life story, his paintings and his writings, Renuka goes on an explorative journey to understand the artist behind the art.
WHAT SHOULD I CALL YOU? OF COURSE, PARTNER! IT IS NEITHER THE MIND NOR THE SOUL BUT THE BODY THAT GETS LABELLED! A YOUNG WOMAN… IS LIKE A GENTLE BREEZE; YIELDING GREAT PLEASURE! HOWEVER ONE MAY TRY; SHE CANNOT BE HELD IN HANDS WHAT IS HELL? IT IS WHEN THE THIRD ONE DOESN’T LEAVE YOU, DESPITE YOUR EARNEST DESIRES. THE MORE YOU WRITE PERSONAL, THE MORE IT BECOMES UNIVERSAL.
In the past decade, there has been a surge of Anglophone scholarship regarding Spain in the sixteenth and seventeenth centuries, which has led to a reframing of the discourses around Spanish culture of this period. Despite this new interest-in which painting, in particular, has been singled out for treatment-a comprehensive study of sculpture collections and the status of sculpture in Spain has yet to be produced. Sculpture Collections in Early Modern Spain is the first book to assess the phenomenon of sculpture collecting and in doing so, it alters the previously held notion that Spanish society placed little value in this art form. Di Dio and Coppel reveal that, due to the problems and expense of their transport from Italy, sculptures were in fact status symbols in the culture. Thus they were an important component of the collections formed by the royal family, cultivated noble collectors, humanists, and artists who had pretensions of high status. This book is especially useful to specialists for its discussion of the typologies of collections and objects, and of the mechanics of state gifts, transport, and collection display in this period. An appendix presents extensive archival documentation, most of which has never before been published. The authors have uncovered hundreds of new documents about sculpture in Spain; and new documentary evidence allows them to propose several new identifications and attributions. Firmly grounded in extensive archival research, Sculpture Collections in Early Modern Spain redefines the socio-political and art historical importance of sculpture in early modern Spain. Most importantly, it entirely transforms our knowledge regarding the presence of sculpture in a wide range of Spanish collections of the period, which until now has been erroneously characterized as close to non-existent.
Goa transcends its image as a mere its surface lies a history steeped in bloodshed and brutality, often conveniently brushed aside due to the discomfort it elicits. This book unveils these concealed truths, revealing a historical identity of Goa rooted in Sanatan Dharma -the authentic essence of the region. Tracing back thousands of years, the chronicle unfolds the relentless suppression of this identity by Islamic and Christian invaders., the book illuminates a seldom-addressed yet crucial topic-the deliberate and systematic persecution of Hindus, the original inhabitants of Goa, which remains under-discussed even after the liberation of Goa in 1961 from colonial rule.
The Therapy is an absolutely fantastic piquant plot, delightfully crafted where romance accentuate a high degree of sensuality in an inter-racial marriage between Vije and Dr.Sarani. Vije met with a nasty car accident and his right leg was severely fractured. Sarani with her potentially effective treatment cured him in a short span of time. They opened up a Holiday Resort and an Orthopedic Clinic in the Maldives. She discovered a therapy for painless child birth and HIV virus which brought her laurels. She migrated to Canada where circumstances force her to involve in an undue affair with Vije's brother who was afflicted with Aids. He was gunned down and Vije was taken as prime suspect. He was imposed with death sentence to execute on electric chair according to the new enactment of the Penal code which was introduced to curb the ever escalating homicides in Canada. Vije got a dramatic release from the jail and story moves in suspense. The Therapy provides a clear answer to the existing dissensions and holocausts in every parts of the globe where less knowledgeable people with blind faith and racial misconceptions commit heinous crimes.
He was born in an orphanage, was brought up in a remand home. He had no relations, no father, no mother, no caste, no religion, no culture, and no ancestry, nothing to claim him. He had no traditional markings to prove his being into existence. He was born with 'Name Not Known'. He had no name; he just had a number, just like the prisoners. His childhood was full of questions. His adolescence was spoiled, his youth was snubbed. When he grew into adulthood, his question also grew with him. These questions made him an adult. They shouldered his parenting. They taught him, they helped him to recover. Today, he is at such a stage where life unfolds beautifully in front of him. This is a story for those who have everything yet who do not stop complaining and are extremely incompetent.
“I don't know what I'm gonna do with you." My grandmother said, as she looked at me as though I were unbelievably naive and strange. I just finished laying out one of my many bold, audacious and presumptuous plans. Yes, I was a bold and naïve child, (about ten years old), but one on a mission. I had begun to carve out an entirely different pathway for my life. As I open the door to my childhood, I invite you to come in with me as I journey through a world full of challenges. Come and see how I overcame physical, sexual and emotional abuse, bullying and rejection while living with a dysfunctional family. I have never known an earthly father, but when God, my heavenly father looked down and saw me struggling, He dispatched His angels to tutor me. Yes, God knows math, chemistry and physics! It is said, "When life gives you lemons, make lemonade." Allow me to show you how I utilized my lemons to my advantage, as I desperately tried to figure out how the adult mind works. Come and see the unusual way in which I tenaciously challenged myself to get an education while living in the ghetto with my grandmother. It was my dream that my life would be different when I grow up. "Triumphs of a Little Girl" is a spellbinding memoir of a little girl who was born into abject poverty in a world that was totally unprepared for her. It chronicles Ingrid's journey through childhood and the metamorphic changes through her turbulent adolescence years as she transitioned into adulthood. It's an incredible story of adaptability, true grit and unwavering will to succeed in an uncertain world Dr. Ingrid J. Benjamin Ph.D. shares her personal triumphs to encourage youths to challenge themselves to achieve their goals.
They had initially made yearly vacation visits to the United States. Those were fun and relaxation times. But the monumental insecurity in their homeland coupled with disgust with the incessant mounting corruption and harassment from men in flowing robes and in uniform who were supposed to protect the citizens became so unbearable that the couple started surveying avenues for relocation to Gods Own Country. When the opportunity finally came by, and the couple landed in Los Angeles airport they came to discover new challenges which they were to grapple with. The belief that a perfect spot to perch had been found was soon to be soured by the saga of two apparently innocuous tubers of yams whose combined value was less than one dollar. Even after the yams were confiscated and destroyed at the airport the aftermath of the violation was to replay nearly five years later when naturalization for citizenship of the United States was sought. The enormous powers of two tubers of yams were greatly displayed as the applicants grappled with unforeseen situations which had sought to thwart the life-long desires of a couple to be participants of the promises of Gods own country. Would the promise of realization of the American Dream succumb to the evil machinations of two inanimate tubers of yams? Or would the justice and fair play in a country that prides itself with its trust in God; one that holds certain truths as self evident, once again proclaim its superiority over apparent trivialities in the Land of the free and the Home of the brave.
Before the relentless march of history, the lone individual is helpless. Yet it is men whose collective efforts give history its momentum and ushers in change of eras. These changes are tempestuous at times—like a churning that brings up both nectar and scum. Elegy for the East explores the utter helplessness and travails of man in face of exactly such overwhelming odds. A narrative not far from truth, where an uncaring, anonymous, and overbearing State creates and/or co-creates situations of social and political strife, and where innocent and beautiful dreams of the masses die in the stony bed of terror and counter-terror. The sylvian countryside of Assam with its green paddy fields hide memories of bloodshed, death, rape, and terror. And through all these, the eternal narrative of man’s quest for peace and meaning shine like a beacon. This novel is a work of fiction; the characters bear no resemblance to any person dead or alive. Yet they walked amongst us all–in flesh and blood, in thoughts and dreams. Fiction that reflects reality in a more truthful way. A masterly work of a master storyteller.
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