In her exhaustive publishing history of Frances Burney's Cecilia, Or Memoirs of an Heiress, Catherine Parisian mines an extensive archival record that includes portions of the original manuscript, annotated page proofs, legal records relative to its copyright, and an abundance of letters, to chronicle the novel's composition, printing, and publication from its first edition in 1782 to the present-day Oxford World's Classics paperback. Generally regarded on its publication as the most important novel since Tobias Smollett's Humphrey Clinker, Cecilia is a deft blend of the satire of Henry Fielding with the sentimentality of Samuel Richardson that brings a female perspective to the novel while perceptively probing class and gender relations in eighteenth-century British society. Parisian combines the methods of the book historian with those of the bibliographer to show how the two usefully inform one another and bear on the interpretation of the literary text. Examining 51 different editions of Cecilia, Parisian considers what these editions reveal about Cecilia's reading audiences and what insights these books provide into the printing and publishing trends of the past 200 years. Lavishly illustrated and accessibly written, her timely history demonstrates the importance of Cecilia to the art of the novel and the history of the book.
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
This major work, written by one of the leading historians of France's ancien regime, is the first in-depth study of the French upper clergy during the key period of the Catholic Reformation following the Council of Trent. In describing the creation, character, and role of these early French bishops, it also sheds light on social mobility, education, the career patterns and prospects of particular groups, the workings of patronage and clientage networks, and the wider dimensions of royal policy and patronage at this time. Joseph Bergin begins by analysing the structures of the French church and the process by which individuals were nominated and confirmed as bishops. He then presents a collective profile of these bishops in terms of their social and geographical origins, educational attainments, and pre-episcopal careers. Bergin examines royal patronage in relation to episcopal office, tracing the successive pressures with which the crown had to deal in the wider social and political world. In particular he shows how the crown painfully and gradually recovered control of church patronage after the low point of the religious wars, reducing the grip of the nobility on large numbers of dioceses. He also examines how reforming pressures were brought to bear on the crown to appoint bishops who met the standards of the counter-reformation church and how the crown became increasingly in tune with these reformist pressures. He concludes by explaining particular features of the French episcopate within a wider European context. The book, the result of years of research in French and Italian archives, includes an extensive biographical dictionary that will make it an invaluable reference for allFrench historians of the period.
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