In the first book to take D. H. Lawrence's Last Poems as its starting point, Bethan Jones adopts a broadly intertextual approach to explore key aspects of Lawrence's late style. The evolution and meaning of the poems are considered in relation to Lawrence's prose works of this period, including Sketches of Etruscan Places, Lady Chatterley's Lover, and Apocalypse. More broadly, Jones shows that Lawrence's late works are products of a complex process of textual assimilation, as she uncovers the importance of Lawrence's reading in mythology, cosmology, primitivism, mysticism, astronomy, and astrology. The result is a book that highlights the richness and diversity of his poetic output, also prioritizing the masterpieces of Lawrence's mature style which are as accomplished as anything produced by his Modernist contemporaries.
The first full-length account of D.H. Lawrence’s rich engagement with a country he found both fascinating and frustrating, D.H. Lawrence’s Australia focuses on the philosophical, anthropological and literary influences that informed the utopian and regenerative visions that characterise so much of Lawrence’s work. David Game gives particular attention to the four novels and one novella published between 1920 and 1925, what Game calls Lawrence’s 'Australian period,' shedding new light on Lawrence’s attitudes towards Australia in general and, more specifically, towards Australian Aborigines, women and colonialism. He revisits key aspects of Lawrence’s development as a novelist and thinker, including the influence of Darwin and Lawrence’s rejection of eugenics, Christianity, psychoanalysis and science. While Game concentrates on the Australian novels such as Kangaroo and The Boy in the Bush, he also uncovers the Australian elements in a range of other works, including Lawrence’s last novel, Lady Chatterley’s Lover. Lawrence lived in Australia for just three months, but as Game shows, it played a significant role in his quest for a way of life that would enable regeneration of the individual in the face of what Lawrence saw as the moral collapse of modern industrial civilisation after the outbreak of World War I.
This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
Rhys Jones was brought up on a council estate in South Wales where expectations for what life held in store for you were slim, and the factor beckoned. As he recalls, he was born fighting and never stopped. His perspective on what life could offer him changed forever in the early 1980s when his grandfather took him to the local cinema to see Stephen Spielberg's blockbuster Raiders of the Lost Ark. The dream of emulating his hero Indiana Jones and travelling to the farthest reaches of the planet to explore exotic locations and its wildlife now burned deep inside him. As he progressed at school this passion to escape and explore was further kindled through the pages of an old natural history encyclopaedia given to him by his grandmother. Devouring the pages, the encyclopaedia would help craft his chosen path in life. Like his hero and namesake Indiana Jones, Rhys's journey has now taken him to all corners of the globe with friends and colleagues at every port; from the Australian outback to the furthest outpost of the Maasai tribe in Eastern Africa. In Becoming Dr Jones Rhys will take the reader on an inspiring journey through his life. One filled with highs, lows, humour and poignancy, as well as reverent insights into some of the amazing residents of our beloved natural world. If adventure had a name it would be Jones, and Dr Rhys Jones has taken that mantle to a whole new level!
Orphaned from the age of four, once Irish Martin PA Ward reached sixteen years of age, those high wrought iron gates belonging to Artane, with its harsh and abusive regime, could no longer hold him. Blighted with a tough seriousness, this brilliant life story is also littered with wonderfully amusing images, they being dropped here and there.
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