Kings and Kingdoms of Early Anglo-Saxon England provides a unique survey of the six major Anglo-Saxon kingdoms - Kent, the East Saxons, the East Angles, Northumbria, Mercia and Wessex - and their royal families, examining the most recent research in this field. Barbara Yorke moves beyond narrative accounts of the various royal houses to explain issues such as the strategies of rule, the reasons for success and failure and the dynamics of change in the office of king. Sixteen genealogical and regnal tables help to elucidate the history of the royal houses.
The non-judicial confinement of women is a common event in medieval European literature and hagiography. The literary image of the imprisoned woman, usually a noblewoman, has carried through into the quasi-medieval world of the fairy and folk tale, in which the 'maiden in the tower' is one of the archetypes. Yet the confinement of women outside of the judicial system was not simply a fiction in the medieval period. Men too were imprisoned without trial and sometimes on mere suspicion of an offence, yet evidence suggests that there were important differences in the circumstances under which men and women were incarcerated, and in their roles in relation to non-judicial captivity. This study of the confinement of women highlights the disparity in regulation concerning male and female imprisonment in the middle ages, and gives a useful perspective on the nature of medieval law, its scope and limitations, and its interaction with royal power and prerogative. Looking at England from 1170 to 1509, the book discusses: the situations in which women might be imprisoned without formal accusation of trial; how social status, national allegiance and stage of life affected the chances of imprisonment; the relevant legal rules and norms; the extent to which legal and constitutional developments in medieval England affected women's amenability to confinement; what can be known of the experiences of women so incarcerated; and how women were involved in situations of non-judicial imprisonment, aside from themselves being prisoners.
The Battle of Dunnichen is significant since it marked the turning point in the history of the Picts and marked their independence from the Kingdom of Northumbria. Not only is this possibly the best documented event in the history of the Picts, but it also allowed them to overthrow the Northumbrian rule and the dark shadow it cast over all northern peoples. Without the leadership of King Bridei and his courageous followers, Scotland as we know it may not have existed. The battle also helped to define the Scottish/English border that remains today, a border that could have been pushed further north by the Northumbrians if they had not been stopped.
Henry VI, Part 3 is dominated by a struggle between two military forces, neither of which can achieve victory for long. Until the end, the Yorkists and Lancastrians strive for the English crown. The conflict between these two families began under Richard II. Half a century later, during the reign of Henry VI, it moved toward civil war. Now, in Henry VI, Part 3, Henry’s long reign becomes intermittent as his cousin Richard, Duke of York, seeks the crown and York’s son Edward sporadically succeeds in seizing it. As we watch the crown pass back and forth between Henry VI and Edward IV, our attention is caught by other characters: the Earl of Warwick, Queen Margaret, and Richard, Duke of Gloucester. Warwick is the power behind the challenge to Henry VI, until he shifts to Henry. Margaret raises an army in England and later leads one from France, all in a futile attempt to secure the throne for her son, Prince Edward. Historically, his death destroyed her, but Shakespeare wisely saves Margaret to bring her back in Richard III. Richard, Duke of Gloucester, increasingly draws our attention. Both attractive and repellent, he is energetic, self-aware, bitter about his deformity (which may not have existed historically), ruthless, and unable to care about others. The authoritative edition of Henry VI, Part 3 from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, is now available as an eBook. Features include: · The exact text of the printed book for easy cross-reference · Hundreds of hypertext links for instant navigation · Freshly edited text based on the best early printed version of the play · Full explanatory notes conveniently placed on pages facing the text of the play · Scene-by-scene plot summaries · A key to famous lines and phrases · An introduction to reading Shakespeare’s language · Illustrations from the Folger Shakespeare Library’s vast holdings of rare books · An essay by a leading Shakespeare scholar providing a modern perspective on the play
This monograph provides an in-depth study into the issue of vernacular names in Old English documents. Specifically, it challenges the generally accepted notion that the sex of an individual is definitively indicated by the grammatical gender of their name. In the case of di-thematic names, the grammatical gender in question is that of the second element of the name. Thus di-thematic names have been taken as belonging to women if their second element is grammatically feminine. However, as there are no surviving Anglo-Saxon texts which explain the principles of vernacular nomenclature, or any contemporary list of Old English personal names, it is by no means sure that this assumption is correct. While modern scholars have generally felt no difficulty in distinguishing male from female names, this book asks how far the Anglo-Saxons themselves recognised this distinction, and in so doing critically examines and tests the general principle that grammatical gender is a certain indicator of biological sex. Anyone with an interest in Old English manuscripts or early medieval history will find this book both thought provoking and a useful reference tool for better understanding the Anglo-Saxon world.
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