Davie McCall is tired. Tired of violence, tired of the Life. He's always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it. In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime. Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?
This work covers ninety years of animation from James Stuart Blackton's 1906 short Humorous Phases of Funny Faces, in which astonished viewers saw a hand draw faces that moved and changed, to Anastasia, Don Bluth's 1997 feature-length challenge to the Walt Disney animation empire. Readers will come across such characters as the Animaniacs, Woody Woodpecker, Will Vinton's inventive Claymation figures (including Mark Twain as well as the California Raisins), and the Beatles trying to save the happy kingdom of Pepperland from the Blue Meanies in Yellow Submarine (1968). Part One covers 180 animated feature films. Part Two identifies feature films that have animation sequences and provides details thereof. Part Three covers over 1,500 animated shorts. All entries offer basic data, credits, brief synopsis, production information, and notes where available. An appendix covers the major animation studios.
Michelle Frapiana is a beautiful young woman, mother to an innocent daughter, whose life in her childhood home of Savannah, Georgia is a miserable, day-to-day existence. Tortured by her former husband's murderous drug dealings, which resulted in his being gunned-down on the beaches of Destin, Florida, the previous year, she attempts unsuccessfully to cope with the knowledge of his crimes while trying to re-establish her life. Adding to her shame is her fear that Mexican drug cartels may some day come searching for the money her husband stole from them - money she knows nothing about. Or does she? When they finally come, she desperately solicits the help of an Atlanta-based DEA agent who had tracked her husband during his crime spree. Together they travel from Savannah to Houston, Texas, trying to unravel the mystery of what happened to the millions her husband stole, while fending off the drug cartel's bounty hunters who have come to destroy her life.
A chronological listing of the creative output and other antics of the members of the British comedy group Monty Python, both as a group and individually. Coverage spans between 1969 (the year Monty Python's Flying Circus debuted) and 2012. Entries include television programs, films, stage shows, books, records and interviews. Back matter features an appendix of John Cleese's hilarious business-training films; an index of Monty Python's sketches and songs; an index of Eric Idle's sketches and songs; as well as a general index and selected bibliography.
A Field Guide to Student Teaching in Music, Second Edition, serves as a practical guide for the music education student, one that recognizes the importance of effective coursework while addressing the unique field-based aspects of the music classroom. Student teaching in music is a singular experience, presenting challenges beyond those encountered in general education classroom settings: educators must plan for singing and movement, performances and rehearsals, intensive parent involvement, uniforms, community outreach, and much more. This guide explores such topics common to all music placements as well as those specific to general, choral, and instrumental music classrooms, building on theoretical materials often covered in music methods courses and yet not beholden to any one pedagogy, thus allowing for a dynamic and flexible approach for various classroom settings. New to the second edition: Companion website featuring downloadable worksheets, résumé support, a cooperating teacher guide, and more: www.musicstudentteaching.com A new chapter on the transition from student to student teacher Expanded discussions on the interview process, including mock interviews, interviewing techniques, and online interview prep Updated content throughout to reflect current practices in the field. Leading readers through the transition from student to teacher, A Field Guide to Student Teaching in Music, Second Edition, represents a necessary update to the first edition text published a decade ago, an indispensable resource that provides the insights and skillsets students need to launch successful careers as music educators.
The Davie McCall saga returns in Devil's Knock. Davie McCall has darkness inside him. A darkness that haunts him, but also helps him do despicable things to those trying to cause him and his friends harm. When Dickie Himes is killed in a club owned by the Jarvis clan, it sparks a chain of events that Davie knows can only lead to widespread gang war on the streets of mid- 90s Glasgow. The police are falling over themselves to solve the crime, but when justice is so easily bought or corrupted, Davie needs to take matters into his own hands. Davie has to contend with the ghosts of those he has failed, a persistent Hollywood actor and a scruffy dog with no name. When he finds a target on his back, will Davie be able to suppress the darkness inside him and refuse to kill... Or will the devil s knock be too tempting?
They'll all be crow bait by the time I'm finished...Jail was hell for Davie McCall. Ten years down the line, freedom's no picnic either. It's 1990, there are new kings in the West of Scotland underworld, and Glasgow is awash with drugs. Davie can handle himself. What he can't handle is the memory of his mother's death at the hand of his sadistic father. Or the darkness his father implanted deep in his own psyche. Or the nightmares...Now his father is back in town and after blood, ready to waste anyone who stops him hacking out a piece of the action. There are people in his way. And Davie is one of them. Tense, dark and nerve-wracking... a highly effective thriller. THE HERALD This is crime fiction of the strongest quality. CRIMESQUAD.COM A gory and razor-sharp crime novel from the start, Douglas Skelton's Crow Bait moves at breakneck speed like a getaway car on the dark streets of Glasgow. THE SKINNY Skelton has been hiding from his talent for long enough. High time he shared it with the rest of us. QUINTIN JARDINE PRAISE for Blood City The city's dark underbelly complete with knives, razors, guns and gangs... DAILY MAIL You follow the plot like an eager dog, nose turning this way and that, not catching every single clue but quivering as you lunge towards a blood-splattered denouement. DAILY EXPRESS The Glasgow of this period is a great, gritty setting for a crime story, and Skelton's non-fiction work stands him in good stead... he's taken well to fiction... the unexpected twists keep coming. THE HERALD
Glasgow's mean streets just got meaner. Can Davie McCall survive? Meet Davie McCall. Beaten, bloody... brutal. Irrevocably damaged by the barbaric regime of an abusive father, and haunted by memories of his mother's murder, there is a darkness inside him. Enter Joe the Tailor. A sophisticated crimelord with morals, he might be the only man in the city Davie can trust. But then the bodies begin to mount...In 1980s Glasgow, the criminal underworld is about to splinter. Battle lines are drawn, and the gap between friend and enemy blurs as criminals and police alike are caught in a net of lies, murder and revenge that will change the city forever. Scotland's foremost true-crime author. THE SCOTSMAN The city's dark underbelly complete with knives, razors, guns and gangs... DAILY MAIL You follow the plot like an eager dog, nose turning this way and that, not catching every single clue but quivering as you lunge towards a blood-splattered denouement. DAILY EXPRESS The Glasgow of this period is a great, gritty setting for a crime story, and Skelton's non-fiction work stands him in good stead... he's taken well to fiction... the unexpected twists keep coming. THE HERALD
Davie McCall is tired. Tired of violence, tired of the Life. He's always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it. In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime. Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?
Now in paperback, the provocative book that has ignited fiery debate and created a dialogue among women about the state of motherhood today. In THE MOMMY MYTH, Susan Douglas and Meredith Michaels turn their 'sharp, funny, and fed-up prose' (San Diego Union Tribune) toward the cult of the new momism, a trend in Western culture that suggests that women can only achieve contentment through the perfection of mothering. Even so, the standards of this ideal remain out of reach, no matter how hard women try to 'have it all'. THE MOMMY MYTH skilfully maps the distance travelled from the days when THE FEMININE MYSTIQUE demanded more for women than keeping house and raising children, to today's not-so-subtle pressure to reverse this trend. A must-read for every woman.
From the #1 internationally bestselling author of Five Days and The Blue Hour, “a racy page-turner” (London Daily Express) about a Hollywood screenwriter whose overnight success brings about his biggest downfall. I always wanted to be rich. I know that probably sounds crass, but it’s the truth. A true confession. Like all would-be Hollywood screenwriters, David Armitage wants to be rich and famous. But for the past eleven years, he’s tasted nothing but failure. Then, out of nowhere, big-time luck comes his way when one of his scripts is bought for television. Before you can say “overnight success,” he’s the new toast of Hollywood as the creator of a hit series. Suddenly a major player, he finds that he’s reinventing himself at a great speed, especially when it comes to walking out on his wife and daughter for a young producer who worships only at the altar of ambition. But David’s upward mobility takes a decidedly strange turn when a billionaire film buff named Philip Fleck barges into his life, proposing a very curious collaboration. David takes the bait and suddenly finds himself inadvertently entering into a Faustian pact and an express ride to the lower depths of the Hollywood jungle.
Patsy Cline remains a much beloved singer, even though she died in 1963. By 1996, Patsy Cline had become such an icon that The New York Times magazine positioned her among a pantheon of women celebrities who transcended any single cultural genre. A series of essays on "Heroine Worship" included Patsy Cline with such "feminine icons" as Eleanor Roosevelt, Martha Graham, Indira Gandhi, Aretha Franklin, and Jackie Onassis. The making of an icon is a cultural process that transcends traditional biographical analysis. One does not need to know the whole life story of the subject to understand how the subject became an icon. This book explores how Patsy Cline transcended class and poverty to become the country music singer that non-country music fans embraced. It goes beyond a traditional biography to explore the years beyond her death. This is the first thoroughly researched book on Patsy Cline. It is true to Patsy and her legacy. Judy Sue Huyett-Kempf President, Celebrating Patsy Cline The Patsy Cline Historic House Winchester, Virginia Douglas Gomery taught mass media history at the University of Wisconsin, Northwestern University, New York University, the University of Utrecht the Netherlands), and the University of Maryland. He retired in 2005 to become the Official Historian for Celebrating Patsy Cline and Resident Scholar at the Library of American Broadcasting.
Glasgow's mean streets just got meaner. Can Davie McCall survive? Meet Davie McCall. Beaten, bloody... brutal. Irrevocably damaged by the barbaric regime of an abusive father, and haunted by memories of his mother's murder, there is a darkness inside him. Enter Joe the Tailor. A sophisticated crimelord with morals, he might be the only man in the city Davie can trust. But then the bodies begin to mount...In 1980s Glasgow, the criminal underworld is about to splinter. Battle lines are drawn, and the gap between friend and enemy blurs as criminals and police alike are caught in a net of lies, murder and revenge that will change the city forever. Scotland's foremost true-crime author. THE SCOTSMAN The city's dark underbelly complete with knives, razors, guns and gangs... DAILY MAIL You follow the plot like an eager dog, nose turning this way and that, not catching every single clue but quivering as you lunge towards a blood-splattered denouement. DAILY EXPRESS The Glasgow of this period is a great, gritty setting for a crime story, and Skelton's non-fiction work stands him in good stead... he's taken well to fiction... the unexpected twists keep coming. THE HERALD
Winner, Clotilde P. Garcia Tejano Book Prize The opening campaign of the US-Mexican War transformed the map of each nation and shaped the course of conflict. Armed with a broad range of Mexican military documents and previously unknown US sources, Douglas Murphy provides the first balanced view of early battles such as Palo Alto and Resaca de la Palma. He reassesses previously covered territory and also poses new questions. Why did Mexico establish its defenses south of the Rio Grande while claiming territory north of the river? What was Mexico’s strategy in the campaign against the United States? What factors most affected Mexico’s defeat? In confronting these questions, Murphy shows that the campaign was a complex chess match with undercurrents of political intrigue, economic motivations, and personal animosities as much as military action. Two Armies on the Rio Grande will transform our understanding of the US-Mexican War.
Three outstanding novels in one amazing eBook by internationally bestselling author Douglas Kennedy. Temptation: Like all would-be Hollywood screenwriters, David Armitage wants to be rich and famous. After eleven years of failure, luck finally comes his way when one of his scripts is bought for television. Suddenly a player in Tinsel Town, he finds he's reinventing himself at great speed, especially when it comes to walking out on his wife and daughter for a young producer who worships only at the altar of ambition. But David's upward mobility takes a strange turn when a billionaire film buff barges into his life, proposing a curious collaboration. The Woman in the Fifth: Now a major motion picture starring Ethan Hawke and Kristen Scott Thomas. Harry Ricks is a man who has lost everything. A scandal at the small college where he used to teach has cost him his job, his marriage, and his relationship with his only child. He flees to Paris in the bleak midwinter, where a series of accidental encounters lands him in a grubby room in a grubby quarter, and a job as a nightwatchman for a sinister operation. And then romance enters his life. Her name is Margit, an elegant, cultivated Hungarian emigre, widowed and alone. But Margit is guarded about her work, her past, and her life. Before he knows it, Harry finds himself waking up in a nightmare from which there is no easy escape. Leaving the World: Jane Howard is a professor in Boston, in love with a brilliant, erratic man, and finding motherhood to her young daughter an unexpected delight. But when a devastating turn of events tears her existence apart she has no choice but to flee all she knows. Just when she has renounced life itself, the disappearance of a young girl pulls her back from the edge and into an obsessive search for some sort of personal redemption. Convinced that she knows more about the case than the police do, she is forced to make a decision - stay hidden or bring to light a shattering truth.
They'll all be crow bait by the time I'm finished...Jail was hell for Davie McCall. Ten years down the line, freedom's no picnic either. It's 1990, there are new kings in the West of Scotland underworld, and Glasgow is awash with drugs. Davie can handle himself. What he can't handle is the memory of his mother's death at the hand of his sadistic father. Or the darkness his father implanted deep in his own psyche. Or the nightmares...Now his father is back in town and after blood, ready to waste anyone who stops him hacking out a piece of the action. There are people in his way. And Davie is one of them. Tense, dark and nerve-wracking... a highly effective thriller. THE HERALD This is crime fiction of the strongest quality. CRIMESQUAD.COM A gory and razor-sharp crime novel from the start, Douglas Skelton's Crow Bait moves at breakneck speed like a getaway car on the dark streets of Glasgow. THE SKINNY Skelton has been hiding from his talent for long enough. High time he shared it with the rest of us. QUINTIN JARDINE PRAISE for Blood City The city's dark underbelly complete with knives, razors, guns and gangs... DAILY MAIL You follow the plot like an eager dog, nose turning this way and that, not catching every single clue but quivering as you lunge towards a blood-splattered denouement. DAILY EXPRESS The Glasgow of this period is a great, gritty setting for a crime story, and Skelton's non-fiction work stands him in good stead... he's taken well to fiction... the unexpected twists keep coming. THE HERALD
Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades, with Steven Bochco's dramas seeking a new realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer provides essential reading for any fan. This work provides a comprehensive history of detective and police shows on television, with, among other elements, production histories of seminal programs, and interviews with some of the most important writers and producers of crime television. Besides the shows listed above, this volume will also discuss such programs as: Peter Gunn, The Mod Squad, Hawaii Five-O, Columbo, Starsky and Hutch, Charlie's Angels, Magnum P.I., Miami Vice, T.J. Hooker, Remington Steele, Cagney and Lacey, Murder, She Wrote, The Commish, Homicide: Life on the Street, Monk, and many more.
By late June 1862, the Union army, under George B. McClellan, stood at the doorstep of Richmond. In a desperate hour for the Confederate capital, Robert E. Lee attacked McClellan and drove the Union army into a full retreat toward the safety of the James River. Lee recognized an opportunity to seal a decisive victory and commanded his Army of Northern Virginia to prevent the Union forces from retreating. A.P. Hill, James Longstreet and "Stonewall" Jackson were among those who engaged in the harrowing day of battle during the Seven Days" Campaign. Author Douglas Crenshaw details the dramatic Battle of Glendale in the Civil War.
The Davie McCall saga returns in Devil's Knock. Davie McCall has darkness inside him. A darkness that haunts him, but also helps him do despicable things to those trying to cause him and his friends harm. When Dickie Himes is killed in a club owned by the Jarvis clan, it sparks a chain of events that Davie knows can only lead to widespread gang war on the streets of mid- 90s Glasgow. The police are falling over themselves to solve the crime, but when justice is so easily bought or corrupted, Davie needs to take matters into his own hands. Davie has to contend with the ghosts of those he has failed, a persistent Hollywood actor and a scruffy dog with no name. When he finds a target on his back, will Davie be able to suppress the darkness inside him and refuse to kill... Or will the devil s knock be too tempting?
Seth Mulroy is a typical police detective, on a typical small Midwestern town police force, wishing for the chance at an actual homicide case mixed in with the run-of-the-mill crimes he faces every day. Murders in his community are a rare occasion, and he believes solving the ultimate affront to the citizens he is sworn to protect, and apprehending the offender, would be the shot of adrenalin his career needs. He views homicide cases as the mother-lode of police work; the validation of a life in law enforcement. The adage,"be careful what you wish for...," proves to be painfully true, as the peaceful town of Vanzandt, Indiana, is suddenly awakened by three, and possibly four, related slayings, providing Mulroy with more stressful investigative drama than he had ever hoped for. Adding fuel to his fire is a tale a local family brings to his attention; a tale involving the five-year old death of a key family member they want investigated as a murder. The history of the family leading up to the supposed crime is as intriguing as the possible crime itself. Attempting to solve these crimes, whether real or only suspected, while dealing with a second wife now questioning his loyalties and affections, leads him to dangers he never knew existed in his tight-knit community.
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.
Set within documented historical events of WW II and modern Afghanistan's war-torn battlefields, you will be caught up in one man's dream to redefine history. Retired Veteran, Lieutenant Albert Connor, is daily tormented by global news reminding him of the devastation of war and loss of his lovely fiancé. These events he would change in a heartbeat if only he could transcend the bonds of time. Revisiting his childhood farm on the Canadian prairies while undergoing dream therapy treatment, Connor escapes doctors' care, embarking upon a perilous journey beyond enemy lines, finishing in a face-off with Hitler himself. Can history be altered or the fires of love be quenched forever? Is Santayana's warning relevant today? Only those who can see the invisible can do the impossible!...
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