Democracy is grounded in the open exchange of knowledge and ideas, but its social and political institutions are being systematically destroyed by a flood of monopoly-driven information marketing. Douglas LeMaster explains why the stakes are so high in this detailed, academic work. Democracy, he says, is the only form of social organization that is not exploitive by design. To prove his point, he examines how human history has been dominated by monopolies, such as the priestly monopolies of the great religions, the land monopolies of kings and aristocracies, the marketplace monopolies of capitalists, and most recently-a reinvented and secular information monopoly. While this latest monopoly is still in its formative stage, it's founded on corporate control of expressive rights, copyright, and patent-and it should concern all of us. Join LeMaster as he takes a close look at the latest form of an insidious disease and reveals how these latest
Democracy is grounded in the open exchange of knowledge and ideas, but its social and political institutions are being systematically destroyed by a flood of monopoly-driven information marketing. Douglas LeMaster explains why the stakes are so high in this detailed, academic work. Democracy, he says, is the only form of social organization that is not exploitive by design. To prove his point, he examines how human history has been dominated by monopolies, such as the priestly monopolies of the great religions, the land monopolies of kings and aristocracies, the marketplace monopolies of capitalists, and most recently-a reinvented and secular information monopoly. While this latest monopoly is still in its formative stage, it's founded on corporate control of expressive rights, copyright, and patent-and it should concern all of us. Join LeMaster as he takes a close look at the latest form of an insidious disease and reveals how these latest
Medical Univ., of South Carolina, Charleston. Diagnostic atlas for dental students and practitioners. Includes color and halftone images and photographs. Previous edition: c1991. Includes a new chapter on allergies and immunologic diseases and the section on AIDS has been expanded. DNLM: Mouth Diseases atlases.
Over the past two decades, a select group of small but highly effective grassroots organizations have achieved remarkable success in protecting endangered species and forests in the United States. The Rebirth of Environmentalism tells for the first time the story of these grassroots biodiversity groups. Filled with inspiring stories of activists, groups, and campaigns that most readers will not have encountered before, The Rebirth of Environmentalism explores how grassroots biodiversity groups have had such a big impact despite their scant resources, and presents valuable lessons that can help the environmental movement as a whole—as well as other social movements—become more effective.
Designed to inspire the fledgling scriptwriter, this book combines analytical essays on the work of three successful television writers with interviews and complete scripts printed in correct professional format. The writers Marion Hargrove (Maverick, The Waltons), Joseph Dougherty (thirtysomething), and Michael Kozoll (Hill Street Blues) are used as examples of professionals who developed a personal voice and a distinctive style while serving as staff writers for existing prime-time television programs. Douglas Heil theorizes that students of television scriptwriting need to engage in "close study of exemplary," and the three full scripts he offers a.re useful models of humane and entertaining drama. The book is of value not only to aspiring scriptwriters but also to those readers with a general interest in media history.
Country music may have existed before 1925-in barn dances, roadside taverns, tent shows, minstrel shows, and vaudeville-but it didn't become Country Music until the advent of radio and new stars were born. In Classic Country Singers, author Douglas B. Green (a.k.a. Ranger Doug from the Grammy-winning western group Riders in the Sky) celebrates the men and women who built the industry that gave us "Your Cheatin' Heart," "Blue Yodel," "It Wasn't God Who Made Honky Tonk Angels," and the Grand Ole Opry. From the beginnings of bluegrass to honky-tonk to western swing and more, Classic Country Stars offers intimate biographies and cherished photos covering the careers of nearly fifty major stars from country music's first half-century, including beloved musicians such as Uncle Dave Macon, the Carter Family, and Jimmie Rodgers up to the pop-country hit makers of the 1950s like Eddy Arnold and Marty Robbins. Through war, depression, and the advent of rock and roll, these men and women pioneered a sound that moved from regional barn dances and radio stations to an international audience. Includes profiles on: Hank Williams Gene Autry Hank Snow Kitty Wells Ray Price Minnie Pearl Ernest Tubb Douglas B. Green is the author of three previous works on American music: Country Roots, Singing In The Saddle, and Singing Cowboys. He is considered one of the leading experts on American roots music, especially western. His full-time job for thirty years has been as lead vocalist of Riders in the Sky, the two-time Grammy-award-winning western quartet and member of the Western Music Hall of Fame. For more information on the group, including their tour schedule, please visit www.ridersinthesky.com.
The relationship between Protestant fundamentalists and mass culture is often considered complex and ambiguous. Selling the Old-Time Religion examines this relationship and shows how the first generation of fundamentalists embraced the modern business and entertainment techniques of marketing, advertising, drama, film, radio, and publishing to spread the gospel. Selectively, and with more sophistication than has been accorded to them, fundamentalists adapted to the consumer society and popular culture with the accompanying values of materialism and immediate gratification, despite the seeming conflict between these values and certain tenets of their religious beliefs. Selling the Old-Time Religion is written by a fundamentalist who is based at the country's foremost fundamentalist institute of higher education. It is a candid and remarkable piece of scholarship that reveals from the inside the movement's first encounters with some of the media methods it now wields with well-documented virtuosity. Carl Abrams draws extensively on sermons, popular journals, and educational archives to reveal the attitudes and actions of the fundamental leadership and the laity. Abrams discusses how fundamentalists' outlook toward contemporary trends and events shifted from aloofness to engagement as they moved inward from the margins of American culture and began to weigh in on the day's issues--from jazz to "flappers"--in large numbers. Fundamentalists in the 1920s and 1930s "were willing to compromise certain traditions that defined the movement, such as premillennialism, holiness, and defense of the faith," Abrams concludes, "but their flexibility with forms of consumption and pleasure strengthened their evangelistic emphasis, perhaps the movement's core." Contrary to the myth of fundamentalism's demise after the Scopes Trial, the movement's uses of mass culture help explain their success in the decades following it. In the end fundamentalists imitated mass culture not to be like the world but to evangelize it.
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
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