Considers George Orwell's writing about the East, and the presence of the East in his writing. George Orwell was born in India and served in the Imperial Police in Burma as a young man. Orwell and Empire is a study of his writing about the East and the East in his writing. It argues that empire was central to his cultural identity and that his experience of colonial life was a crucial factor, in ways that have not been recognized, in shaping the writer he became. Orwell and Empire is about all his writings, fictional and non-fictional. It pays particular attention to work that derives directly from his Burmese years including the well-known narratives 'A Hanging' and 'Shooting an Elephant' and his first novel Burmese Days. It goes on to explore the theme of empire throughout his work, through to Nineteen Eighty-Four and beyond, and charts the way his evolving views on class, race, gender, and authority were shaped by his experience in the East and the Anglo-Indian attitudes he had inherited. Orwell's socialism and his hatred of authoritarianism grew out of his anti-imperialism as The Road to Wigan Pier makes explicit. But this was not a straightforward repudiation or a painless process. He understood that, 'it is very difficult to escape, culturally, from the class into which you have been born.' His whole career was a creative quarrel with himself and with his Anglo-Indian patrimony. In a way that anticipates current debates about the imperial legacy, he struggled to come to terms with his own history.
From the early stories, to the great popular triumphs of the Sherlock Holmes tales and the Professor Challenger adventures, the ambitious historical fiction, the campaigns against injustice, and the Spiritualist writings of his later years, Conan Doyle produced a wealth of narratives. He had a worldwide reputation and was one of the most popular authors of the age. A critical study of the writings of Arthur Conan Doyle and a cultural biography, this is a book for students of literary and cultural history, and Conan Doyle enthusiasts. It is a full account of all of his writing, and an investigation of the role of the author as he practised it, as witness, critic, and interpreter of his times. His work was widely read and enjoyed, but it is far from being a simple endorsement of the masculine, imperialist, bourgeois, scientific world he so often portrayed. The subject of this study is what Conan Doyle knew--the knowledge of his own culture, its institutions and values and ways of life, its beliefs and anxieties, which is created and shared by his writing. The book is organized according to a number of cultural domains--sport, medicine, science, law and order, army and empire, and the spiritual life. At a time when literature had become a profession, in a society where literacy was more widespread than ever before or since, Conan Doyle emerges as a maker of culture, offering his readers an image of themselves, their past and their future.
Eastern Figures is a literary history with a difference. It examines British writing about the East – centred on India but radiating as far as Egypt and the Pacific – in the colonial and postcolonial period. It takes as its subject "the East" that was real to the British imagination, largely the creation of writers who described and told stories about it, descriptions and stories coloured by the experience of empire and its aftermath. It is bold in its scope, with a centre of gravity in the work of writers like Stevenson, Kipling, Conrad, and Orwell, but also covering less well-known literary authors, and including Anglo-Indian romance writing, the reports and memoirs of administrators, and travel writing from Auden and Isherwood in China to Redmond O'Hanlon in Borneo. Eastern Figures produces a history of this writing by looking at a series of "figures" or tropes of representation through which successive writers sought to represent the East and the British experience of it – tropes such as exploring the hinterland, going native, and the figure of rule itself. Eastern Figures is accessible to anyone interested in the literary and cultural history of empire and its aftermath. It will be of especial interest to students and scholars of colonial and postcolonial writing, as it raises issues of identity and representation, power and knowledge, and centrally the question of how to represent other people. It has original ideas and approaches to offer specialists in literary history of the nineteenth and twentieth centuries, cultural historians, and researchers in colonial discourse analysis, postcolonial studies, and Asian area studies and history. It is also aimed at students in courses in literature and empire, culture and imperialism, and cross-cultural studies.
Louise Ho is a Chinese poet from Hong Kong who finds her feet in English. Since her first publications more than thirty years ago, her poetry collected here has been a reflection of the fortunes of the city and its people, their hopes and anxieties, their achievements, crises, dispersals and renewals. She is the leading English-language poet in Hong Kong, happy to work in a language that might be thought a colonial residue, and well versed in its poetic traditions, often making use and sometimes making fun of them. At times she uses Cantonese words or sounds within her English poems, and one of her goals is the creation of a space where the English literary language expresses as well as is incorporated into the local ethos, thus becoming almost a new hybrid idiom, which remains at the same time definitely English. Whether writing about home in Hong Kong, or travel and exile elsewhere, she is a sharp-eyed and often sardonic observer, with a gift for spare lyricism and a feeling for the ironies of history.
Computer Security provides information pertinent to the growing concern with computer security and privacy, extending beyond the conventional military requirement to cover the entire civilian and business community. This book discusses the approaches to ensure the integrity of stored data. Organized into eight chapters, this book begins with an overview of the relationships between privacy issues and security measures. This text then provides a discussion on privacy issues, legislative measures, and their implications on security. Other chapters consider the technical implications of the enactment of privacy legislation and explain the control of access required by the privacy legislation. This book discusses as well the internal policies and procedures of operational security, which is adopted by management to ensure the security of their data and computer installation. The final chapter deals with optimizing database management system to facilitate the use of data effectively and efficiently. This book is a valuable resource for technical managers.
This book is a new series in cultural and literary studies jointly published by the Hong Kong University Press and Nanjing University Press. Based in Hong Kong and mainland China, Critical Zone aims to bring together scholars around the world and to improve cross-cultural and cross-regional understanding.
Jackson's hero is the natural heir to Bernie Gunther' Andrew Taylor, Sunday Times bestselling author of The Ashes of London 'One of the UK’s finest crime writers’ Ben Kane, Sunday Times bestselling author of Napoleon’s Spy 'A remarkable crime debut' Maxim Jakubowksi, Crime Time As the Nazis roll into Warsaw, a serial killer is unleashed... September 1939. A city ruled by fear. A population brutalised by restrictions and reprisals. Amid the devastation, another hunter begins to prowl. What are a few more deaths amid scores of daily executions? Former chief investigator Jan Kalisz lives a dangerous double life, forced to work with the occupiers as he gathers information for the fledgling Polish resistance. Even his family cannot be told his true allegiance. When the niece of a Wehrmacht general is found terribly mutilated, Jan links the murder to other killings that are of less interest to his new overlords. Soon, he finds himself on the trail of a psychopathic killer known as The Artist. But, shunned as a Nazi collaborator, can he solve the case before another innocent girl is taken? A chilling serial killer investigation, perfect for fans of Simon Scarrow's Blackout and the TV series Hannibal starring Mads Mikkelson. Praise for Blood Roses ‘A compelling, evocative story of evil stalking amidst the chaos of war’ Giles Kristian 'A dark, twisting thriller ... Jan Kalisz, Douglas Jackson's police officer hero, is the natural heir to the late Philip Kerr's Bernie Gunther' Andrew Taylor ‘A remarkable crime debut ... What raises the novel to another level is in the atmospheric evocation of a city in the process of being systematically obliterated by the Germans and brought to life again by Jackson’s pen ... Gripping stuff, a series that could develop into something impressive and a goldmine for Philip Kerr Bernie Gunther fans’ Maxim Jakubowski, Crime Time ‘Immensely powerful and vivid .... This is historical crime fiction at its best’ Chris Lloyd ‘The writing is scalpel-sharp, the unrelenting savagery of the Nazi occupation vividly painted... With this book, Jackson will rightfully be regarded as one of the UK’s finest crime writers’ Ben Kane ‘A taut, tense thriller... Gutsy and gripping, this is perfect for fans of Chris Lloyd and Robert Harris’ D. V. Bishop ‘Jackson has created a brilliant mash-up of WW2 thriller and a serial killer chiller, and in so doing brings a fresh perspective to both. Sharp, intelligent writing that makes for a compelling read’ Alison Belsham 'Jan Kalisz is a dazzling addition to the canon of compromised heroes... A thrilling wartime adventure story' Russ Thomas ‘Jackson brings the tension, brutality and paranoia of Warsaw of the period into murderous life. A knife-edge thriller’ Douglas Skelton 'A dark story set against dark times, you practically need a torch to read it' Alec Marsh, author of Rule Britannia 'Jackson has written an utterly compelling novel ... A remarkable piece of work, a fine piece of craftsmanship' Scotsman
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