In Cyberhenge, Douglas E. Cowan brings together two fascinating and virtually unavoidable phenomena of contemporary life--the Internet and the new religious movement of Neopaganism. For growing numbers of Neopagans-Wiccans, Druids, Goddess-worshippers, and others--the Internet provides an environment alive with possibilities for invention, innovation, and imagination. Fr om angel channeling, biorhythms, and numerology to e-covens and cybergroves where neophytes can learn everything from the Wiccan Rede to spellworking, Cowan illuminates how and why Neopaganism is using Internet technology in fascinating new ways as a platform for invention of new religious traditions and the imaginative performance of ritual. This book is essential reading for students and scholars of new religious movements, and for anyone interested in the intersections of technology and faith.
Illuminating the religious and existential themes in Stephen King’s horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.
Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision—for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can’t possibly be true? Contrary to popular belief, it’s not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.
From Hare Krishna to the Latter-Day Saints, and from Jehovah's Witnesses to the New Age, religious pluralism in North American presents evangelical Protestantism with significant challenges. Declaring newer religious groups cults, aberrant sects, and heretical religions, the Christian countercult movement has warned that these groups represent a threat to society. In ^IBearing False Witness?^R Cowan considers the Christian countercult as a whole, locating it in sociological perspective as an entity distinct from the secular anti-cult. Through his analysis, the author argues that the primary purpose of the countercult movement is to reinforce and repair the Christian worldview when it appears threatened by the advent of alternative religious traditions. This unique analysis of the Christian countercult helps explain why conservative Christian responses to competing religious movements have taken the form that they have in addition to how those responses are carried out. Unlike the anti-cult movement, which is concerned with removing individuals from cults and returning them to their families, the Christian countercult movement, according to the author, attempts not only to remove cultists from the negative influences of the cults to which they belong, but also to insure that they will join the particular version of Christianity adhered to by the countercultists themselves. Beginning with the countercult's early history, the author provides an historical account of the movement and its present activities. Since the rise of new religious movements, the growing interest in religions imported from outside North America, and the broadening of the religious marketplace continues to grow, understanding the Christian countercult and its presence as a countervailing pressure to these increasingly socioreligious dynamics becomes ever more important.
This unparalleled introduction to cults and new religious movements has been completely up-dated and expanded to reflect the latest developments; each chapter reviews the origins, leaders, beliefs, rituals and practices of a NRM, highlighting the specific controversies surrounding each group. A fully updated, revised and expanded edition of an unparalleled introduction to cults and new religious movements Profiles a number of the most visible, significant, and controversial new religious movements, presenting each group’s history, doctrines, rituals, leadership, and organization Offers a discussion of the major controversies in which new religious movements have been involved, using each profiled group to illustrate the nature of one of those controversies Covers debates including what constitutes an authentic religion, the validity of claims of brainwashing techniques, the implications of experimentation with unconventional sexual practices, and the deeply rooted cultural fears that cults engender New sections include methods of studying new religions in each chapter as well as presentations on ‘groups to watch’
Many seemingly strange questions on yoga, salvation, religious pluralism, and so forth have been actively debated among members of a small but influential group of evangelical apologists known as the Christian countercult movement. This Element explores the history of this movement from its origins in the anti-heresy writings of the early church to its modern development as a reaction to religious pluralism in North America. It contrasts the apologetic Christian countercult movement with its secular anticult counterpart and explains how faith-based opposition both to new religious movements and to non-Christian religions will only deepen as religious pluralism increases. It provides a concise understanding of the two principal goals of Christian countercult apologetics: support for the evangelization of non-Christian believers and maintenance for the perceived superiority of the evangelical Christian worldview.
Over the past few decades, mainline Protestant denominations in North America have been experiencing a significant decline in membership, active participation, and financial contributions. In the midst of this decline, these denominations have been caught up in a variety of controversial religious, ecclesiastical, and social issues—a shift from neo-orthodox to liberal theology, the advent of inclusive liturgical and biblical language, denominational support for often controversial social issues, and heated debates around human sexuality, particularly the place of homosexuals in the church. To address these issues and concerns, and to recapture the traditionalism many feel their churches have abandoned, the remnant faithful, those who choose to stay in their churches, have formed a number of reform and renewal movements. Cowan examines these emergent social movements, providing anecdotal and lively examples of their activities, their arguments, their identities, and their approaches to strengthening their churches. Rather than leave denominations which they regard as increasingly hostile to theological and ecclesiastical traditionalism, many mainline Protestants have chosen to stay and fight for their churches, forming reform and renewal movements intended to address hot-button issues in the way their churches function and practice. These conservative reform movements, however, are often vilified by their more liberal co-religionists, and not infrequently regarded as theologically immature, doctrinally stagnant, and ecclesiastically belligerent. The Remnant Spirit demonstrates that these are simplistic and reductivist analyses that only serve to avoid the very issues around which reform movements emerge and evolve. The author provides an in-depth examination of four major North American denominations, and the various conservative reform and renewal movements taking place in each, while acknowledging that every mainline Protestant Church in the U.S. and Canada is contending with similar issues and addressing them in similar fashions. Here, the voices of the remnant faithful, those that contribute to denominational discussions as they are experienced by ordinary church members and leaders alike, are presented and discussed in a thoughtful and lively manner.
Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--
Illuminating the religious and existential themes in Stephen King’s horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America’s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King’s horror stories. Religion and its trappings are found throughout King’s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a “fallen away” Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.
This unparalleled introduction to cults and new religious movements has been completely up-dated and expanded to reflect the latest developments; each chapter reviews the origins, leaders, beliefs, rituals and practices of a NRM, highlighting the specific controversies surrounding each group. A fully updated, revised and expanded edition of an unparalleled introduction to cults and new religious movements Profiles a number of the most visible, significant, and controversial new religious movements, presenting each group’s history, doctrines, rituals, leadership, and organization Offers a discussion of the major controversies in which new religious movements have been involved, using each profiled group to illustrate the nature of one of those controversies Covers debates including what constitutes an authentic religion, the validity of claims of brainwashing techniques, the implications of experimentation with unconventional sexual practices, and the deeply rooted cultural fears that cults engender New sections include methods of studying new religions in each chapter as well as presentations on ‘groups to watch’
Magic, Monsters, and Make-Believe Heroes looks at fantasy film, television, and participative culture as evidence of our ongoing need for a mythic vision—for stories larger than ourselves into which we write ourselves and through which we can become the heroes of our own story. Why do we tell and retell the same stories over and over when we know they can’t possibly be true? Contrary to popular belief, it’s not because pop culture has run out of good ideas. Rather, it is precisely because these stories are so fantastic, some resonating so deeply that we elevate them to the status of religion. Illuminating everything from Buffy the Vampire Slayer to Dungeons and Dragons, and from Drunken Master to Mad Max, Douglas E. Cowan offers a modern manifesto for why and how mythology remains a vital force today.
Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--
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