A clear overview and analysis of James Baldwin's life and work. This study provides an engaging overview and clear analysis of the fiction, non-fiction and drama of African- American writer James Baldwin (1924-1987). Whilst giving close attention to Baldwin's popular works such as Go Tell it on the Mountain and Another Country, it also explores other important but less well known themes and texts, including the use of the blues, masculinity, race and sexuality.
Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.
With contributions from major scholars of African American literature, history, and cultural studies, A Historical Guide to James Baldwin focuses on the four tumultous decades that defined the great author's life and art. Providing a comprehensive examination of Baldwin's varied body of work that includes short stories, novels, and polemical essays, this collection reflects the major events that left an indelible imprint on the iconic writer: civil rights, black nationalism and the struggle for gay rights in the pre- and post-Stonewall eras. The essays also highlight Baldwin's under-studied role as a trans-Atlantic writer, his lifelong struggle with faith, and his use of music, especially the blues, as a key to unlock the mysteries of his identity as an exile, an artist, and a black American in a racially hostile era.
With contributions from major scholars of African American literature, history, and cultural studies, A Historical Guide to James Baldwin focuses on the four tumultous decades that defined the great author's life and art. Providing a comprehensive examination of Baldwin's varied body of work that includes short stories, novels, and polemical essays, this collection reflects the major events that left an indelible imprint on the iconic writer: civil rights, black nationalism and the struggle for gay rights in the pre- and post-Stonewall eras. The essays also highlight Baldwin's under-studied role as a trans-Atlantic writer, his lifelong struggle with faith, and his use of music, especially the blues, as a key to unlock the mysteries of his identity as an exile, an artist, and a black American in a racially hostile era.
Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwin's personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwin's geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themes-the Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalism-to bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.
In World War I, 104 African American doctors joined the United States Army to care for the 40,000 men of the 92nd and 93rd Divisions, the Army's only black combat units. The infantry regiments of the 93rd arrived first and were turned over to the French to fill gaps in their decimated lines. The 92nd Division came later and fought alongside other American units. Some of those doctors rose to prominence; others died young or later succumbed to the economic and social challenges of the times. Beginning with their assignment to the Medical Officers Training Camp (Colored)--the only one in U.S. history--this book covers the early years, education and war experiences of these physicians, as well as their careers in the black communities of early 20th century America.
Canada’s Great War, 1914-1918: How Canada Helped Save the British Empire and Became a North American Nation describes the major role that Canada played in helping the British Empire win the greatest war in history—and, somewhat surprisingly, resulted in Canada’s closer integration not with the British Empire but with its continental neighbor, the United States. When Britain declared war against Germany and Austria-Hungary in August 1914, Canada was automatically committed as well because of its status as a Dominion in the British Empire. Despite not having a say in the matter, most Canadians enthusiastically embraced the war effort in order to defend the Empire and its values. In Canada’s Great War, 1914-1918, historian Brian Douglas Tennyson argues that Canada’s participation in the war weakened its relationship with Britain by stimulating a greater sense of Canadian identity, while at the same time bringing it much closer to the United States, especially after the latter entered the war. Their wartime cooperation strengthened their relationship, which had been delicate and often strained in the nineteenth century. This was reflected in the greater integration of their economies and the greater acceptance in Canada of American cultural products such as books, magazines, radio broadcasting and movies, and was symbolized by the astonishing American response to the Halifax explosion in December 1917. By the end of the war, Canadians were emerging as a North American people, no longer fearing close ties to the United States, even as they maintained their ties to the British Commonwealth. Canada’s Great War, 1914-1918 will interest not only Canadians unaware of how greatly their nation’s participation in the First World War reshaped its relationship with Britain and the United States, but also Americans unacquainted with the magnitude of Canada’s involvement in the war and how that contribution drew the two nations closer together.
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
A clear overview and analysis of James Baldwin's life and work. This study provides an engaging overview and clear analysis of the fiction, non-fiction and drama of African- American writer James Baldwin (1924-1987). Whilst giving close attention to Baldwin's popular works such as Go Tell it on the Mountain and Another Country, it also explores other important but less well known themes and texts, including the use of the blues, masculinity, race and sexuality.
A History of England, Volume 2 (1688 to the Present), focuses on the key events and themes of English history since 1688. Topics include Britain's emergence as a great power in the 18th century, the American War for Independence, the Industrial Revolution, and the economic crisis of the 1970s.
One of the earliest mill communities in the Massachusetts Bay Colony formed along Spot Pond Brook, a few miles north of Boston. Thomas Coytmore built the first mill in 1640 at the brook's downstream end in "Mistick Side" (present-day Malden). Other mills sprang up along the brook as well. Today, most of Spot Pond Brook is hidden in culverts beneath the busy streets of Malden and Melrose. However, remnants of the lost mill village of Haywardville--foundations, millruns and ponds and waterfalls--are preserved within Middlesex Fells Reservation, part of Boston's world-famous Metropolitan Park System. Authors Douglas L. Heath and Alison C. Simcox trace the history of this thriving early American community.
Presidents and their Justices offers an innovative look at the relationship between a president and the Supreme Court justices they appoint. Based on a 2005 survey of historians, lawyers, and political scientists that ranked presidents according to their Supreme Court appointments, the ratings offer a distinctive analysis of the relationship between presidents and the justices they appointed. Among these were Herbert Hoover, as the fifth-ranked president based on the Court nominees and Harry Truman, as one of the worst twentieth-century presidents for the justices he appointed. The book delves into presidential Court appointments and how a justice's career affects a president's legacy. Among the presidents studied are Warren Harding, Ulysses Grant, John Kennedy, Ronald Reagan, and Franklin Roosevelt. The work is divided into sections of great presidents who made successful appointments, great presidents who failed in their appointments, and mediocre presidents who made successful appointments.
The American War for Independence was under way before the signing of the Declaration of Independence, but the Continental Army didn't have the force to back up the words. This history explores the army's early failures in Canada, with desertion and disease common among the ranks, and how new leadership disciplined and reorganized the army and set the stage for a key victory at Saratoga in 1777.
In the first two volumes of this series, Douglas Waitley guided readers through Florida's midland and southern tip. Now follow him along the beaches and over the hills of North Florida, watching rocket launches, meeting dolphins face to face, and trying your luck at the "Worlds Luckiest Fishing Village" along the way. Starting in Titusville on Florida's Atlantic Coast, traversing the Panhandle, and finally rambling down the Gulf Coast to Hernando Beach, this volume offers single-day tours to some of the most interesting and remote small towns along some of the most beautiful roads in the northern third of the the state. Complete with directions, detailed maps, recommended stops, and photographs of interesting sights, the book offers more than just a glimpse into the past. See all of the books in this series
When Americans describe their compatriots, who exactly are they talking about? This is the urgent question that Douglas Dowland asks in We, Us, and Them. In search of answers, he turns to narratives of American nationhood written since the Vietnam War—stories in which the ostensibly strong state of the Union has been turned increasingly into an America of us versus them. Dowland explores how a range of writers across the political spectrum, including Hunter S. Thompson, James Baldwin, and J. D. Vance, articulate a particular vision of America with such strong conviction that they undermine the unity of the country they claim to extol. We, Us, and Them pinpoints instances in which criticism leads to cynicism, rage leads to apathy, and a broad vision narrows in our present moment.
Presenting a follower-centered perspective on leadership, this book focuses on followers as the direct determinant of leadership effects because it is generally through follower reactions and behaviors that leadership attempts succeed or fail. Therefore, leadership theory needs to be articulated with a theory of how followers create meaning from leadership acts and how this meaning helps followers self-regulate in specific contexts. In this book, an attempt is made to develop such a theory, maintaining that the central construct in this process is the self-identity of followers. In developing this theoretical perspective, the authors draw heavily from several areas of research and theory. The most critical constructs do not come directly from the leadership literature, but from social and cognitive theory pertaining to follower's self-identity, self-regulatory processes, motivation, values, cognitions, and emotions and perceptions of social justice. Leaders may have profound effects on these aspects of followers and it is by analyzing such indirect, follower-mediated leadership effects that most ideas regarding leadership theory and practice are developed. Due to its broad theoretical focus, this book is relevant to a number of audiences. The authors' principal concern is with the development of leadership theory and the practice of leadership making the book relevant to audiences in management, applied psychology, and social psychology. They have tried to clearly define key constructs and provide practical examples so that the book could be accessible to advanced undergraduate students. However, the diversity of the underlying theoretical literatures and the complexity of the framework developed also make the book appropriate for graduate courses in those disciplines, and for readers with a professional interest in leadership theory or practice.
Everest, a mountain known all around the world and surrounded by the tragic romanticism of climbers risking everything for a dream. Although much has been written on the feats and accomplishments of these climbers, what about the people who actually live in the shadow of the mountain and the ways cimbers and trekkers affect their lives? Ed Douglas spent time traveling in Nepal and Tibet, talking to politicians, environmentalists and moutaineers, to local people who live around the mountain they call Chomolungma, Goddess Mother of the World. This sensitive account of Douglas' travels explores the issues facing a region struggling to develop and change-issues brought on by the growing mountaineering and trekking industries, issues that go far beyond how to clear up all the piling rubbish climbers leave behind. With honesty and humor Chomolungma Sings the Blues sheds a new and different light on the mountain and its people.
This book was originally a set of notes given to metaphysical and magickal students in the middle '90's. As a member of The Knights Templar of Aquarius from it's earliest days I was interested in seeing that my many initiated students learned about where so much of the current occult knowledge originated.
Blues is absolutely vital to black theological reflection and to the black church's existence. In Black Bodies and the Black Church , author Kelly Douglas Brown develops a blues crossroad theology, which allows the black church to remain true to itself and relevant in black lives.
A powerful, behind-the-scenes look at some of America's all-time favorite television programs during their darkest hours, this study examines how various hit series have absorbed the death of a lead actor during production. Although each television program eventually resumed production, the lead actor's death in each case had a profound impact on the surviving cast and crew and the future of the show itself. Individual chapters explore the events surrounding the deaths of Freddie Prinze (Chico and the Man), John Ritter (8 Simple Rules for Dating My Teenage Daughter), Redd Foxx (The Royal Family), Nicholas Colasanto (Cheers), Phil Hartman (NewsRadio), and many others. Their stories are told through first-hand accounts by those who knew them best, including many of the most talented actors, producers, writers, and directors in television over the past forty years.
Approaches abound to help us beneficially, enjoyably read fiction, poetry, and drama. Here, for the first time, is a book that aims to do the same for the essay. G. Douglas Atkins performs sustained readings of more than twenty-five major essays, explaining how we can appreciate and understand what this currently resurgent literary form reveals about the “art of living.” Atkins’s readings cover a wide spectrum of writers in the English language--and his readings are themselves essays, gracefully written, engaged, and engaging. Atkins starts with the earliest British practitioners of the form, including Francis Bacon, John Dryden, Alexander Pope, and Samuel Johnson. Transcendentalist writers Henry David Thoreau and Ralph Waldo Emerson are included, as are works by Americans James Baldwin, Zora Neale Hurston, and E. B. White. Atkins also provides readings of a number of contemporary essayists, among them Annie Dillard, Scott Russell Sanders, and Cynthia Ozick. Many of the readings are of essays that Atkins has used successfully in the classroom, with undergraduate and graduate students, for many years. In his introduction Atkins offers practical advice on the specific demands essays make and the unique opportunities they offer, especially for college courses. The book ends with a note on the writing of essays, furthering the author’s contention that reading should not be separated from writing. Reading Essays continues in the tradition of such definitive texts as Understanding Poetry and Understanding Fiction. Throughout, Atkins reveals the joy, delight, grace, freedom, and wisdom of “the glorious essay.”
Battenhouse's Shakespearean tragedy: Its art and Christian premises, Irving Ribner's Patterns in Shakespearian tragedy, Virgil K. Whitaker's The mirror up to nature: The techniques of Shakespeare's tragedies, and Robert Grams Hunter's Shakespeare and the mystery of God's judgments. Waters questions, for example, Battenhouse's validity of Christian theological and didactic emphases on the old purgation theory of catharsis. His approach differs also from Northrop Frye's views on the tragedies in Northrop Frye on Shakespeare, an archetypal approach to representative plays including the tragedies.
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