The best mysteries can only be solved with your best friends. The perfect summer read for fans of Stuart Gibbs. Paul Marconi has always thought that Bellwood was a strange town, but also a boring one. Not much for an eleven-year-old to do. Fires are burning nearby, Paul's parents are obsessed with winning a bratwurst contest, and his best friend, one of the founding members of their only-child detective club, the One and Onlys, is about to acquire a younger sister, sort of undoing their whole reason for existing. But then! Hundreds of rubber duckies have appeared on the lawn of poor Mr. Babbage without any explanation. Finally! There is something that Paul and his friends can actually investigate. In the face of all these bizarre occurrences, Paul is convinced that uncovering who deposited the duckies will finally bring some sense to what has become an upside-down world. Soon the three friends have a long list of suspects, all with their own motives, but no clear culprit. When everything comes to a head at the town's annual Bellwood Bratwurst Bonanza, Paul discovers that some things don't have an easy explanation and not every mystery can be solved. A perfect summer story about friends, amateur sleuthing, and a whole lot of rubber duckies. “The perfect mix of hilarious and heartwarming—kids won’t be able to get enough of Paul and his friends’ Bellwood adventures.”—Elsie Chapman, author of All the Ways Home "Delightful fun for budding mystery fans."--Kirkus "A diverting mystery with clever misdirection that will keep readers guessing until the end."--The Bulletin "The quirkiness of the premise and the light, punny humor give the narrative its momentum."--Booklist "The One and Onlys seem primed to become a popular trio among readers who enjoy an old-fashioned whodunit."--Publishers Weekly
The best mysteries can only be solved with your best friends. The perfect summer read for fans of Stuart Gibbs. Paul Marconi has always thought that Bellwood was a strange town, but also a boring one. Not much for an eleven-year-old to do. Fires are burning nearby, Paul's parents are obsessed with winning a bratwurst contest, and his best friend, one of the founding members of their only-child detective club, the One and Onlys, is about to acquire a younger sister, sort of undoing their whole reason for existing. But then! Hundreds of rubber duckies have appeared on the lawn of poor Mr. Babbage without any explanation. Finally! There is something that Paul and his friends can actually investigate. In the face of all these bizarre occurrences, Paul is convinced that uncovering who deposited the duckies will finally bring some sense to what has become an upside-down world. Soon the three friends have a long list of suspects, all with their own motives, but no clear culprit. When everything comes to a head at the town's annual Bellwood Bratwurst Bonanza, Paul discovers that some things don't have an easy explanation and not every mystery can be solved. A perfect summer story about friends, amateur sleuthing, and a whole lot of rubber duckies. “The perfect mix of hilarious and heartwarming—kids won’t be able to get enough of Paul and his friends’ Bellwood adventures.”—Elsie Chapman, author of All the Ways Home "Delightful fun for budding mystery fans."--Kirkus "A diverting mystery with clever misdirection that will keep readers guessing until the end."--The Bulletin "The quirkiness of the premise and the light, punny humor give the narrative its momentum."--Booklist "The One and Onlys seem primed to become a popular trio among readers who enjoy an old-fashioned whodunit."--Publishers Weekly
The mystery-solving trio, the One and Onlys, from Finally, Something Mysterious is back with another whodunit. Robot crows, a poetry-slash-wrestling Club, and a hamster infestation? This looks like another case to tackle! As the excitement from the last mystery the One and Onlys solved is starting to dwindle, Shanks, Peephole, and Paul worry that their town is back to being boring old Bellwood. But as plans for a shiny town makeover get underway, they realize that the "old Bellwood" is anything but. The glee over "New Bellwood" is palpable, and it's hard not to get swept away by the flashy new milkshake joint and other developments that are quickly making their small town unrecognizable. But the One and Onlys can't deny that something nefarious seems to be afoot--especially if the robot crow they stumbled upon is any indication. Strange? Yes. Dangerous? Hopefully! Shanks doesn’t know how these things are connected, but she’s determined to find out—with the help of the One and Onlys.
Award winning songwriter, musician, author, playwright, poet, visual artist, and Appalachian Renaissance man Billy Edd Wheeler is best known for penning "Jackson," which was popularized by Johnny Cash and June Carter with their Grammy-winning recording from 1967. In addition to his own albums and singles as a highly regarded singer/songwriter (including the Top 5 hit, "Ode to the Little Brown Shack Out Back"), Billy Edd has penned numerous songs for artists such as Elvis Presley, Judy Collins, The Kingston Trio, Neil Young, and Kenny Rogers. Wheeler's memoir is populated by a fascinating cast of characters which he encountered on his journey. Songwriting changed his life, bringing him a long lasting career that saw the birth of classic tunes such as "The Reverend Mr. Black," "High Flyin' Bird," "The Coming of the Roads," "It's Midnight," "Coal Tattoo," and others. Peppered with the folksy wisdom of his beloved Appalachia, Hotter Than a Pepper Sprout is like pulling a chair up next to the Nashville Songwriters Hall of Famer by a warm fire; you won't want to leave.
In 1904, when the Hassinger brothers ¿ Luther (L. C.), Will, and John ¿ came from the northwestern Pennsylvania county of Forest to the southwestern Virginia county of Washington with the idea of continuing their father¿s lumber business, they liked what they saw: thousands of acres of virgin forest. Two years later, they built a sawmill in Washington County and a company town to support its workers. L. C.¿s mother, Letisha, named the town Konnarock. In less than ten years, the Hassinger Lumber Company of Konnarock, Virginia, had employed over 400 workers, laid down over 75 miles of railroad track (they named their railroad the White Top Railway), built 20 logging camps, and sawed almost 60,000 board feet of lumber per day at its mill. Not only did the Hassinger Lumber Company cut timber in Washington County, Virginia, they also did extensive timbering in neighboring Ashe County, North Carolina, and also sawed timber cut in Watauga County, North Carolina, when the Deep Gap Tie and Lumber Company, located in the Watauga County village of Deep Gap, bought the Hassinger Lumber Company¿s Shay locomotive No. 3, sending its logs to the Hassinger sawmill in Konnarock, 50 miles away. By the time the blades went silent on Christmas Eve, 1928, almost 400 million board feet of the area¿s best wood had passed through the Hassinger Lumber Company¿s sawmill. This book contains the story of the Hassinger Lumber Company and its company town, Konnarock, as well as information about the Beaver Dam Railroad, the Laurel Railway (both located in the northeastern Tennessee county of Johnson), the Virginia¿Carolina Railway (the ¿Virginia Creeper¿), the logging of the Pond Mountain area of Ashe County, North Carolina, by the Damascus Lumber Company, and the Hassinger Lumber Company¿s logging operations in the Elkland (present-day Todd) area of Ashe County.
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from “coon shouters” to “blues singers.” Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.
“Here Come the Colts!” . . . .That was the slogan that was written on the side of the team buses, and this is the story of a decade of championship football, the Atlanta Colts of the 1970’s, who won 17 of a possible 30 championships in the three age/weight classifications of the Georgia Youth Football Conference from 1970-1979, dominating that league in that decade. This book is about the players and coaches in the decade of the 1970’s for this Atlanta Colt youth football program, the ACYA, based in north Atlanta, Georgia who participated in the three age and weight classifications of the varsity program. It also includes information and recounts about some of the opposing teams and their coaches and layers that made up metropolitan Atlanta’s most competitive big league youth football organization of the era of the 1970’s, the Georgia Youth Football Conference. It is the author’s tribute to the ACYA founder and leader, the late Bob Johnson, who is mentioned frequently throughout the book. The Atlanta Colt Youth Association program, aka “ACYA” was often referred to as the number one “Pop Warner” sanctioned youth football program in the entire US in the 1970’s. The book is written in narrative from the perspective of the author, who participated as one of the Varsity Colt head coaches in the last eight years of that decade (1972-1979) and observed the 1970 and 1971 seasons from an Interleague coaching position within that same famous Pop Warner program. The chapters detail the author’s recollections and opinions and most of the detail centers mainly around his own players’ and teams’ experiences. The author provides season by season summaries of each of the varsity Colt teams, highlighting some of the most important games in which his own team participated, with capsules of many others. He also reveals some of the strategies employed in detail and the actual on the field rationale and logic behind many of the significant plays and events in some of those games. The author is Doug Bennett, who was a head coach for the “varsity” Colts for nine years, and participated in the ACYA program a total of 12 years from 1969-1980. In the subject decade of this book, the 1970’s, Bennett was a varsity Colt Head Coach for the years 1972-1979. His teams won six consecutive GYFC championships from 1972 to 1977, finishing second in 1978 and third in 1979. Using a combination of research from written historical material, actual game films and the author’s memory, as much detail as possible is written, including the author’s recollection of specific game circumstances, situations and plays, with emphasis on individual player and team performances, etc. There are chapters describing the program’s and author’s philosophies and strategies on Offense, Defense, Special Teams, Practice and Game Preparation providing written description and analysis of how these championship teams were built from the first day of practice through the end of a season as it was learned from the legendary Coach Bob Johnson. The ACYA program was not only a football program for the children, it was almost a society within the society of the Dunwoody area and surrounding neighborhoods in the northern suburbs of Atlanta, Georgia, particularly in the decade of the ’70’s. It was run totally by adult volunteers, whose dedication allowed the program to prosper and flourish from its inception in 1965. The ACYA program was the annual focal point in the lives of these families from the start of football tryouts in early August until the last bowl games in December, for all of the years they were involved. Lifelong friendships were formed there, among the children football players and the adult parents and volunteers in those families. The program still serves the community today and many of the volunteers who have been involved in recent years are former players from the era discussed in this book.
Drag racing is a very regulated sport. In the history of the NHRA, IHRA, and other sanctioning bodies, many classes existed in an effort to make sure the cars racing against each other are as equal as possible. It is a noble, if not futile, pursuit. You have two cars facing off that have very similar statistics in terms of weight, transmission type, fuel type, estimated horsepower, and all other sorts of measurables. The byproduct is that often the races that were "fair" were not the races that the fans wanted to see. During the golden age of drag racing, fans didn't care as much about class racing as much as they wanted to see scores settled, rivalries battled, and interesting match-ups. There were the manufacturer rivalries, Ford versus Chevy, Chevy versus Mopar, Mopar versus Ford, as well as numerous driver rivalries. Match races were also a great way to feature wildly popular cars that no longer had a class in which to compete, yet the fans still wanted to see them. So popular and intense were these races that many track promoters didn't bother to promote class racing at all. Instead, they used the match races as headliners, similar to the marquee at your local arena or a billboard in Las Vegas, all resulting in putting more fans in the stands. And the drivers loved it too. Although the prize money for national events was fairly average for the day, the extra appearance fees and prize money to lure the most popular match racers to events increased the driver's take exponentially. Many of the most popular pro drivers quit class racing altogether just to go match racing. Veteran drag race author Doug Boyce tells the tale of the history of match racing through the cars, the drivers, the events, the classes, the rivalries, and everything else that was fun about match racing during the golden era. It's all here, complemented by wonderful vintage photography provided by fans and professionals in attendance. If you are a fan of any class of drag racing, from any era, Match Race Mayhem is a fun addition to your racing library. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial}
In the time of the Troubles, when there were bombs in the night and soldiers on the road, Henry Glassie journeyed to the Irish borderland to learn how country people endure. He settled into the farming community of Ballymenone, beside Lough Erne in the County Fermanagh. He asked questions, and he listened. For a decade he heard and recorded the stories and songs in which they outlined their culture, recounted their history, and pictured their world--a world which, in their view, was one of love and defeat and uncertainty, demanding faith, bravery, and wit. In his award-winning Passing the Time in Ballymenone, Henry Glassie set out to write a comprehensive ethnography of the community. Now, after decades of work in Asia, in Turkey and Bangladesh, in India and Japan, Glassie has returned to Ireland, using his skills as an observer, a listener, a writer, in an effort to understand how poor people in rural places suffer and laugh and carry on while history happens. Glassie's task in The Stars of Ballymenone is to set the scene, to sketch the backdrop and clear the stage, so that Hugh Nolan and Michael Boyle, Peter Flanagan, Ellen Cutler, and their neighbors can tell their own tale. The Stars of Ballymenone is an integrated analysis of the complete repertory of verbal art from a community where storytelling and singing of quality remained a part of daily life. The book includes a CD so the voices of Ballymenone can be heard at last.
The mystery-solving trio, the One and Onlys, from Finally, Something Mysterious is back with another whodunit. Robot crows, a poetry-slash-wrestling Club, and a hamster infestation? This looks like another case to tackle! As the excitement from the last mystery the One and Onlys solved is starting to dwindle, Shanks, Peephole, and Paul worry that their town is back to being boring old Bellwood. But as plans for a shiny town makeover get underway, they realize that the "old Bellwood" is anything but. The glee over "New Bellwood" is palpable, and it's hard not to get swept away by the flashy new milkshake joint and other developments that are quickly making their small town unrecognizable. But the One and Onlys can't deny that something nefarious seems to be afoot--especially if the robot crow they stumbled upon is any indication. Strange? Yes. Dangerous? Hopefully! Shanks doesn’t know how these things are connected, but she’s determined to find out—with the help of the One and Onlys.
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