Benjamin Chriton has been traveling to other worlds in secret, on his own, for years, through a wormhole technology that he created called the 'space-stream'. Through the aid of an 'exo-suit', an advanced piece of armor technology that he has upgraded with alien technology, Benjamin is able to travel, and adaptively survive regardless of the alien environment on the other side. Now, for the first time, his son, Derek Chriton will aid him in his travels, after years of training, and go on his own solo mission. His father warns him not to fight anybody else's war, but when Derek is confronted by a powerful enemy, his promise, training, and survival are put to the test.
This book is a declaration of the power of the imagination. The manifestation of the imagination transcends the literal, concrete conclusions that knowledge often verifies. Poetry and photographs, especially B&Wits the imageoffer a moment to think, wonder, ponder and question reality and the power of the human spirit. We contemplate something we may have not considered before the moment, and those moments present the opportunity to grow, even just a little. Einstein knew it and believed. Its about holding a moment in our heart and mind, like the laugh of a child, a song, an embrace, a discovery, a revelation that stays with you forever and sometimes makes the world a little brighter. Endorsements The poetry and photography in Brooks new collection range from gentle to sophisticated to universally personal. Its what poetry and photography should be. Martin Naparsteck, author of, SEX AND MANIOFEST DESTINY Rarely, these days, do I find myself so unabashedly moved by something, so happy to have opened a book (FRONT STREET). Tim OBrien, author of, THE THINGS THEY CARRIED
The first complete biography of the Baltimore Orioles' Hall of Fame baseman Brooks Robinson, the greatest defensive third baseman of all time. Finalist for the 2014 Casey Award! Selected by the National Baseball Hall of Fame for the 2014 author's series Brooks Robinson is one of baseball's most transcendent and revered players. He won a record sixteen straight Gold Gloves at third base, led one of the best teams of the era, and is often cited as the greatest fielder in baseball history. Credited with almost single-handedly winning the 1970 World Series, this MVP was immortalized in a Normal Rockwell painting. A wholesome player and role model, Brooks honored the game of baseball not only with his play but with his class and character off the field. Author of The Bird: The Life and Legacy of Mark Fidrych, Doug Wilson returns to baseball's Golden Age to detail the birth of a new franchise through the man who came to symbolize it as one of baseball's most beloved players. Through numerous interviews with people from every part of the legendary player's life, Wilson reveals never-before-reported information to illuminate Brooks's remarkable skill and warm personality. Brooks takes readers back to an era when players fought for low-paying yearly contracts, spanning the turbulent 60s and 70s and into the dawning of the free agent era. He was elected to the MLB All-Century Team and as president of the MLB Players Alumni, Brooks continues to influence today's baseball players. In the climate of astronomic salaries, steroids, off-field troubles, and heroes who let down their fans, Brooks reminds baseball fans of the honor and glory at the heart of America's favorite pastime.
The aim of this study is to fill a significant gap in the existing literature on the role of non-state actors, ranging from rebels and criminal gangs at one extreme to the corporate security industry at the other. As part of the general privatisation of the security sector in the western world, combined with the US-led war on terror, non-state actors have increasingly been tied to the foreign policy priorities of the dominant western military powers. Iraq and Afghanistan are the examples often used, and are well-described in other chapters in this book. In sub-Saharan Africa, as in many fragile states around the world, this picture is blurred, and it is often difficult to make clear distinctions between public and private, or between illegal and legal etc., (non)-state actors.
According to much of the academic literature, the nature of war changed dramatically in the last part of the twentieth century, especially after the end of the Cold War. According to this logic there is a dichotomy between war as a social phenomenon and warfare as the domain of the state, as envisaged by the late Prussian military theorist, Carl von Clausewitz, in the shape of the “Trinitarian War”. The lack of capacity on the part of predominately Third World states to control conflicts has led to low-intensity conflicts (LIC), which can be witnessed, for instance, in Uganda, the Democratic Republic of Congo, Colombia and Sri Lanka. Since the end of the Cold War it has been common for weak state rulers with formal state legitimacy but not empirical legitimacy to have continued to enjoy international recognition because of international fears that they are the only barrier against a total collapse. Amongst other things this paved the way for an expansion of the market for private military and security companies (PMSC) such as the South African-based Executive Outcomes (EO) in the 1990s. However, the lack of state capacity led to a sub-contracting, willingly or unwillingly, of the state’s monopoly on the use of force to non-state actors, PMSCs and semi-state actors, like local militias, warlords, criminal gangs and vigilant groups, in an attempt to secure weak state leaders’ positions. In the competition for state control internationally recognised leaders have an advantage over their non-state rivals because they can seek military help outside their countries with the agreement of the international community and in accordance with international law.
Ibbetson Street has increased its stature with our new affiliation and has attracted such poets as Marge Piercy, X.J. Kennedy, Daniel Tobin, Sam Cornish, Diana der-Hovanessian, and Richard Hoffman, to name a few. We continue to be dedicated to publishing fine emerging poets as well. I want to thank Poetry Editors Mary Rice and Harris Gardner for their fine work, as well as Managing Editor Dorian Brooks and Consulting Editor Robert K. Johnson.
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Outdoor tourism is one of Alaska’s biggest industries, and the thousands of people who flock to the state’s dramatic landscapes and pristine waters to hunt and fish are supported by a large and growing network of guides, lodges, outfitters, and wildlife biologists. This book honors more than sixty of those remarkably colorful characters, past and present, people whose incredible skills were their calling cards, but whose larger-than-life personalities were what people remember after the trip is over. Taken together, these portraits offer a history of outdoor life in Alaska and celebrate its incredible natural beauty—and the people who devote their lives to helping us enjoy it.
THE STORY: The hilarious and heartbreaking story of Big Edie and Little Edie Bouvier Beale, the eccentric aunt and cousin of Jacqueline Kennedy Onassis, once bright names on the social register who became East Hampton's most notorious recluses.
The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from “coon shouters” to “blues singers.” Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.
From Amanda Knox to O.J., Casey Anthony to Kyle Rittenhouse, our justice system faces scrutiny and pressure from the media and public like never before. Can the bedrock of “innocent until proven guilty” survive in what acclaimed Seattle attorney and legal analyst Anne Bremner calls the age of judgement? When unscrupulous Italian prosecutors waged an all-out war in the media and courtroom to wrongly convict American exchange student Amanda Knox for a murder she didn’t commit, family and friends turned to renowned Seattle attorney and media legal analyst Anne Bremner to help win her freedom. The case was dubbed the “trial of the decade” and would coincide with the explosion of social media and a new era of trying cases in public as much as the courtroom. While Italian prosecutors, the press, and online lynch mobs convicted Knox in the court of public opinion, Bremner would draw upon her decades in the courtroom and in front of the camera to turn the tide with a new kind of defense in pursuit of justice. In Justice in the Age of Judgement, Anne Bremner and Doug Bremner take us inside some of the biggest cases of recent times and offer their expert, thought-provoking insights and analysis as our legal system faces unprecedented forces fighting to tip the scales of justice their way. Why couldn’t prosecutors convict O.J. Simpson despite all of the evidence seemingly proving he killed his wife Nicole? Could a jury remain unbiased in the face of overwhelming public pressure in the trial of Minneapolis police officer Derek Chauvin for the murder of George Floyd? Why was Kyle Rittenhouse exonerated after shooting three people (killing two) with an assault rifle at a violent rally despite widespread media reports seemingly proving his guilt, and national calls for his conviction? Justice in the Age of Judgement is an unparalleled and unflinching look at the captivating cases tried on Twitter and TV, where the burden of proof and fundamental legal tenet of “innocent until proven guilty” is under assault from the court of public opinion.
Are you taking the New GRE? Then you need REA’s New GRE - A Strategic Approach - Complete GRE Prep for the New Test! REA’s all-new GRE test prep is fully aligned with the new GRE General Test that launched in August 2011. Written by a team of experts with extensive experience in graduate-admissions test prep, our New GRE - A Strategic Approach was written entirely with the unique needs of the GRE test candidate in mind and covers every facet of the new test. Our expert subject review and strategy pointers give you an advantage on test day and help you get into the graduate school of your choice. Focused chapter reviews cover all the information tested on the new exam. The authors’ lively, conversational approach explains the content and structure of the test in a down-to-earth, easy-to-understand style that takes the mystery (and anxiety) out of the GRE. Each review chapter is filled with examples, practice quizzes, sample questions, and drills to reinforce key concepts. A full-length diagnostic exam is available online so you can pinpoint your strengths and weaknesses as you study. Two full-length, multiple-choice practice tests in the book simulate the actual GRE General Test. Each practice test is balanced to include every type of question, subject area, and skill tested on the exam. Our practice tests replicate the GRE question format, allowing you to assess your skills and gauge your test-readiness. Every practice exam comes with detailed feedback on every question. We don’t just say which answers are right—we explain why the other answer choices are wrong—so you’ll be prepared on test day. Only REA combines test-taking strategies from the experts with extensive practice and focused review. This test prep is a must-have for all grad school candidates taking the new GRE!
Doug Lennox, the world champion of trivia, is back to score touchdowns, hit homers, and knock in holes-in-one every time with a colossal compendium of Q&A athletics that has all anyone could possibly want to know about sports, from archery and cycling to skiing and wrestling and everything in between.
Sprinkled in between the fly dressings and tying lessons—and alongside his own personal anecdotes—longtime fishing guide Doug Stewart shares insights and instructions that will add to your fishing success in this illustrated guide. The Practical Fly Fisher will help you become a more complete angler, a better fly tier, and a more successful fly fisher. On top of covering all aspects of fly fishing: casting, proper equipment, tying flies, reading water, the feeding habits of fish, and the proper strategy for fishing a stretch of river, included inside in the book are the secrets of Doug’s favorite patterns. Doug Stewart, a lifelong fly fisher, is also a fly-tying instructor, guide and a fly shop owner. He has written about fly-fishing for The Oregon Sportsman and Amato Publications. Doug spent many years teaching customers how to fly fish during the thirty-two years he owned Stewart’s Fly Shop. “I think I get more out of teaching someone, out of seeing them be successful or catch their first fish, than I do out of catching my own,” Doug says.
Shortlisted Finalist for the 2023 Eisner Award for Best Academic/Scholarly Work American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.
From their founding in the 1820s up to the modern age, the Texas Rangers have shown the ability to adapt and survive. Part of that survival depended on their use of firearms. The evolving technology of these weapons often determined the effectiveness of these early day Rangers. John Coffee “Jack” Hays and Samuel Walker would leave their mark on the Rangers by incorporating new technology which allowed them to alter tactics when confronting their adversaries. The Frontier Battalion was created at about the same time as the Colt Peacemaker and the Winchester 73—these were the guns that “won the West.” Firearms of the Texas Rangers, with more than 180 photographs, tells the history of the Texas Rangers primarily through the use of their firearms. Author Doug Dukes narrates famous episodes in Ranger history, including Jack Hays and the Paterson, the Walker Colt, the McCulloch Colt Revolver (smuggled through the Union blockade during the Civil War), and the Frontier Battalion and their use of the Colt Peacemaker and Winchester and Sharps carbines. Readers will delight in learning of Frank Hamer’s marksmanship with his Colt Single Action Army and his Remington, along with Captain J.W. McCormick and his two .45 Colt pistols, complete with photos. Whether it was a Ranger in 1844 with his Paterson on patrol for Indians north of San Antonio, or a Ranger in 2016 with his LaRue 7.62 rifle working the Rio Grande looking for smugglers and terrorists, the technology may have changed, but the gritty job of the Rangers has not.
Nestled in the northwestern corner of North Carolina, the mountainous Ashe County boasts the most picturesque landscapes that painters and other artists could hope to find. This spirit of natural artistry runs deep through the county's culture--towns offer murals, street art, galleries and institutions like the Florence Thomas Art School. Even in West Jefferson, a town in which getting lost is impossible, there is an "art district." Truly an art destination, Ashe County is home to hundreds of painters inspired by the natural beauty of the Blue Ridge Mountains and the New River valleys. This book showcases the talented painters of Ashe, professionals and hobbyists alike, across generations and paint media. Works from 103 artists are represented in 415 full color images.
This bundle presents Doug Lennox’s popular trivia book series in its entirety. These books will provide years and years of fun, with countless questions to be asked and tons of knowledge to be learned. The books cover general trivia but also such topics as sports (baseball, hockey, football, golf, soccer, among others), Christmas and the Bible, disasters and harsh weather, royal figures, crime and criminology, important people in Canada’s history, and so much more! Along the way we find out the answers to such questions as: Why do the British drive on the left and North Americans on the right? What football team was named after a Burt Reynolds character? Who started the first forensics laboratory? Which member of the British royal family competed at the Olympics? Lennox’s exhaustive series is fun for all ages. Includes Now You Know Now You Know More Now You Know Almost Everything Now You Know, Volume 4 Now You Know Big Book of Answers Now You Know Christmas Now You Know Big Book of Answers 2 Now You Know Golf Now You Know Hockey Now You Know Soccer Now You Know Football Now You Know Big Book of Sports Now You Know Baseball Now You Know Crime Scenes Now You Know Extreme Weather Now You Know Disasters Now You Know Pirates Now You Know Royalty Now You Know Canada’s Heroes Now You Know The Bible
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