Siblings and Twins, a catalogue of Haegue Yang's installation works, documents the same-titled exhibition held at Portikus, Frankfurt am Main. The exhibition was part of a serial project designed by Yang in which she staged additional installations in other international exhibition sites. The works are formally distinct but are connected by metaphorical parallels. Yang's current works are based on the lives of a variety of historical characters marked by an intense struggle with their own fate in pursuit of their political ideals. In the case of "Siblings and Twins," shown at Portikus, Yang worked with two heroes: Kim San, the fighter for Korea's freedom, and the French author Marguerite Duras. Yang is distinguished by her ability to place abstractly conceived, complex states of affairs in the world into a self-supporting language of formal abstraction. Contributors Doryun Chong, Bart van der Heide, Melanie Ohnemus
Haegue Yang: Integrity of the Insider. From mundane objects and materials such as venetian blinds, theatrical and decorative lights, infrared heaters, scent emitters, and fans, Haegue Yang creates complex and nuanced installations that are informed by poetry, politics, and human emotions. This solo exhibition, Yang's first in a U.S. museum, features a major installation, Yearning Melancholy Red, which the Walker co-commissioned with REDCAT, Los Angeles, as well as photos, videos, and sculptures
The Deutsche Bank honors the Japanese Koki Tanaka as Artist of the Year 2015. Tanaka follows Wangechi Mutu (Kenya), Yto Barrada (France/Morocco), Roman Ondák (Slovakia), Imran Qureshi (Pakistan), and Victor Man (Romania) as the sixth international artist to be presented with this award. "Koki Tanaka is one of the most original artists of his generation to emerge on the global art scene in the last decade. A shrewd observer of the most 'indifferent' matters of the everyday, he always manages to magically transform them into fantastic events with a sense of humor, offering open but pungent implications that reveal the uncanniness of existence," explains Chinese curator Hou Hanru. Tanaka (*1975 in Tochigi, Japan) became known through installations and performances in which he implements everyday objects and material found in situ. A major share of his work consists of participatory projects that incorporate actors and exhibition viewers. Tanaka represented Japan at the 55th Venice Biennale in 2013, where his unsettlingly simple experiments proved that collaborations can pose a huge challenge. Ausstellung/Exhibition: Deutsche Bank KunstHalle, Berlin 26.3.-25.5.2015
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