A celebrated Danish writer explores the unsung histories and geographies of her beloved slice of the world. Me, my notebook and my love of the wild and desolate. I wanted to do the opposite of what was expected of me. It’s a recurring pattern in my life. An instinct. Dorthe Nors’s first nonfiction book chronicles a year she spent traveling along the North Sea coast—from Skagen at the northern tip of Denmark to the Frisian Islands in the Wadden Sea. In fourteen expansive essays, Nors traces the history, geography, and culture of the places she visits while reflecting on her childhood and her family and ancestors’ ties to the region as well as her decision to move there from Copenhagen. She writes about the ritual burning of witch effigies on Midsummer’s Eve; the environmental activist who opposed a chemical factory in the 1950s; the quiet fishing villages that surfers transformed into an area known as Cold Hawaii starting in the 1970s. She connects wind turbines to Viking ships, thirteenth-century church frescoes to her mother’s unrealized dreams. She describes strong waves, sand drifts, storm surges, shipwrecks, and other instances of nature asserting its power over human attempts to ignore or control it. Through a deep, personal engagement with this singular landscape, A Line in the World accesses the universal. Its ultimate subjects are civilization, belonging, and change: changes within one person’s life, changes occurring in various communities today, and change as the only constant of life on Earth.
A smart, witty novel of driving lessons and vertigo, short-listed for the Man Booker International Prize Sonja is ready to get on with her life. She’s over forty now, and the Swedish crime novels she translates are losing their fascination. She sees a masseuse, tries to reconnect with her sister, and is finally learning to drive. But under the overbearing gaze of her driving instructor, Sonja is unable to shift gears for herself. And her vertigo, which she has always carefully hidden, has begun to manifest at the worst possible moments. Sonja hoped her move to Copenhagen years ago would have left rural Jutland in the rearview mirror. Yet she keeps remembering the dramatic landscapes of her childhood—the endless sky, the whooper swans, the rye fields—and longs to go back. But how can she return to a place that she no longer recognizes? And how can she escape the alienating streets of Copenhagen? In Mirror, Shoulder, Signal, Dorthe Nors brings her distinctive blend of style, humor, and insight to a poignant journey of one woman in search of herself when there’s no one to ask for directions.
A moving novella unlike any other by the Man Booker International Prize shortlisted author Minna is feeling desperate. Lars has just dumped her by text message. Her friends are constantly flaunting their lovers, children and dogs on Facebook. And her neurotic sister is everywhere she turns. Minna wants a place in Copenhagen to practise her music. Minna wants a child. But what Minna really needs is to get away from it all. So, with only Ingmar Bergman for company, she decides to take a trip to the coast. And there is more on the horizon than she might imagine. Dorthe Nors was born in 1970 and studied literature at the University of Aarhus. She is one of the most original voices in contemporary Danish literature. Her short stories have appeared in numerous international periodicals including The Boston Review and Harpers, and she is the first Danish writer ever to have a story published in the New Yorker. Nors has published four novels so far, including Mirror, Shoulder, Signal - shortlisted for the Man Booker International Prize - and a collection of stories Karate Chop, also published by Pushkin Press. Karate Chop won the prestigious P. O. Enquist Literary Prize in 2014. She lives in rural Jutland, Denmark.
Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours. Tin House is your literary companion for the dog days of Summer. Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours. Featuring new work from Miller Oberman, Michael Dickman, and Malerie Willens.
A celebrated Danish writer explores the unsung histories and geographies of her beloved slice of the world. Me, my notebook and my love of the wild and desolate. I wanted to do the opposite of what was expected of me. It’s a recurring pattern in my life. An instinct. Dorthe Nors’s first nonfiction book chronicles a year she spent traveling along the North Sea coast—from Skagen at the northern tip of Denmark to the Frisian Islands in the Wadden Sea. In fourteen expansive essays, Nors traces the history, geography, and culture of the places she visits while reflecting on her childhood and her family and ancestors’ ties to the region as well as her decision to move there from Copenhagen. She writes about the ritual burning of witch effigies on Midsummer’s Eve; the environmental activist who opposed a chemical factory in the 1950s; the quiet fishing villages that surfers transformed into an area known as Cold Hawaii starting in the 1970s. She connects wind turbines to Viking ships, thirteenth-century church frescoes to her mother’s unrealized dreams. She describes strong waves, sand drifts, storm surges, shipwrecks, and other instances of nature asserting its power over human attempts to ignore or control it. Through a deep, personal engagement with this singular landscape, A Line in the World accesses the universal. Its ultimate subjects are civilization, belonging, and change: changes within one person’s life, changes occurring in various communities today, and change as the only constant of life on Earth.
A dazzling return to the short story by a finalist for the Man Booker International Prize In fourteen effervescent stories, Dorthe Nors plumbs the depths of the human heart, from desire to melancholy and everything in between. Just as she did in her English-language debut, Karate Chop, Nors slices straight to the core of the conflict in only a few pages. But Wild Swims expands the borders of her gaze, following people as they travel through Copenhagen, London, Los Angeles, Minneapolis, and elsewhere. Here are portraits of men and women full of restless longing, people who are often seeking a home but rarely finding it. A lie told during a fraught ferry ride on the North Sea becomes a wound that festers between school friends. A writer at a remote cabin befriends the mother of an ex-lover. Two friends knock doors to solicit fraudulent donations for the cancer society. A woman taken with the idea of wild swims ventures as far as the local swimming pool. These stories have already been featured in the pages of New Yorker, Harper’s Magazine, Tin House, and A Public Space. They sound the darker tones of human nature and yet find the brighter chords of hope and humor as well. Cutting and offbeat without ever losing its warmth, Wild Swims is a master class in concision and restraint, and a path to living life without either. With Wild Swims Nors’s star will continue to be ascendant.
Sonja's over forty, and she's trying to move in the right direction. She's learning to drive. She's joined a meditation group. And she's attempting to reconnect with her sister. But Sonja would rather eat cake than meditate. Her driving instructor won't let her change gear. And her sister won't return her calls. Sonja's mind keeps wandering back to the dramatic landscapes of her childhood--the singing whooper swans, the endless sky, and getting lost barefoot in the rye fields--but how can she return to a place that she no longer recognises? And how can she escape the alienating streets of Copenhagen?
The first book in English by an acclaimed Danish writer: "beautiful, faceted, haunting stories . . . [from] a rising star" (Junot Díaz) Karate Chop, Dorthe Nors's acclaimed story collection, is the debut book in the collaboration between Graywolf Press and A Public Space. These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.
Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours. Tin House is your literary companion for the dog days of Summer. Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours. Featuring new work from Miller Oberman, Michael Dickman, and Malerie Willens.
SHORTLISTED FOR THE 2023 WAINWRIGHT PRIZE FOR NATURE WRITING AND THE JAMES TAIT BLACK PRIZE FOR BIOGRAPHY An exhilarating, moving account of life on the wild Danish coast, from one of Denmark's most acclaimed writers 'A beautiful, melancholy account of finding home on a restless coast' Katherine May, author of Wintering This is the story of the windswept coastline that stretches from the northernmost tip of Denmark to the Netherlands, a world of shipwrecks and storm surges, of cold-water surfers and resolute sailors' wives. In spellbinding prose, award-winning writer Dorthe Nors invites the reader to travel through the landscape where her family lived for generations and which she now calls home. It is an extraordinarily powerful and beautiful journey through history and memory – the landscape's as well as her own. ________ FURTHER PRAISE FOR A LINE IN THE WORLD 'A place brimming with memories and strangeness, where storms surge and lighthouses blink... fascinating' Financial Times 'A singular prose stylist... Nors is such a great companion, honest and curious and surprising' Max Porter, author of Lanny 'Brilliant... a personal, poetic meditation on this remote edge of windswept landscapes and wildwaters' New York Times 'The perfect winter read, making a virtue of dark nights and frost-bitten winds on the author's native North Sea coast' Observer 'A deep dive into a coastal landscape, both breathtaking and hypnotic' Natasha Carthew, author of Undercurrent: A Cornish Memoir of Poverty, Nature and Resilience
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