Director of the Citizenship Education Program, Dorothy Cotton, recounts the accomplishments of the program and her experiences in the civil rights movement.
1887 At auction, Leif Kenyon bid and won the beautiful, bursting-with-potential Pretty Homestead, the perfect property for his saw-mill. His bid, however, comes with unforeseen, knotty strings attached: one bitter, fiery, prickly red-head, Zola Pretty, and her sullen, teenage brother, Forest. Leif’s first and immediate problem, how to save face and reputations among the close-knit community of Pretty Dale? Solution: immediately take Zola as his wife. Who can deny Zola her outrage, her humiliation at being reduced to the status of domestic help, her brother a farm hand, and an offer of marriage in one day. Circumstances chafe. Mr. Kenyon did out bid, save her and her brother from the horrid, disgusting neighbor, Amos Emory. And from his appearance, at least Mr. Kenyon bathes.
In Phaires new novel, Blind Delusion, things are not what they appear to be in this multi-layered psychological thriller of murder, obsession, and romance where a lonely clinical psychologist realizes it can be more frightening to reveal her soul than to face death. Dr. Renee Hayes is immersed in the lives of people living on the edge while she attempts to hide from her true self. But when Dr. Hayes comes face to face with those harboring their own dangerous agendas, she sees the fragility of her own life. No longer in the prime of her youth, Dr. Hayes feels time is running out for her to find the two things shes never really possessed and has always craved, lasting unconditional love and passion in her life. This is the story of a womans odyssey in search of her unrecognized source of power and strength. Its about a womans need to be intellectually, spiritually, emotionally, and sexually fulfilled on her own terms. Through her own mirrored lens, Dr. Hayes peers at the reflection of her spiritually-grounded secretary and learns from her triumph over tragedy, not only how to survive but how to gain the courage to go after what she wants without shame or regret.
The English scholar and novelist Dorothy L. Sayers penned numerous mystery stories, featuring the debonair Lord Peter Wimsey. An archetype for the British gentleman detective, this unique literary detective is a dilettante that solves mysteries for his own amusement, often assisted by his valet Bunter. The first novel in the series, ‘Whose Body?’ (1923), was followed by a string of bestselling mysteries that are the epitome of the Golden Age of Detective fiction. In later years, Sayers turned to writing scholarly translations, theological plays and non-fiction works, seeking to explain the central doctrines of Christianity clearly and concisely. This comprehensive eBook presents Sayers’ complete fictional works, with numerous illustrations, rare texts, informative introductions and bonus material. (Version 1) * Beautifully illustrated with images relating to Sayers’ life and works * Concise introductions to the major texts * All 16 Lord Peter Wimsey books, with individual contents tables * Includes the collaborative ‘Detection Club’ novels, with rare works appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Notable translations available in no other collection * Includes rare plays and non-fiction * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Lord Peter Wimsey Books Whose Body? (1923) Clouds of Witness (1926) Unnatural Death (1927) The Unpleasantness at the Bellona Club (1928) Lord Peter Views the Body (1928) Strong Poison (1930) The Five Red Herrings (1931) Have His Carcase (1932) Murder Must Advertise (1933) Hangman’s Holiday (1933) The Nine Tailors (1934) Gaudy Night (1935) Busman’s Honeymoon (1937) In the Teeth of the Evidence (1939) The Wimsey Papers (1940) Striding Folly (1972) The Collaborative Novels The Documents in the Case (1930) The Floating Admiral (1931) [one chapter cannot appear due to copyright restrictions] Ask a Policeman (1933) [one chapter cannot appear due to copyright restrictions] Six against the Yard (1936) Double Death (1939) [one chapter cannot appear due to copyright restrictions] The Shorter Fiction A Treasury of Sayers Stories (1958) The Translations Tristan in Brittany (1929) Dante’s Hell (1949) Dante’s Purgatory (1955) The Song of Roland (1957) The Plays The Zeal of Thy House (1938) He That Should Come (1938) The Devil to Pay (1939) The Just Vengeance (1946) The Non-Fiction The Greatest Drama Ever Staged (1938) Strong Meat (1939) The Mind of the Maker (1941) Unpopular Opinions (1946) The Lost Tools of Learning (1948) Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Oxford is full of memories—and threats of murder—for Harriet Vane and Lord Peter Wimsey in this mystery that “stands out even among Miss Sayers’s novels” (The Times Literary Supplement). Since she graduated from Oxford’s Shrewsbury College, Harriet Vane has found fame by writing novels about ingenious murders. She also won infamy when she was accused of committing a murder herself. It took a timely intervention from the debonair Lord Peter Wimsey to save her from the gallows, and since then she has devoted her spare time to resisting his attempts to marry her. Putting aside her lingering shame from the trial, Harriet returns to Oxford for her college reunion with her head held high—only to find that her life is in danger once again. The first poison-pen letter calls her a “dirty murderess,” and those that follow are no kinder. As the threats become more frightening, she calls on Lord Peter for help. Among the dons of Oxford lurks a killer, but it will take more than a superior education to match Lord Peter and the daring Harriet. Gaudy Night is the 12th book in the Lord Peter Wimsey Mysteries, but you may enjoy the series by reading the books in any order. This ebook features an illustrated biography of Dorothy L. Sayers including rare images from the Marion E. Wade Center at Wheaton College.
Born, raised, and retired in Mississippi, Lucy Somerville Howorth (1895--1997) was a champion for the rights of women long before feminism emerged as a widely recognized movement. As told by Dorothy S. Shawhan and Martha H. Swain, hers is a remarkable life story-from a small-town upbringing to a career as an attorney, an activist, and the last of a generation of New Deal women in Washington, D.C. She held a presidential appointment under every chief executive from Franklin Roosevelt to John Kennedy. Howorth was a fervent believer in the power of organizations to bring about change, and she became known for her leadership qualities, acumen, and quick appraisal of social problems, particularly as they affected women. Shawhan and Swain point out that her winsome personality, small stature, and delightful sense of humor also aided her as a female aspiring in a man's world. In 1931 she was elected to the Mississippi House of Representatives and, after campaigning for Roosevelt, was rewarded by the new president with a federal appointment. She served in a number of subsequent roles, rising to become general counsel of the War Claims Commission, at that time the highest legal position in an executive commission ever filled by a woman. Howorth worked relentlessly for the advancement of women, especially through the American Association for University Women and the National Federation of Business and Professional Women. She lobbied for equality in the workplace, helping to effect significant advances in government and the professions. In 1944, at the request of Eleanor Roosevelt, Howorth delivered the keynote speech at the White House Conference on Women in Postwar Policy-Making, the most memorable of her many public addresses. This first-ever biography of Howorth bestows long-overdue recognition of her many notable achievements and illuminates the activism of women in the decades often considered to be the doldrums of the women's movement.
From the intimate perspective of three friends and neighbors in mid-nineteenth century Auburn, New York-the "agitators" of the title-acclaimed author Dorothy Wickenden tells the fascinating and crucially American stories of abolition, the Underground Railroad, the early women's rights movement, and the Civil War. Harriet Tubman-no-nonsense, funny, uncannily prescient, and strategically brilliant-was one of the most important conductors on the underground railroad and hid the enslaved men, women and children she rescued in the basement kitchens of Martha Wright, Quaker mother of seven, and Frances Seward, wife of Governor, then Senator, then Secretary of State William H. Seward. Harriet worked for the Union Army in South Carolina as a nurse and spy, and took part in a river raid in which 750 enslaved people were freed from rice plantations. Martha, a "dangerous woman" in the eyes of her neighbors and a harsh critic of Lincoln's policy on slavery, organized women's rights and abolitionist conventions with Susan B. Anthony and Elizabeth Cady Stanton. Frances gave freedom seekers money and referrals and aided in their education. The most conventional of the three friends, she hid her radicalism in public; behind the scenes, she argued strenuously with her husband about the urgency of immediate abolition. Many of the most prominent figures in the history books-Lincoln, Seward, Daniel Webster, Frederick Douglass, Charles Sumner, John Brown, Harriet Beecher Stowe, William Lloyd Garrison-are seen through the discerning eyes of the protagonists. So are the most explosive political debates: about women's roles and rights during the abolition crusade, emancipation, and the arming of Black troops; and about the true meaning of the Declaration of Independence and the Constitution. Beginning two decades before the Civil War, when Harriet Tubman was still enslaved and Martha and Frances were young women bound by law and tradition, The Agitators ends two decades after the war, in a radically changed United States. Wickenden brings this extraordinary period of our history to life through the richly detailed letters her characters wrote several times a week. Like Doris Kearns Goodwin's Team of Rivals and David McCullough's John Adams, Wickenden's The Agitators is revelatory, riveting, and profoundly relevant to our own time"--
No mystery can stump the British aristocrat and sleuth—in these four novels in the beloved series from “one of the greatest mystery story writers” (Los Angeles Times). A gentleman needs hobbies. For Lord Peter Wimsey—a Great War veteran with a touch of shell shock—collecting rare books, sampling fine wines, and catching criminals are all most pleasant diversions. In these Golden Age whodunits, “Lord Peter can hardly be spared from the ranks of the great detectives of the printed page” (The New York Times). Murder Must Advertise: The iron staircase at Pym’s Publicity is a deathtrap, so no one in the advertising agency is surprised when Victor Dean tumbles down it, cracking his skull. His replacement arrives just a few days later—a green copywriter named Death Bredon. Though he displays a surprising talent for selling margarine, alarm clocks, and nerve tonics, Bredon is not really there to write copy. He is, in fact, Lord Peter Wimsey, come in search of the man who pushed Dean. The Nine Tailors: During their stay in the countryside, Lord Peter and his manservant Bunter encounter hospitality, dinner, and an invitation from the local rector to go bell ringing to welcome the New Year. They also encounter murder, a mutilated corpse, and a decades-old jewel theft for which locals continue to die. In this land where bells toll for the dead, the ancient chimes never seem to stop. Gaudy Night: When mystery novelist and acquitted murder suspect Harriet Vane returns to Oxford for her college reunion, she finds that her troubles are far greater than a damaged reputation. The first poison-pen letter calls her a “dirty murderess,” and those that follow are no kinder. As the threats become more frightening, she calls on Wimsey for help. Among the dons of Oxford lurks a killer, but it will take more than a superior education to outwit the gentleman sleuth and his ladylove. Busman’s Holiday: A murderer kills the mood for newlyweds Lord Peter Wimsey and Harriet Vane on their honeymoon, when they discover the house’s caretaker bludgeoned to death in the manor’s basement. In a house full of suspects, the only thing harder than finding the killer will be finding time to be alone.
First published in 1954, East-West Passage is a detailed study of the literary relationship between Russia and the West. Divided into two parts, the book focuses both on specific literary connections, as well as on broader social and political considerations. It traces the gradual increase in awareness of Russian literature in England and the United States through the nineteenth and twentieth centuries, and considers the material that emerged in response, such as doctoral dissertations and critical essays. The volume highlights changes in literary tastes over the years, and explores in detail Russia’s influence on the West. East-West Passage is ideal for those with an interest in the history of literature, as well as social and cultural history.
In this pioneering volume, Howell addresses the extent to which fictional characters are legally recognized and protected as intellectual property. Through a judicious selection of cases chosen for their bearing on the popular arts, the author reviews the basic legal principles involved--copyright, trademark, unfair competition, and contract law--and analyzes their applications to fictional characters. In addition to tracing the evolution of the law relating to the protection of fictional characters, Howell explores the feasibility of isolating characters and protecting them via stringent copyright and/or trademark laws, addresses character merchandising and the associated legal issues, and suggests legal reforms aimed at protecting the creator. Detailed case information serves both to illustrate the legal principles and actions discussed and to stand as a model for the proprietors of future characters. Divided into two major sections, the volume begins by offering a comprehensive introduction to intellectual property law. Specific topics addressed include basic concepts of property, statutory protection of intellectual property, elements of an infringement action, defenses to copyright infringement, unfair competition, and the application of trademark principles to literary properties. In the second section, Howell analyzes the extent to which the fictional character is legally regarded as intellectual property. She reviews situations in which copyright and trademark law have been invoked to protect the creator of a fictional character, examines cases involving such well-known characters as the Lone Ranger, Superman, and the crew of the Starship Enterprise, and presents an extended analysis of the case of Tarzan. Finally, Howell considers whether right of publicity and merchandising offer additional protection for fictional characters. In the concluding chapter, she offers an analysis of copyright decisions and a proposal for their reconciliation. Both practicing attorneys and students of entertainment law will find Howell's work an important contribution to the professional literature.
The independent-minded western woman was often eclipsed in popular literature by sensations like Calamity Jane and Belle Starr. Starting with Sacajawea, the Shoshone guide for Lewis and Clark, WOMEN OF THE WEST gives a historical overview of various pioneer women who made their own way out west. 8 photos.
When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.
Analyzes the nineteenth-century canal age in the NiagaraGreat Lakes borderland region as a transnational phenomenon. In Overcoming Niagara Janet Dorothy Larkin analyzes the canal age from the perspective of the NiagaraGreat Lakes borderland between 1792 and 1837. She shows what drove the transportation revolution, not the conventional story of westward expansion and the international/metropolitan rivalry between Great Britain and the United States, but a dynamic connection, cooperation, and healthy competition in a transnational-borderland region. Larkin focuses on North Americas three most vital waterwaysthe Erie, Oswego, and Welland Canals. Canadian and American transportation leaders and promoters mutually sought to overcome the natural and artificial barriers presented by Niagara Falls by building an integrated, interconnected canal system, thus strengthening the borderland economy and propelling westward expansion, market development, and the Niagara tourist industry. On the heels of the Erie Canals bicentennial in 2017, Overcoming Niagaraexplores the transnational nature of the canal age within the NiagaraGreat Lakes borderland, and its impact on the commercial and cultural landscape of this porous region.
Adds a new dimension to the understanding of so-called classic Americanist texts and importantly complicates the account of their cultural transmission and historicization. Castronovo constructs an iconoclastic history comprised of the counter-memories and subjugated knowledges of figures whose stories were eclipsed by the nation's monumental history. His argument addresses the more inclusive questions associated with cultural studies."--Donald E. Pease, editor of Revisionary Interventions into the Americanist Canon "An exciting and precise articulation of how slavery disrupts both dominant and unauthorized narratives of national identity, thus casting our national story as inherently inconsistent, characterized not by wholeness but by divisions and ambivalences in both content and form. The lucidity and complexity of Castronovo's argument as it interweaves multiple themes and texts is very impressive."--Karen Sanchez-Eppler, author of Touching Liberty
Draws on the archives of Helen Keller's estate and the unpublished memoirs of Keller's teacher, Annie Sullivan, to trace Keller's transformation from a furious girl to a world-renowned figure.
Choosing a bottle of wine should be fun, not frightening. After all, one of the most important elements of enjoying wine is not so much the vintage or the vineyard but the occasion on which it is enjoyed. In their new book, Wine for Every Day and Every Occasion, Dorothy J. Gaiter and John Brecher, authors of the popular weekly "Tastings" column in the Wall Street Journal, give you the kind of honest, accessible wine information that is hard to find. In Wine for Every Day and Every Occasion, Dottie and John, as they are known to their fans, answer the most frequently asked questions about what wine to drink on specific occasions. They cover all the bases: What wine should I put away for my newborn's twenty-first birthday? What wine is best with Thanksgiving turkey? They also suggest ways in which wine can make every day a little bit more of an occasion -- how to throw a wine tasting, how to start a wine-tasting group, even how to add wine to your tailgating party. And they share scores of tips from people like you. Chapters include lists of specific wines and provide readers with suggestions for choosing Champagne to ring in the New Year and for chilled whites (and even reds) to drink in the summer. There is no stodginess about vintages and there are no numbered ratings. Wine for Every Day and Every Occasion gives you simple, straightforward advice to help you choose the best wines for life's best moments. As Dottie and John say, "The problem with most wine books is that they are about wine. Our book is about life." So raise your glass to Wine for Every Day and Every Occasion. And drink to life.
Beloved as the family storyteller, Dorothy Winthrop Bradford left behind at her death in 1987 diaries, letters, scrapbooks and memorabilia that date back to the Civil War and provide a picture of a way of life long gone - of a period when leisure time was plentiful and cars were few, when her hometown of Hamilton, Massachusetts was open country and Boston a closed society. These materials provide an intimate view of the vanished lifestyle of the upper classes between the two world wars. At the heart of the story is Dorothy Bradford's own life, and the 82 years she spent in the small town where she was born. It was a life, however, set against the vast canvas of her extened family, whose stories transport the reader back to colonial times, where one of her ancestors was the first governor of the Massachusetts Bay Colony, and far across America and to the Caribbean, Europe, and Africa. From the Civil War to the Second World War, from turn-of-the-century Puerto Rico to the glories of the still-unspoiled West, the book is a virtual who's who of American h istory, filled with cameos by Teddy Roosevelt, Edith Wharton, Oliver Wendell Holmes, Henry James, Thomas Jefferson, and many more. Richly illustrated with more than 300 photographs, this intriguing volume looks at a woman who's life may have seemed, on the surface, narrow and predictable, but in reality, touched upon many of the great currents of American history.
With a foreword by Marcia B. Siegel In 1930 , seventeen-year-old Dorothy Bird from Victoria, British Columbia, was sent to study dance at the Cornish School in Seattle. There she was totally captivated by Martha Graham, who, at the end of summer, invited Dorothy to study with her at the Neighborhood Playhouse in New York City. Dorothy debuted with the Graham Group in 1931 in Primitive Mysteries, and was a company member and Graham’s demonstrator until 1937. Bird’s Eye View is a warm and human story that chronicles the early development of modern dance from a dancer’s perspective. Dorothy Bird was the only dancer of her time to work with all the major choreographers in concert and on Broadway: George Balanchine, Agnes de Mille, Doris Humphrey, Helen Tamiris, Anna Sokolow, Herbert Ross, Jose Limon, and Jerome Robbins, among others. She recounts fascinating theater experiences with such luminaries as Orson Welles, Gertrude Lawrence, Carol Channing, Danny Kaye, and Elia Kazan. Dorothy shares her methods and experiences as a teacher for Balanchine and her twenty-five-year tenure at the Neighborhood Playhouse to highlight her philosophy of “giving back” to the next generation of performers. Of all the artists Dorothy Bird worked with, Martha Graham figures most strongly in the book and in her life. Her narrative about Graham’s early creative process is a valuable addition to the literature, as is the story of her personal involvement with Graham. The reader gains an intimate insight into the love and fear instilled by Graham in her followers.
Because he prayed in public for eight men who were tortured, forced to make false confessions and were sentenced to death by South Korea’s military dictatorship, in 1974 George Ogle was deported from the country where he had worked as a missionary for 20 years. Two months later when Dorothy and the four Ogle children left Korea, friends and colleagues commissioned them to “Go tell our story.” After the South Korean people ended the military dictatorship in 1987, the story changed from the struggle for democracy and human rights to a story of the Korean movement for peace and reunifi cation of their divided nation. Compelling and comprehensive, Our Lives in Korea and Korea in Our Lives is not only the Ogles’ personal memoirs of living in South Korea from 1954-1974 and later visiting both the North and South, it is an effort to tell the story of the Korean people as the authors experienced it directly, and as it has come to them by closely following the evolving history through almost 60 years. The book highlights the hope and promise of President Kim DaeJung’s “Sunshine Policy” of constructive engagement with North Korea and is written to give readers around the world a vision for ending the Korean War to bring peace, prosperity and reconciliation to all of the Korean people.
Rivers figure prominently in a nation’s historical memory, and the Volga and Mississippi have special importance in Russian and American cultures. Beginning in the pre-modern world, both rivers served as critical trade routes connecting cultures in an extensive exchange network, while also sustaining populations through their surrounding wetlands and bottomlands. In modern times, “Mother Volga” and the “Father of Waters” became integral parts of national identity, contributing to a sense of Russian and American exceptionalism. Furthermore, both rivers were drafted into service as the means to modernize the nation-state through hydropower and navigation. Despite being forced into submission for modern-day hydrological regimes, the Volga and Mississippi Rivers persist in the collective memory and continue to offer solace, recreation, and sustenance. Through their histories we derive a more nuanced view of human interaction with the environment, which adds another lens to our understanding of the past.
An attempt to cover all aspects of children's make-believe. The authors examine how imaginative play begins and develops and provide examples and evidence on the young child's invocation of imaginary friends, the adolescent's daring games and the adult's private imagery and inner thought.
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