The Long Day is a wonderfully readable personal narrative of the trials and tribulations of an "unskilled, friendless, almost penniless girl of eighteen, utterly alone in the world" who arrives in New York City in 1905 to earn her livelihood. The book reveals much about the lives of working women in early twentieth-century urban America- the sort of jobs available to women, the ethnic and demographic makeup of the female labor force, the harshness of the conditions, the less-than-satisfactory living arrangements, the physically demanding nature of the work, and the long working hours.
The English novelist Dorothy M. Richardson was a modernist pioneer of stream-of-consciousness fiction. Her novel sequence ‘Pilgrimage’ is an extraordinarily sensitive story, portrayed cinematically through the eyes of Miriam Henderson, an attractive and mystical New Woman. The unfinished 13-volume novel is now considered a significant work of literary modernism, exploring new formal methods to represent feminine consciousness. For the first time in publishing history, this eBook presents Richardson’s complete fictional works, with numerous illustrations, rare texts, detailed introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Richardson’s life and works * Concise introductions to the novels and other texts * All 13 novels, with individual contents tables * Features rare works appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete short stories * Rare poems from periodicals, available in no other collection * Easily locate the poems or short stories you want to read * Explore Richardson’s non-fiction * Includes Richardson’s rare autobiographical pieces – available in no other collection * Special criticism section, with essays by Sinclair, Woolf and Lawrence, evaluating Richardson’s contribution to literature * Ordering of texts into chronological order and genres CONTENTS: Pilgrimage Pointed Roofs (1915) Backwater (1916) Honeycomb (1917) The Tunnel (1918) Interim (1919) Deadlock (1921) Revolving Lights (1923) The Trap (1925) Oberland (1927) Dawn’s Left Hand (1931) Clear Horizon (1935) Dimple Hill (1938) March Moonlight (1967) The Short Stories The Short Stories of Dorothy Richardson The Poetry The Poems of Dorothy Richardson The Non-Fiction The Quakers: Past and Present (1914) Gleanings from the Works of George Fox (1914) About Punctuation (1924) John Austen and the Inseparables (1930) The Autobiographical Pieces Autobiographical Sketches The Criticism The Novels of Dorothy Richardson (1918) by May Sinclair Review of ‘The Tunnel’ (1919) by Virginia Woolf The Future of the Novel (1923) by D. H. Lawrence Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Windows on Modernism collects approximately one quarter of the eighteen hundred or so known surviving letters of Dorothy Richardson (1873-1957), author of the thirteen-volume serial novel Pilgrimage. An uncompromising and utterly original novelist, Richardson was perhaps the first English writer to employ the style that came to be known as stream of consciousness. She stands alongside Joyce, Woolf, and Proust as one of the great experimentalists in modern prose fiction. By her own estimation the number of words Richardson devoted annually to correspondence was almost equivalent to three of her books. Given the strength of her epistolary urge and the autobiographical nature of Pilgrimage, the letters in Windows on Modernism will stimulate fresh inquiries into Richardson's life and art and their interactions. In light of Richardson's attempt to represent a generation and class of late Victorian and Edwardian women in her fiction, the letters can also be read as cultural documents, conveying the texture of their author's daily life in a world shaped by social and sexual awakenings amid the competing forces of humanism, communism, and fascism.
Pilgrimage: Pointed RoofsBy Dorothy RichardsonOften credited as the first stream-of-consciousness novel in English, Dorothy Richardson's Pointed Roofs (1915) is the first of thirteen books comprising Pilgrimage, a multivolume novel to which Richardson devoted herself until her death in 1957. Pilgrimagefollows the life of its protagonist, Miriam Henderson, from March 1893 through the autumn of 1912, and Pointed Roofs covers the first four months of this time period. Dorothy Miller Richardson (17 May 1873 – 17 June 1957) was a British author and journalist. Richardson was born in Abingdon in 1873. Her family moved to Worthing, West Sussex in 1880 and then Putney, London in 1883. At seventeen, because of her father's financial difficulties she went to work as a governess and teacher, first in 1891 for six months at a finishing school in Germany. In 1895 Richardson gave up work as a governess to take care of her severely depressed mother, but her mother committed suicide the same year. Richardson's father had become bankrupt at the end of 1893. Richardson subsequently moved in 1896 to Bloomsbury, London, where she worked as a receptionist/secretary/assistant in a Harley Street dental surgery. While in Bloomsbury in the late 1890s and early 1900s, Richardson associated with writers and radicals, including the Bloomsbury Group. H. G. Wells (1866–1946) was a friend and they had a brief affair which led to a pregnancy and then miscarriage, in 1907. While she had first published an article in 1902, Richardson's writing career, as a freelance journalist really began around 1906, with periodical articles on various topics, book reviews, short stories, and poems, as well as translation from German and French. During this period she became interested in the Quakers and published two books relating to them in 1914. In 1915 Richardson published her first novel Pointed Roofs, the first complete stream of consciousness novel published in English. She married the artist Alan Odle (1888-1948) in 1917 – a distinctly bohemian figure, who was fifteen years younger than her. From 1917 until 1939, the couple spent their winters in Cornwall and their summers in London; and then stayed permanently in Cornwall until Odle's death in 1948. She supported herself and her husband with freelance writing for periodicals for many years. In 1954, she had to move into a nursing home in the London suburb of Beckenham, Kent, where she died in 1957.
Pointed Roofs is the first installment in Dorothy M. Richardson’s Pilgrimage sequence of autobiographical novels. It is also one of the first novels identified with the modernist technique of stream of consciousness. Set in the early 1890s, Pointed Roofs centers on seventeen-year-old Miriam Henderson. After her family runs into financial troubles, Miriam is sent to Germany to teach English at a finishing school in Hanover. The narrative chronicles Miriam’s daily life at the school, as well as outings to the city and the countryside with the other teachers and pupils. All the while, it tells of her experience of living abroad, her attitude to the people around her, her future prospects, and her thoughts on religion, literature, and the status of women in society.
With the 13 novels which comprise Pilgrimage , Dorothy Richardson produced the first expression in English of the stream of consciousness technique. This book includes 13 short stories published in periodicals between 1919 and 1949 and a selection of autobiographical sketches.
This book was written during and after my travel and studies in Eastern philosophy, where I lived and studied in an Ashram outside of New Delhi, India. I stayed awake one whole night watching the stars above which looked like you could reach out and touch them with your fingertips. I truly was "In The Valley of The Stars!" Thus the title of this book was born. The Eternal Flame represents the Eternal Light within each one of us. The Hubble pictures represent the Infinite Reality of God. I am grateful for both of my spiritual teachers for making this book possible. While in India my teacher read one of my letters I was sending home to my mother, and he wanted to have it published in the newspaper, but I wouldn't have it, so I hope this book makes up for it now.
[...] Five years ago Miss Jamison had come into this shabby though eminently respectable neighborhood, and opened a small boarding-house in a neighboring street. She had come from some up-State country town, and her bureaus and bedsteads were barely enough to furnish the small, old-fashioned house which she took for a term of years. Miss Jamison was a genius—a genius of the type peculiar to the age in which we live. She wasn't the "slob" that she looked. The epithet is not mine, but that of the young gentleman to whom I am indebted for this[...]".
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