Sea Change is an intimate exploration of a young life lived on the edge of radical hope, change, and possibility in the 1960s in California. It rekindles the spirit of the Summer of Love when anything was possible, and idealism was the air we breathed. The health of our society continues to demand en- gagement with issues of social justice, cultural diversity, and environmental responsibility. This memoir is a call to action to succeeding generations to keep the dream alive. There is still much to be done. http: //matrikapress.com/dorothy-may-emerson/ - - - Dorothy May Emerson is a semi-retired Unitarian Universalist minister and writer, currently living in Massachusetts with her spouse, Donna Clifford. A native Californian, her experiences in the Sixties helped shape the rest of her work and life. She has served for 30 years as a parish and community minister in New England, and currently offers talks and workshops on the Sixties; Spirit, Money, and Justice; and Class Awareness and Action. www.rainbowsolutions.us - - - Endorsements: The vision of the Sixties as articulated in Sea Change has the capacity to transform our collective future. Dorothy's personal stories reinforce the possibility of love, hope, and peace. This beautiful, intimate offering is a gift of resilience. - Rashani Réa, author of Beyond Brokenness and The Threshold Between Loss and Revelation - - - Sea Change is rich in accounts of personal relationships and the work of ministry and teaching during the Fifties and Sixties. They personalize the era in a special way. Each person's life is different, of course, even if they live at the same time and place. Only by adding them all up can we truly understand a period, and this work offers a very rich and illuminating contribution to that library. Robert Ellswood, author of The Sixties Spiritual Awakening and The Fifties Spiritual Marketplace - - - About the Publisher Matrika Press is an independent publishing house dedicated to publishing works in alignment with Unitarian Universalist Values and principles. Its fiscal sponsor is UU Women and Religion, a 501c3 organization. Matrika Press publishes anthologies, memoirs, poetry, prayer and ritual manuscripts, and other books to bring meaning and transformation to the world. A primary goal of Matrika Press is to publish stories and works that would otherwise remain untold. We also resurrect out-of-print manuscripts to ensure our historical works remain accessible. Matrika Press titles are automatically made available to tens of thousands of retailers, libraries, schools, and other distribution and fulfillment partners, including Amazon, Barnes & Noble, Chapters/Indigo (Canada), and other well-known book retailers and wholesalers across North America, and in the United Kingdom, Europe, Australia and New Zealand and other Global partners. For more information, visit: www.MatrikaPress.com
This book offers thought-provoking perspectives on putting liberal religious values into action to address real problems in local communities and in the world. The story of these innovative ministries is intended to inspire change in thinking and practice. This collection of essays invites readers to consider how liberal religion can address social issues through innovative community ministries beyond the walls of congregations. It provides historical and theological perspectives on community ministry and offers engaging real-life stories of community ministries in action. The authors have a long history of working in community ministry and they bring their experience, their inspiration, and their concerns, shared by them and their ministerial colleagues in the field to their accounts of this important story. There is no other book that tells the story of the challenges and potential of Unitarian Universalist Community Ministry for today and the future.
Work always has been a central construct in the United States, influencing how Americans measure their lives and assess their contribution to the wider society. Work also has been valued as the key element in the philosophy of self-improvement and social mobility that undergird the American value system. Yet work can also be something imposed upon people: it can be exploitative, painful, and hard. This duality is etched into the faces of the people depicted in the portraits showcased in The Sweat of Their Face: Portraying American Workers. This companion volume to an exhibition at the Smithsonian National Portrait Gallery examines working-class subjects as they appear in artworks by artists including Winslow Homer, Elizabeth Catlett, Danny Lyon, and Shauna Frischkorn. This richly illustrated book charts the rise and fall of labor from the empowered artisan of the eighteenth century through industrialization and the current American business climate, in which industrial jobs have all but disappeared. It also traces the history of work itself through its impact on the men and women whose laboring bodies are depicted. The Sweat of Their Face is a powerful visual exploration of the inextricable ties between American labor and society.
Everything You Need to Know About Nature By: Dorothy LaRock Skinner God has created so many wonders in nature for us to enjoy and explore. Learn all about God’s creation in this book. The more we learn and the more we’re out in nature, the closer we will feel to our Creator!
When movies replaced theater in the early twentieth century, live drama was wide open to reform. A rebellion against commercialism, called the Little Theatre movement, promoted the notion that theatre is a valuable form of self-expression. Composing Ourselves argues that the movement was a national phenomenon that resulted in lasting ideas for serious theatre that are now ordinary parts of the American cultural landscape.
When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets—Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu—the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.