Build the knowledge and understanding of garment technology essential to any designer In today's competitive fashion industry, it is essential that designers have a working understanding of garment technology. This 2nd edition has been comprehensively updated, with in-depth information on stitches, guides and attachments and sewing techniques, all of which are fully illustrated. There are enhanced chapters on machine and equipment technology explaining the uses, features and limitations of garment manufacturing equipment, enabling designers to create products that can be manufactured efficiently and with a high degree of quality. Approached from the fashion designer's mindset, this book features illustrations to help users build their knowledge and understanding Blends theoretical and practical material Updated with the latest and most modern advances in clothing technology Illustrated throughout to help shape the reader's knowledge and understanding of garment technology
C.S. Lewis said that Dorothy L. Sayers would be acclaimed as one of the great letter-writers of the twentieth century. His opinion is triumphantly confirmed in this collection of letters spanning Sayers's childhood and career as a detective novelist.
It's not easy to collect, in a single volume, the finest mystery and suspense fiction the world has to offer, but The World's Finest Mystery and Crime Stories: Second Annual Collection rises to that challenge, inviting you to discover what Kirkus Reviews dubs " . . . the year's anthology of choice." In his Second Annual collection, Ed Gorman once again brings together the year's most powerful fiction by such outstanding authors as Lawrence Block, Stuart M. Kaminsky, Ed McBain, Joyce Carol Oates, Ian Rankin, and Donald E. Westlake. The volume also abounds with fresh new stories by newer authors, from U. S. publications, and also from sources on other shores, including England, Germany, and the Netherlands. Ed Gorman set benchmark for great mystery and suspense fiction with the First Annual Collection. Overflowing with award-winning authors and terrific stories, The World's Finest Mystery and Crime Stories: Second Annual Collection also promises to be a treasure for anyone who loves a mystery. More than 200,000 words of superlative mystery and suspense fiction from around the world, with stories by: Lawrence Block Jan Burke Dorothy Cannell Clark Howard Peter Lovesey Joyce Carol Oates Nancy Pickard Bill Pronzini Ian Rankin And many others A Banquet of Mystery and Crime Fiction For those who love outstanding mystery and crime reading, award-winning author and editor, Ed Gorman, has once again collected the best stories of the year from around the world. Immerse yourself in stories that baffle, tantalize, and delight, by the following authors: Miguel Agustí Doug Allyn Noreen Ayres Robert Barnard Lawrence Block Jan Burke Dorothy Cannell Stanley Cohen Mat Coward Peter Crowther Brendan DuBois Jurgen Ehlers Pete Hamill Joseph Hansen Edward D. Hoch Clark Howard Stuart M. Kaminsky Richard Laymon Gillian Linscott Peter Lovesey John Lutz Christine Matthews Ed McBain Bob Mendes Denise Mina Joyce Carol Oates Gary Phillips Nancy Pickard Bill Pronzini Robert J. Randisi Ian Rankin Les Roberts Peter Robinson S. J. Rozan Kristine Kathryn Rusch Donald E. Westlake At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Winner of the 2004 Distinguished Publication on Business Communication presented by the Association of Business Communication Writing Power examines the way that texts, knowledge, and hierarchy generate and support one another within a for-profit corporation. By encouraging us to see texts and writing as powerful operators in the corporate world, this book presents a case study focused on how one engineering organization uses texts to create and maintain its knowledge and power structure. Based on over five years of observations, the book describes the co-generation of power/knowledge/text from several points of view, including that of managers, engineers, interns, and blue-collar workers. These groups of people use texts to build knowledge within their own areas and establish control over their work when it is passed along to the other groups. Employing Bourdieu's notion that people possess different kinds of "capital" that can be converted to one another under the right circumstances, the book demonstrates that text is one of the major ways that this conversion of capital takes place, and is thus one of the major ways that power and knowledge are generated and accumulated.
Entirely original in its methodology, this study offers a fresh approach to the study of Romanesque fa?e sculpture. Declining to revisit questions of artistic personalities, artistic style and connoisseurship, Dorothy F. Glass delves instead into the historical and historiographical context for a group of significant monuments erected in Italy between the last decade of the eleventh century and the first third of the twelfth century. In her reading, local culture takes precedence over names, context over connoisseurship; she argues that it was the cultural, intellectual and religious life of the abbeys of San Benedetto Po and Nonantola that provided the framework for the Reformist ethos of much of the sculpture adorning the cathedral of Modena. Glass argues that the monuments are deeply rooted in the concerns of the reform of the church, more commonly known as the Gregorian Reform, that these reform ideas and ideals were first fomented in monastic communities and then adopted by the new cathedrals built in cities that, freed of submission to imperial German rule, had recently rejoined the papal fold. The Sculpture of Reform in North Italy, ca 1095-1130: History and Patronage of Romanesque Fa?es moves scholarship beyond continuously reiterated opinions concerning style, attribution, chronology, origins and influence, instead opening new and fruitful lines of inquiry into the patronage and historical significance of these extraordinary monuments.
In this explicitly comparative work, Dorothy J. Solinger examines the effects of global markets on the domestic politics of major states. In the late 1970s, leaders around the world faced a need both to continue productive investment and to cut labor costs to compete internationally in a changed world market. To accommodate forces seemingly beyond their control, they often opted to reduce social protections and benefits that citizens had come to expect, in the process recalibrating their established political-economic coalitions. For countries whose governance was built on a coalition between workers and the state, the political conundrum was particularly intense. States' Gains, Labor's Losses concentrates on three countries—China, France, and Mexico—where revolution-inspired political compacts between labor and the state had to be renegotiated. In all three cases, choices to forge a deepened dependence on international capital markets required the ruling parties to fire large numbers of workers and cut social benefits while attempting not to provoke widespread social unrest or even full-scale revolt among their supporters. China, France, and Mexico also shared strong legacies of protectionism and state intervention in the economy, so the decision of each to join a supranational economic organization (France and the EU, China and the GATT/WTO, Mexico and NAFTA) in the hope of alleviating crises of capital shortage involved submission to a new set of liberal economic rules that further compromised their sociopolitical compacts. Examining a fundamental question about the dynamics of globalization and worker protest through an innovative comparative perspective, States' Gains, Labor's Losses emphasizes the growing tensions and new compromises between the working class and their political leaders in the face of intense international economic pressures.
Deep in Our Hearts is an eloquent and powerful book that takes us into the lives of nine young women who came of age in the 1960s while committing themselves actively and passionately to the struggle for racial equality and justice. These compelling first-person accounts take us back to one of the most tumultuous periods in our nation’s history--to the early days of the Student Nonviolent Coordinating Committee (SNCC) and Students for a Democratic Society (SDS), the Albany Freedom Ride, voter registration drives and lunch counter sit-ins, Freedom Summer, the 1964 Democratic Convention, and the rise of Black Power and the women’s movement. The book delves into the hearts of the women to ask searching questions. Why did they, of all the white women growing up in their hometowns, cross the color line in the days of segregation and join the Southern Freedom Movement? What did they see, do, think, and feel in those uncertain but hopeful days? And how did their experiences shape the rest of their lives?
Prominent sociologist Dorothy Smith outlines a method of inquiry that uses everyday experience as a lens to examine social relations and social institutions. Concerned with articulating an inclusive sociology that goes beyond looking at a particular group of people from the detached viewpoint of the researcher, this is a method of inquiry for people, incorporating the expert's research and language into everyday experience to examine social relations and institutions. The book begins by examining the foundations of institutional ethnography in women's movements, differentiating it from other related sociologies; the second part offers an ontology of the social; and the third illustrates this ontology through an array of institutional ethnography examples. This will be a foundational text for classes in sociology, ethnography, and women's studies.
As part of the overall growing interest in the rehabilitation of people with mental illness in the 1980s, therapy through drama was being seen increasingly as a significant aspect of therapeutic programmes. While the subject of remedial drama for people with disabilities was reasonably well documented, originally published in 1983, this was the first book to address the topic applied to psychiatric patients (or clients). The book is intended to be practical throughout and keeps jargon to a minimum. It is not written for professional or student dramatherapists alone, but is aimed as much at occupational therapists, nurses, social workers, psychiatrists and psychologists who are all involved in rehabilitation of people with mental illness. Topics discussed include referral by the psychiatrist, and general and specific approaches to dramatherapy. In addition, practical application is given to particular groups such as elderly people and those with schizophrenia.
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth. Highlighting the work of major painters such as David, Girodet, Gerard, Ingres, and Delacroix and sculptors such as Houdon and Pajou, David to Delacroix reveals how these artists offered innovative reinterpretations of myth while incorporating contemporaneous and revolutionary discoveries in the disciplines of anatomy, biology, physiology, psychology, and medicine. The interplay among these disciplines, Johnson argues, led to a reexamination by visual artists of the historical and intellectual structures of myth, its social and psychological dimensions, and its construction as a vital means of understanding the self and the individual's role in society. This confluence is studied in depth for the first time here, and each chapter includes rich examples chosen from the vast number of mythological representations of the period. While focused on mythical subjects, French Romantic artists, Johnson argues, were creating increasingly modern modes of interpreting and meditating on culture and the human condition.
Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.
The correspondence of these two prominent women reveals their concerns with love, career, and marriage. Their letters tell the story of the first generation of women to come of age during the twentieth century, as they tried to cope with problems that still face women today."--Publishers website.
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