A Manhattan woman visits a Soho gallery and stumbles into a mystery in this novel by an Edgar Award winner who “can build suspense to a sonic peak” (Los Angeles Times). It starts innocently enough. Julie Hayes and her husband have just returned to Manhattan from a month in Paris. Julie looks forward to spending quality time with Jeff, whose career as a journalist takes him away from home for months on end. Now if they could just find the perfect work of art to hang over their mantel. Julie’s quest takes her to a trendy SoHo gallery where she meets an itinerant artist named Ralph Abel. Julie instantly falls in love with one of his paintings, Scarlet Night, and is stunned to discover that itcan be hers—for a mere one hundred dollars. But then the artist disappears and it becomes apparent that somebody else wants the painting . . . and will do whatever it takes to possess it. Scarlet Night is the second novel in Dorothy Salisbury Davis’s Julie Hayes mystery series, which also includes A Death in the Life, Lullaby of Murder, and The Habit of Fear, as well as the stories “The Puppet” and “Justina” in the collection In the Still of the Night.
Dorothy Garlock weaves a thrilling tale of life in Depression-era Missouri, as the folks of Fertile-including the beloved Jones clan-brace for disaster... one that could expose this quaint midwestern town to a flood of shameful truths and shattering secrets. When pretty April Asbury arrives in Fertile, Missouri, to take her place as Dr. Forbes's new nurse, she's looking forward to life in this picturesque town. And it doesn't disappoint. Even the driving rain can't dim its charm. But while Fertile might seem as pristine as April's starched white uniforms, it's anything but. Soon the spunky blonde will need all the strength she can muster to fight her powerful attraction to Joe Jones, a man who has "heartbreaker" written all over him; stare down a bunch of malicious gossips; and fend off a would-be suitor who's up to no good. And there's worse to come, as a bitter widow plots revenge and her husband's twisted legacy comes home to roost. Now, in a town where so many have something to hide, tensions are rising faster than the river. When all hell breaks loose, April must hang on tight to the man she loves if they're both to survive.
A sizzling novel of love and revenge on the wild frontier. In an Idaho logging camp, Dory bears a child by the handsome son of a rival mill owner--but the child's father dies before they can be married. Then rugged Benton rides into her life, a man who ignites both gunfire between the feuding families and passion in Dory's heart.
In Baseball: The Golden Age, Harold Seymour and Dorothy Seymour Mills explore the glorious era when the game truly captured the American imagination, with such legendary figures as Babe Ruth and Ty Cobb in the spotlight. Beginning with the formation of the two major leagues in 1903, when baseball officially entered its "golden age" of popularity, the authors examine the changes in the organization of professional baseball--from an unwieldy three-man commission to the strong one-man rule of Judge Kenesaw Mountain Landis. They depicts how the play on the field shifted from the low-scoring, pitcher-dominated game of the "dead ball" era before World War I to the higher scoring of the 1920's "lively ball" era, with emphasis on home runs, best exemplified by the exploits of Babe Ruth. Note: On August 2, 2010, Oxford University Press made public that it would credit Dorothy Seymour Mills as co-author of the three baseball histories previously "authored" solely by her late husband, Harold Seymour. The Seymours collaborated on Baseball: The Early Years (1960), Baseball: The Golden Age (1971) and Baseball: The People's Game (1991).
American feminism has always been about more than the struggle for individual rights and equal treatment with men. There's also a vital and continuing tradition of women's reform that sought social as well as individual rights and argued for the dismantling of the masculine standard. In this much anticipated book, Dorothy Sue Cobble retrieves the forgotten feminism of the previous generations of working women, illuminating the ideas that inspired them and the reforms they secured from employers and the state. This socially and ethnically diverse movement for change emerged first from union halls and factory floors and spread to the "pink collar" domain of telephone operators, secretaries, and airline hostesses. From the 1930s to the 1980s, these women pursued answers to problems that are increasingly pressing today: how to balance work and family and how to address the growing economic inequalities that confront us. The Other Women's Movement traces their impact from the 1940s into the feminist movement of the present. The labor reformers whose stories are told in The Other Women's Movement wanted equality and "special benefits," and they did not see the two as incompatible. They argued that gender differences must be accommodated and that "equality" could not always be achieved by applying an identical standard of treatment to men and women. The reform agenda they championed--an end to unfair sex discrimination, just compensation for their waged labor, and the right to care for their families and communities--launched a revolution in employment practices that carries on today. Unique in its range and perspective, this is the first book to link the continuous tradition of social feminism to the leadership of labor women within that movement.
DIVDIVGrand Master of crime fiction Dorothy Salisbury Davis introduces one of her most winning heroines, Julie Hayes, a former actress turned fortune-teller who abruptly learns there is murder in her future/div Twenty-five-year-old Julie Hayes is feeling overshadowed by her globe-trotting journalist husband and looking for some excitement and direction in life. On what amounts to a dare, she sets herself up as “Friend Julie,” a storefront fortune-teller in Manhattan’s seedy Theater District.DIV Now Julie finds herself concerned with the lives of the neighborhood eccentrics, old friends from the Actors Forum, and street characters such as Goldie the pimp, a wealthy gangster, and a young prostitute who wants Julie to help her escape The Life. But a man is found murdered in the girl’s room—a man Julie can identify for the police. Thrust into the investigation of the man’s death, Julie discovers a new direction for her life, but her tarot cards reveal a future she might not live to see./divDIV A Death in The Life is the first novel in Dorothy Salisbury Davis’s Julie Hayes mystery series, which also includes Scarlet Night, Lullaby of Murder, and The Habit of Fear, as well as the stories “The Puppet” and “Justina” in the collection In the Still of the Night./div/div
In the 1880s, Jane Love comes to Timbertown, Wyoming to escape her heritage and begin a new job and an independent new life. But upon her arrival, she discovers that she and 19 other women were recruited, not to work, but to become wives of lumberjacks. Jane is appalled by the arrangement but agrees to a mock marriage with the town's owner.
The story starts out in St. Louis in 1868 with Peter Langerman, an Ex-Confederate soldier leaning on the rail of the steam-wheeler reflecting on his gracious southern lifestyle in Waycross, Georgia. The grandson of a prominent merchandiser, he knew on his release from the Yankee prison that he could not go back home to a war torn South. "BILLINGS" is a historical, romantic drama that takes place just after the Civil War. It was during that time when the young and adventurous looked to the West for more opportunity and a better way of life. Its about how Billings, Montana was born, the first settlers, their ambitions, hard work, loves, wins, losses and terrible political fights for power and how Billings opened the west for shipping cattle and grain east. "PEGGY", the sequel to BILLINGS, is about the granddaughter of Henry Reiner who continues the story from 1916 through World War II with the third generation grandchildren of Peter Langerman. We meet Ed and Judy MacFarland, the children of Millicent (Langerman) and Frank MacFarland as well as Bill Callahan the son of Mike and grandson of Pat Callahan and Attorney Jim Duffy, the son of Judge Dan Duffy.
Market disruptions, climate change, and health pandemics lead the growing list of challenges faced by today’s leaders. These issues, along with countless others that do not make the daily news, require novel thinking and collaborative action to find workable solutions. However, many administrators stumble into collaboration without a strategic orientation. Using a practitioner-oriented style, Strategic Collaboration in Public and Nonprofit Administration: A Practice-Based Approach to Solving Shared Problems provides guidance on how to collaborate more effectively, with less frustration and better results. The authors articulate an approach that takes advantage of windows of opportunity for real problem solving; brings multi-disciplinary participants to the table to engage more systematically in planning, analysis, decision making, and implementation; breaks down barriers to change; and ultimately, lays the foundation for new thinking and acting. They incorporate knowledge gained from organization and collaboration management research and personal experience to create a fresh approach to collaboration practice that highlights: Collaboration Lifecycle Model Metric for determining why and when to collaborate Set of principles that distinguish Strategic Collaboration Practice Overall Framework of Strategic Collaboration Linking collaboration theory to effective practice, this book offers essential advice that fosters shared understanding, creative answers, and transformation results through strategic collaborative action. With an emphasis on application, it uses scenarios, real-world cases, tables, figures, tools, and checklists to highlight key points. The appendix includes supplemental resources such as collaboration operating guidelines, a meeting checklist, and a collaboration literature review to help public and nonprofit managers successfully convene, administer, and lead collaboration. The book presents a framework for engaging in collaboration in a way that stretches current thinking and advances public service practice.
When it was first published twenty years ago, The Bedford Guide for College Writers brought a lively and innovative new approach to the teaching of writing. Since that time, authors X. J. and Dorothy M. Kennedy have won praise for their friendly tone and their view, apparent on every page of the text, that writing is the "usually surprising, often rewarding art of thinking while working with language." More recently, experienced teacher and writer Marcia F. Muth joined the author team, adding more practical advice to help all students — even those underprepared for college work — become successful academic writers. While retaining the highly praised "Kennedy touch," The Bedford Guide continues to evolve to meet classroom needs. The new edition does even more to build essential academic writing skills, with expanded coverage of audience analysis, source-based writing, argumentation and reasoning, and more.
“The publication of the letters of Dorothy Day is a significant event in the history of Christian spirituality.” —Jim Martin, SJ, author of My Life with the Saints Dorothy Day, cofounder of the Catholic Worker movement, has been called the most significant, interesting, and influential person in the history of American Catholicism. Now the publication of her letters, previously sealed for 25 years after her death and meticulously selected by Robert Ellsberg, reveals an extraordinary look at her daily struggles, her hopes, and her unwavering faith. This volume, which extends from the early 1920s until the time of her death in 1980, offers a fascinating chronicle of her response to the vast changes in America, the Church, and the wider world. Set against the backdrop of the Depression, World War II, the Cold War, Vatican II, Vietnam, and the protests of the 1960s and ’70s, she corresponded with a wide range of friends, colleagues, family members, and well-known figures such as Thomas Merton, Daniel Berrigan, César Chávez, Allen Ginsberg, Katherine Anne Porter, and Francis Cardinal Spellman, shedding light on the deepest yearnings of her heart. At the same time, the first publication of her early love letters to Forster Batterham highlight her humanity and poignantly dramatize the sacrifices that underlay her vocation. “These letters are life-, work-, and faith-affirming.” —National Catholic Reporter
What constitutes the common good in American public education? This volume explores the ongoing debate between those who expect schools to cultivate citizens through personal, moral, and social development, as well as to bind diverse groups into one nation, and a new generation of school reformers intent on using schools to solve the nation's economic problems by equipping students with marketable skills.
With its process-oriented rhetoric, provocative thematic reader, up-to-date research manual, and comprehensive handbook, The Bedford Guide for College Writers gives your students the tools they need to succeed as writers -- all in one book. Each of the book's four main components has been carefully developed to provide an engaging, well-coordinated guide for student writers. This edition's new, more open design and sharper focus on active learning do even more to help students develop transferable skills. The Bedford Guide for College Writers prepares students to be the confident, resourceful, and independent writers they will need to be.
This monograph offers a cutting edge perspective on the study of Chinese film stars by advancing a “linguaphonic” model, moving away from a conceptualization of transnational Chinese stardom reliant on the centrality of either action or body. It encompasses a selection of individual personalities from the most iconic Bruce Lee, Michelle Yeoh, and Maggie Cheung to the not-yet-full-fledged Takeshi Kaneshiro, Jay Chou, and Tang Wei to the newest Fan Binging, Liu Yifei, Wen Ming-Na, and Sammi Cheng who are exemplary to the star-making practices in the designated sites of articulations. This volume notably pivots on specific phonic modalities – spoken forms of tongues, manners of enunciation, styles of vocalization -- as means to mine ethnic and ideological underpinnings of Chinese stardom. By indicating a methodological shift from the visual-based to aural-based vectors, it asserts the phonic as a legitimate bearing that can generate novel vigor in the reimagination of Chineseness. By exhausting the critical affordability of the phonic, this book unravels the polemics of visuality and aurality, body and voice, as well as onscreen personae and offscreen existence, remapping the contours of the ethnic fame-making in the global mediascape.
As millions of readers know, that intrepid charmer and part-time CIA agent Emily Pollifax is a joy, with a warm heart, nerves of steel, and manners as impeccable as her karate. The New York Times calls her "an enchantress," and Publishers Weekly describes her deeds of derring-do in exotic places as "sheer pleasure." In her new adventure, Mrs. Pollifax accompanies her young friend Kadi Hopkirk to the African country of Ubangiba, where Kadi's childhood friend, Sammat, is soon to be crowned king. This impromptu journey is a response to an S.O.S. from Sammat to Kadi; and Mrs. P., reluctant to allow the girl to venture alone into what she fears may be grave danger, crashes the party. Sunny little Ubangiba is no great shakes as nations go. Under Sammat's selfless leadership it is recovering from the devastation wrought by two greedy presidents-for-life who preceded him in office. But Sammat has dangerous enemies. Everywhere rumors are springing up that he is a sorcerer and that his evil power is responsible for a rash of shocking murders in which the victims appear to have been clawed to death by a lion. These crimes are especially terrifying because there are no lions in Ubangiba. Without the comforting backup of the CIA, Mrs. Pollifax wades into the fray, hunting for the source of the bloody terrorism that threatens Sammat and Ubangiba. Not to mention Kadi and Mrs. Pollifax. Home has never looked so good, or seemed so far away.
A rousing caper for Pollifax fans." BOOKLIST Although Mrs. Pollifax is determined to give up spying for good, she can't help but agree to carry a small object to an agent in Thailand, and get one in return. The moment she lands, however, Mrs. Pollifax is horrified to find her contact dead and her husband kidnapped. The next thing she knows, she's tramping through the ominous Thai countryside, led by a curious fellow who may be trying to help her find her husband. Or he may have other, more sinister plans....
Killing the Black Body remains a rallying cry for education, awareness, and action on extending reproductive justice to all women. It is as crucial as ever, even two decades after its original publication. "A must-read for all those who claim to care about racial and gender justice in America." —Michelle Alexander, author of The New Jim Crow In 1997, this groundbreaking book made a powerful entrance into the national conversation on race. In a media landscape dominated by racially biased images of welfare queens and crack babies, Killing the Black Body exposed America’s systemic abuse of Black women’s bodies. From slave masters’ economic stake in bonded women’s fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s, these abuses pointed to the degradation of Black motherhood—and the exclusion of Black women’s reproductive needs in mainstream feminist and civil rights agendas. “Compelling. . . . Deftly shows how distorted and racist constructions of black motherhood have affected politics, law, and policy in the United States.” —Ms.
This book traces the Raburn family from John Raban to Audrey Docia Raburn in the states of Virginia, North Carolina, Tennessee, Georgia, and Texas. It contains a short biography of each direct Raburn ancestor including maps, Family Group Sheets, Timelines and Notes. The Notes Section contains transcriptions of all found documents and published information with sources.
Peace Officer Raylie McPherson’s mission in life is to protect animals from abuse, and if that means throwing the abusers in jail, so be it. So when the report of two downed horses comes in - from renowned Starstruck Stables, nonetheless - Raylie assumes she can make a quick headline arrest. Despite having to face her horror from the last time she rode, making her relive her fiancé’s death every time she sets foot in a stable, she is determined to do her job. Her coworker swears the owner is innocent, but Raylie’s experience tells her he simply can’t be. But the suspect is anguished, grieving, and too rich to need the insurance money. Ashton Lyre is devastated over the loss of his two favorite horses—a money maker and a brat. So he’s surprised that the pretty Peace Officer accuses him of the foul deed—for money, no less. She fears his horses, which intrigues him, for she’s obviously ridden before. However, he knows he must be cautious, for he just discovered his very empire was built on shaky ground. Should the pretty cop learn of his fraudulent start, he fears everything he owns could be forfeited, and every case that dips into his past dredges up his fears. Sensuality Level: Sensual
In Baseball: The People's Game, Dorothy Seymour Mills and Harold Seymour produce an authoritative, multi-volume chronicle of America's national pastime. The first two volumes of this study -The Early Years and The Golden Age -won universal acclaim. The New York Times wrote that they "will grip every American who has invested part of his youth and dreams in the sport," while The Boston Globe called them "irresistible." Now, in The People's Game, the authors offer the first book devoted entirely to the history of the game outside of the professional leagues, revealing how, from its early beginnings up to World War II, baseball truly became the great American pastime. They explore the bond between baseball and boys through the decades, the game's place in institutions from colleges to prisons to the armed forces, the rise of women's baseball that coincided with nineteenth century feminism, and the struggles of black players and clubs from the later years of slavery up to the Second World War. Whether discussing the birth of softball or the origins of the seventh inning stretch, the Seymours enrich their extensive research with fascinating details and entertaining anecdotes as well as a wealth of baseball experience. The People's Game brings to life the central role of baseball for generations of Americans. Note: On August 2, 2010, Oxford University Press made public that it would credit Dorothy Seymour Mills as co-author of the three baseball histories previously "authored" solely by her late husband, Harold Seymour. The Seymours collaborated on Baseball: The Early Years (1960), Baseball: The Golden Age (1971) and Baseball: The People's Game (1991).
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