Winner of the 1997 American Book Award for Poetry and Nominated for the 1997 Poet’s Prize, The Post-Rapture Dinner is about finding hope, about confronting and overcoming cynicism by discovering a spiritually grounded in the things of this world.
Rouge Pulp explores notions of body and beauty, birth and death, in a contemporary America driven by its contradictions: material plenty and spiritual lack. Dorothy Barresi writes about strippers, hair salons, cancer, good credit ratings, cockfights, childbirth, maternal love, war. Her poems take the world's brutal vitality as their music, and they refuse to despair.
A book of contemporary poetry exploring the fine, shifting line between faith—secular and spiritual faith—and fanaticism in an insecure age, American Fanatics is a lyrical, pop-culture inflected meditation on democracy, morality, beauty, commerce, and the cost of falling dreams.
Rouge Pulp explores notions of body and beauty, birth and death, in a contemporary America driven by its contradictions: material plenty and spiritual lack. Dorothy Barresi writes about strippers, hair salons, cancer, good credit ratings, cockfights, childbirth, maternal love, war. Her poems take the world's brutal vitality as their music, and they refuse to despair.
A book of contemporary poetry exploring the fine, shifting line between faith—secular and spiritual faith—and fanaticism in an insecure age, American Fanatics is a lyrical, pop-culture inflected meditation on democracy, morality, beauty, commerce, and the cost of falling dreams.
Winner of the 1997 American Book Award for Poetry and Nominated for the 1997 Poet’s Prize, The Post-Rapture Dinner is about finding hope, about confronting and overcoming cynicism by discovering a spiritually grounded in the things of this world.
The poems in What We Did While We Made More Guns investigate the place where economic failure meets a widening acculturation of violence—a kind of Great Acceleration of soul extinction set in this spectacularly uneasy moment in American history. Cutting, comic, sorrowful, at times terrified, at times resolute, the poems tilt along the high cliff’s edge of identity anxiety and American moral uncertainty, where each of us plays our part in the business of dispossession or resistance. Building themselves out of jazzed-up verbal velocities and wounded (in)sincerity, the poems counsel resilience against all forms of battery, mortal, spiritual, financial. They are pattern-makers in the dark. They talk back to God. They take into themselves what cannot be taken back: the news that forty-six million Americans have “slipped” below the poverty line; that guns discharge monstrously banal virility; that a black woman pulled over for a routine traffic violation dies by strangulation in her jail cell; that we buy and sell the myth of the American Dream as though our lives depended on it.
This is a most impressive work on a much needed and neglected area of older men who lost their spouses. Moore and Stratton listened to what these men had to say and presented us with such a rich mosaic of feelings, experiences, and hypotheses for future research." - Leonard Poon, PhD, Dr Phil hc Professor of Psychology Chair, Faculty of Gerontology Director, University of Georgia Gerontology Center Based on the authors' intensive qualitative study of a diverse group of 51 widowers, this unique book sets widowhood within the context of life experience. It identifies characteristics and patterns of behavior that contribute to widower's success, as well as lack of success, in adjusting satisfactorily to their circumstances.
Acknowledgements; Preface; I. The Scientific Expedition - The Curtain Rises; II. First news: The Youthful Bacchus; III. Five men and a Crowbar; IV. A regular nest of statues; V. The right hand holds a snake; VI. Arrival of H.M.S. Assurance; VII. Near the centre of the City; VIII. The head wreathed with grapes; IX. Without a sign of a ship; X. Departure on H.M.S. Melpomene; XI. The Curtain Falls; XII. The Photographic Apparatus; XIII. Porchers Watercolours; XIV. Epilogue; Plates.
When she died in 1980, Dorothy Day was called "the most significant, interesting and influential person in the history of American Catholicism" (Commonweal), and "a non-violent social radical of luminous personality" (The New York Times). As co-founder in 1933 (with the French peasant philosopher Peter Maurin) of the Catholic Worker movement, and for almost fifty years editor and publisher of its newspaper, she applied the Gospels to a sweeping radical critique of our economic, social, and political system, and addressed the most urgent issues of our time: poverty, labor, justice, civil liberties, and disarmament. She saw the movement as an affirmation of life and sanity, and a way to "bring about the kind of society where it is easier to be good." The present volume is a selection of Dorothy Day's published work, spanning a period of over fifty years. Although the great majority of the pieces have been reprinted from The Catholic Worker, a number of other magazine articles are included, as well as selections from all her books. - Publisher.
Celebrated stories and poems from the original Portable plus later stories, play reviews, articles, book reviews, the Constant Reader, and Parker's collected New Yorker book reviews.
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