Doris E. Johnson-Wolfe is a retired public school teacher and an active member of the Antioch Baptist Church, where she is a deaconess and serves as the director of Christian Education. She also co-teaches the women's Bible study, the beginner's Bible class, and is active in the hospitality and women's fellowship ministries. Mrs. Wolfe resides in Philadelphia, Pennsylvania, with her husband, William. She is blessed with two adult daughters and one grandson.
hello my name is doris raines this book is about how i was kidnapped from my real mother with a price tag over my head and was force to be raise with strangers i did not write this book for me i written it for young girls who may have experienced something like this to let you know there is help out there just reach out and grab a hold on to faith it worked for me it will also work for you keep the faith
Hello my name is Doris about me things I like to do one is write and read. I am from a small town call shorter al, population is 2000 peoples. I am a non smoker, 57 years old.---my height is 5--3--I am really from Atlanta-GA, chilling in this small town-Al, the town of my grandparents. This is the roots where it began myself as a child. My grandparents keeping me while my mother works to supports her 3 daughters. A real women, my arent husband would rub me down with his hands and call me buck while my favorite uncle Ed would take his time taking advantage of me like pinning me down and forcing himself upon me
Bringing to light the largely overlooked female participation in domestic and international art worlds, this book offers the first comprehensive study of how women embroiderers, traditionalist calligraphers and painters, including Shen Shou, Wu Xingfen, Jin Taotao, and members of Chinese Women’s Society of Calligraphy and Painting, shaped the terrain of the modern art world and gender positioning during China’s important moments of social-cultural transformation from empire to republic. Drawing on a wealth of previously unexhibited artworks, rare artist’s monographs, women’s journals, personal narratives, diaries, and catalogs of international expositions, Doris Sung not only affirms women’s significant roles as guardian and innovator of traditionalist art forms for a modern nation, but she also reveals their contribution to cultural diplomacy and revaluation of Chinese artistic heritage on the international stage in the early twentieth century.
A New York Times Notable Book: A moving glimpse of a life shrewdly examined Extra Innings follows a year in the life of Doris Grumbach, beginning with the release of her previous memoir and journal, Coming into the End Zone, and revealing that the devoted essayist, novelist, and critic possesses as keen an eye in her seventies as she did when she wrote The Spoil of Flowers thirty years earlier. Grumbach details each passing month and the trials and tribulations therein. Age and experience have tempered her anger, allowing her to view the world in a rosier light than she has before. In this eventful period that concludes with her move from Washington, DC, to Maine, Grumbach travels between signings and speeches, describes her home life in a new state, and deals not only with her own mortality, but with that of her daughter. Grumbach’s wisdom and wit endure as she looks back on her own memories, seeing the world as only Doris Grumbach can.
This comprehensive, trusted core text on media's impact on attitudes, behavior, elections, politics, and policymaking is known for its readable introduction to the literature and theory of the field. Mass Media and American Politics, Tenth Edition is thoroughly updated to reflect major structural changes that have shaken the world of political news, including the impact of the changing media landscape. It includes timely examples of the significance of these changes pulled from the 2016 election cycle. Written by Doris A. Graber—a scholar who has played an enormous role in establishing and shaping the field of mass media and American politics—and Johanna Dunaway, this book sets the standard.
On September 13, 1912, the day of Emperor Meiji’s funeral, General Nogi Maresuke committed ritual suicide by seppuku (disembowelment). It was an act of delayed atonement that paid a debt of honor incurred thirty-five years earlier. The revered military hero’s wife joined in his act of junshi ("following one’s lord into death"). The violence of their double suicide shocked the nation. What had impelled the general and his wife, on the threshold of a new era, to resort so drastically, so dramatically, to this forbidden, anachronistic practice? The nation was divided. There were those who saw the suicides as a heroic affirmation of the samurai code; others found them a cause for embarrassment, a sign that Japan had not yet crossed the cultural line separating tradition from modernity. While acknowledging the nation’s sharply divided reaction to the Nogis’ junshi as a useful indicator of the event’s seismic impact on Japanese culture, Doris G. Bargen in the first half of her book demonstrates that the deeper significance of Nogi’s action must be sought in his personal history, enmeshed as it was in the tumultuous politics of the Meiji period. Suicidal Honor traces Nogi’s military career (and personal travail) through the armed struggles of the collapsing shôgunate and through the two wars of imperial conquest during which Nogi played a significant role: the Sino-Japanese War (1894–1895) and the Russo-Japanese War (1904–1905). It also probes beneath the political to explore the religious origins of ritual self-sacrifice in cultures as different as ancient Rome and today’s Nigeria. Seen in this context, Nogi’s death was homage to the divine emperor. But what was the significance of Nogi’s waiting thirty-five years before he offered himself as a human sacrifice to a dead rather than living deity? To answer this question, Bargen delves deeply and with great insight into the story of Nogi’s conflicted career as a military hero who longed to be a peaceful man of letters. In the second half of Suicidal Honor Bargen turns to the extraordinary influence of the Nogis’ deaths on two of Japan’s greatest writers, Mori Ôgai and Natsume Sôseki. Ôgai’s historical fiction, written in the immediate aftermath of his friend’s junshi, is a profound meditation on the significance of ritual suicide in a time of historical transition. Stories such as "The Sakai Incident" ("Sakai jiken") appear in a new light and with greatly enhanced resonance in Bargen’s interpretation. In Sôseki’s masterpiece, Kokoro, Sensei, the protagonist, refers to the emperor’s death and his general’s junshi before taking his own life. Scholars routinely mention these references, but Bargen demonstrates convincingly the uncanny ways in which Sôseki’s agonized response to Nogi’s suicide structures the entire novel. By exploring the historical and literary legacies of Nogi, Ôgai, and Sôseki from an interdisciplinary perspective, Suicidal Honor illuminates Japan’s prolonged and painful transition from the idealized heroic world of samurai culture to the mundane anxieties of modernity. It is a study that will fascinate specialists in the fields of Japanese literature, history, and religion, and anyone seeking a deeper understanding of Japan’s warrior culture.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.