hello my name is doris raines this book is about how i was kidnapped from my real mother with a price tag over my head and was force to be raise with strangers i did not write this book for me i written it for young girls who may have experienced something like this to let you know there is help out there just reach out and grab a hold on to faith it worked for me it will also work for you keep the faith
Hello my name is Doris about me things I like to do one is write and read. I am from a small town call shorter al, population is 2000 peoples. I am a non smoker, 57 years old.---my height is 5--3--I am really from Atlanta-GA, chilling in this small town-Al, the town of my grandparents. This is the roots where it began myself as a child. My grandparents keeping me while my mother works to supports her 3 daughters. A real women, my arent husband would rub me down with his hands and call me buck while my favorite uncle Ed would take his time taking advantage of me like pinning me down and forcing himself upon me
C. S. Lewis in Context approaches Lewis' fiction through the linguistic controversies of his day, & develops a framework within which to evaluate his works & clarify his literary contributions. This valuable study will appeal to literary & linguistic scholars as well as to general enthusiasts of Lewis' fiction.
C. S. Lewis wanted to name his last novel “Bareface.” Now Doris T. Myers’s Bareface provides a welcome study of Lewis’s last, most profound, and most skillfully written novel, Till We Have Faces. Although many claim it is his best novel, Till We Have Faces is a radical departure from the fantasy genre of Lewis’s Chronicles of Narnia and The Screwtape Letters and has been less popular than Lewis’s earlier works. In Bareface, Myers supplies background information on this difficult work and suggests reading techniques designed to make it more accessible to general readers. She also presents a fresh approach to Lewis criticism for the enjoyment of specialists. Previous studies have often treated the novel as mere myth, ignoring Lewis’s effort to present the story of Cupid and Psyche as something that could have happened. Myers emphasizes the historical background, the grounding of the characterizations in modern psychology, and the thoroughly realistic narrative presentation. She identifies key books in ancient and medieval literature, history, and philosophy that influenced Lewis’s thinking as well as pointing out a previously unnoticed affinity with William James. From this context, a clearer understanding of Till We Have Faces can emerge. Approached in this way, the work can be seen as a realistic twentieth-century novel using modernist techniques such as the unreliable narrator and the manipulation of time. The major characters fit neatly into William James’s typology of religious experience, and Orual, the narrator-heroine, also develops the kind of personal maturity described by Carl Jung. At the same time, both setting and plot provide insights into the ancient world and pre-Christian modes of thought. Organized to facilitate browsing according to the reader’s personal interests and needs, this study helps readers explore this complex and subtle novel in their own way. Containing fresh insights that even the most experienced Lewis scholar will appreciate, Bareface is an accomplishment worthy of Lewis’s lifelong contemplation.
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