The Secular Rabbi is an intellectual biography of Philip Rahv, co-founder of Partisan Review, which T.S. Eliot called the best American literary periodical. It focuses on the ambivalent ties that Rahv, a Russian immigrant, retained to his Jewish cultural background. Drawing on letters Rahv wrote to her mother from 1928 to 1931, when he was still named Philip Greenberg, Doris Kadish delves into the complex and enigmatic character of a man admired by luminaries as diverse as George Orwell, Mary McCarthy, Saul Bellow, Elizabeth Hardwick, and William Styron. Textual analyses of Rahv’s works are woven together with other disparate materials: historical accounts, genealogical records, memoirs by Rahv’s colleagues, friends, and associates, interviews with persons who knew him, and the abundant body of secondary scholarship devoted to the New York intellectuals, the history of Partisan Review, and Jewish studies. Kadish positions herself in relation to Rahv in attempting to understand her own Jewish identity. In tracing Rahv’s personal, political, and literary evolution, Kadish sheds light on such literary movements as modernism, proletarian literature, and Jewish writing as well as movements that defined American political history in the 20th century: immigration, socialism, communism, fascism, the cold war, feminism, and the New Left.
This new study brings to life the unique contribution of French women during the early nineteenth century, a key period in the history of colonialism and slavery. It offers in-depth readings of works by five antislavery writers – Germaine de Staël, Claire Duras, Marceline Desbordes-Valmore, Charlotte Dard and Sophie Doin.
Hello my name is Doris about me things I like to do one is write and read. I am from a small town call shorter al, population is 2000 peoples. I am a non smoker, 57 years old.---my height is 5--3--I am really from Atlanta-GA, chilling in this small town-Al, the town of my grandparents. This is the roots where it began myself as a child. My grandparents keeping me while my mother works to supports her 3 daughters. A real women, my arent husband would rub me down with his hands and call me buck while my favorite uncle Ed would take his time taking advantage of me like pinning me down and forcing himself upon me
The Secular Rabbi is an intellectual biography of Philip Rahv, co-founder of Partisan Review, which T.S. Eliot called the best American literary periodical. It focuses on the ambivalent ties that Rahv, a Russian immigrant, retained to his Jewish cultural background. Drawing on letters Rahv wrote to her mother from 1928 to 1931, when he was still named Philip Greenberg, Doris Kadish delves into the complex and enigmatic character of a man admired by luminaries as diverse as George Orwell, Mary McCarthy, Saul Bellow, Elizabeth Hardwick, and William Styron. Textual analyses of Rahv's works are woven together with other disparate materials: historical accounts, genealogical records, memoirs by Rahv's colleagues, friends, and associates, interviews with persons who knew him, and the abundant body of secondary scholarship devoted to the New York intellectuals, the history of Partisan Review, and Jewish studies. Kadish positions herself in relation to Rahv in attempting to understand her own Jewish identity. In tracing Rahv's personal, political, and literary evolution, Kadish sheds light on such literary movements as modernism, proletarian literature, and Jewish writing as well as movements that defined American political history in the 20th century: immigration, socialism, communism, fascism, the cold war, feminism, and the New Left.
This new study brings to life the unique contribution of French women during the early nineteenth century, a key period in the history of colonialism and slavery. It offers in-depth readings of works by five antislavery writers – Germaine de Staël, Claire Duras, Marceline Desbordes-Valmore, Charlotte Dard and Sophie Doin.
(Piano/Vocal/Guitar Artist Songbook). Features 15 cherished favorites from the beloved singing actress arranged for piano and voice with chord frames: Day by Day * Don't Take Your Love from Me * Fools Rush in (Where Angels Fear to Tread) * Happy Endings * I'll Never Stop Loving You * I'll See You in My Dreams * If I Give My Heart to You * It's Magic * Pillow Talk * Que Sera, Sera (Whatever Will Be, Will Be) * Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) * Secret Love * Sentimental Journey * Teacher's Pet * You Go to My Head. Also includes an extensive biography and stunning photos.
In examining one of the defining events of the twentieth century, Doris L. Bergen situates the Holocaust in its historical, political, social, cultural, and military contexts. Unlike many other treatments of the Holocaust, this revised, fourth edition discusses not only the persecution of Jews, but also other groups targeted by the Nazis: people with disabilities, Roma, queer people, Poles in leadership positions, Soviet POWs, and others deemed unwanted. In clear and eloquent prose, Bergen explores the two interconnected goals that drove the Nazi German program of conquest and genocide—purification of the so-called Aryan race and expansion of its living space—and invites readers to reflect on how the Holocaust connects to histories of violence around the world. Replete with firsthand accounts from victims, survivors, and eyewitnesses, this book is immediate, human, and eminently readable.
hello my name is doris raines this book is about how i was kidnapped from my real mother with a price tag over my head and was force to be raise with strangers i did not write this book for me i written it for young girls who may have experienced something like this to let you know there is help out there just reach out and grab a hold on to faith it worked for me it will also work for you keep the faith
Biopics on artists influence the popular perception of artists' lives and work. Projected Art History highlights the narrative structure and images created in the film genre of biopics, in which an artist's life is being dramatized and embodied by an actor. Concentrating on the two case studies, Basquiat (1996) and Pollock (2000), the book also discusses larger issues at play, such as how postwar American art history is being mediated for mass consumption. This book bridges a gap between art history, film studies and popular culture by investigating how the film genre of biopics adapts written biographies. It identifies the functionality of the biopic genre and explores its implication for a popular art history that is projected on the big screen for a mass audience.
This complete history incorporates the 'voices' of the Holocaust, not only the perspectives of the victims, but also the perpetrators and bystanders. Bergen reveals the common misunderstanding that the Holocaust was aimed solely at Jews. In actual fact the Holocaust claimed the lives of 12 million people and incorporated many different social and ethnic groups. The Nazi program of destruction not only focused on Jews, but the disabled, Gypsies, Poles, Soviet POWs, homosexual men, Afro-Germans and Jehovah's Witnesses. The Second World War enabled this carnage by conquering territories and people, turning soldiers and doctors into trained killers, and creating a veneer of legitimacy around vicious acts of 'ethnic cleansing' and genocide. Bergen's pathbreaking study uses cutting-edge and original research to reveal how these attacks were linked in a terrifying web of violence and brings to light the real extent of the most notorious and far reaching campaign of genocide in modern history.
Documents the historical, political, social, cultural, and military context of the Holocaust, discussing the persecution of the Jews, Gypsies, Soviet prisoners of war, and Polish citizens.
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