For architecture or history students or interested travellers, presents descriptions, histories, photographs, plans, and drawings of detail for buildings erected in the Egyptian capital from the earliest Islamic through the Ottoman periods. References to the Survey Map of the Islamic Monuments of Cairo aid readers in finding the buildings. A reprint of the 1989 publication. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Elaborate and sensational gifts were the hallmark of Mamluk diplomacy. In firm control of the medieval spice trade as well as the holy sites of Christianity and Islam, the Sultanate's capital at Cairo became a diplomatic crossroads in the medieval world and the seat of a new Islamic caliphate. Already victorious over both the Crusaders and the Mongols, their military success and lavish religious patronage were not enough to ensure the dynasty's prestige: the Mamluk Sultans were often reminded of their slave origins, impugned by rivals as 'pagans' recruited to faith and service by purchase. In response, the sultans staged brilliant performances in Cairo and dispatched carefully designed diplomatic gifts all over the medieval world. These marvellous displays were the crowning ornament of Mamluk legitimacy, celebrated from Europe to the Far East. Drawing on extensive primary sources and fieldwork in museums across the world, Doris Behrens-Abouseif is the first to treat this important subject in depth and here reveals an unexplored aspect of Middle Eastern material culture. Composed of spectacular elements such as spices, exotic animals, Chinese porcelain, ceremonial textiles and military and equestrian objects - not to mention humans, either living or as severed heads - the regal offering varied in combination and emphasis according to the status and circumstances of giver and receiver, but always created a sensation. Acknowledging the established historical precedents of diplomacy and regal gift-giving, the author examines the nuance of cultural and political realities in period diplomacy as well as the transmission of encrypted messages, illuminating the subtle conveyance of self-representation and identity in medieval Cairo and the world beyond. With ground-breaking new research, this book - richly illustrated in colour - provides a comprehensive view of the art and politics of the Mamluk diplomatic gift, by which these sultans of humble origins created a magnificent image of themselves in the courts of their Muslim rivals and allies worldwide. It will prove essential reading for both students and scholars.
This book is the first to date to be dedicated to the circulation of the book as a commodity in the Mamluk sultanate. It discusses the impact of princely patronage on the production of books, the formation and management of libraries in religious institutions, their size and their physical setting. It documents the significance of private collections and their interaction with institutional libraries and the role of charitable endowments (waqf ) in the life of libraries. The market as a venue of intellectual and commercial exchanges and a production centre is explored with references to prices and fees. The social and professional background of scribes and calligraphers occupies a major place in this study, which also documents the chain of master-calligraphers over the entire Mamluk period. For her study the author relies on biographical dictionaries, chronicles, waqf documents and manuscripts.
Egypt's Adjustment to Ottoman Rule deals with the impact of the Ottoman conquest of Egypt on its political, religious and social institutions, their transition from the Mamluk to the Ottoman regime and further development up to the 17th century. The relationship between the Ottoman ruling establishment, the local religious groups and the military aristocracy is discussed in the first part of the volume. Waqf documents are a major source for this study which, in the second part, analyzes and compares the endowments of the Ottoman governors and those of the military aristocracy and their respective impact on the urban development and architecture of Cairo in this period. The architecture is documented with 70 photographs and figures. By integrating architecture and urbanism in the historical analysis of the period under study, this book is important for historians and art historians of Egypt.
In this book, Doris Behrens-Abouseif responds to the Mamluk chroniclers whose loquacity regarding clothing matters demands our attention. Using a multiplicity of sources including chronicles, European and Muslim travel narratives, popular storytelling, legal treatises, literature, and poetry, Behrens-Abouseif delves into the details of Mamluk dress. Whether as a vehicle for the sultanate’s self-representation both internationally and domestically or as an expression of religious and social identities, status and wealth, female assertion, urban culture, and artistic creativity, clothing personified the broad Mamluk social spectrum. Replete with colorful anecdotes and copious illustrations, Dress and Dress Code in Medieval Cairo offers a lively and comprehensive study of this fascinating topic.
Elaborate and sensational gifts were the hallmark of Mamluk diplomacy. In firm control of the medieval spice trade as well as the holy sites of Christianity and Islam, the Sultanate's capital at Cairo became a diplomatic crossroads in the medieval world and the seat of a new Islamic caliphate. Already victorious over both the Crusaders and the Mongols, their military success and lavish religious patronage were not enough to ensure the dynasty's prestige: the Mamluk Sultans were often reminded of their slave origins, impugned by rivals as 'pagans' recruited to faith and service by purchase. In response, the sultans staged brilliant performances in Cairo and dispatched carefully designed diplomatic gifts all over the medieval world. These marvellous displays were the crowning ornament of Mamluk legitimacy, celebrated from Europe to the Far East. Drawing on extensive primary sources and fieldwork in museums across the world, Doris Behrens-Abouseif is the first to treat this important subject in depth and here reveals an unexplored aspect of Middle Eastern material culture. Composed of spectacular elements such as spices, exotic animals, Chinese porcelain, ceremonial textiles and military and equestrian objects - not to mention humans, either living or as severed heads - the regal offering varied in combination and emphasis according to the status and circumstances of giver and receiver, but always created a sensation. Acknowledging the established historical precedents of diplomacy and regal gift-giving, the author examines the nuance of cultural and political realities in period diplomacy as well as the transmission of encrypted messages, illuminating the subtle conveyance of self-representation and identity in medieval Cairo and the world beyond. With ground-breaking new research, this book - richly illustrated in colour - provides a comprehensive view of the art and politics of the Mamluk diplomatic gift, by which these sultans of humble origins created a magnificent image of themselves in the courts of their Muslim rivals and allies worldwide. It will prove essential reading for both students and scholars.
For architecture or history students or interested travellers, presents descriptions, histories, photographs, plans, and drawings of detail for buildings erected in the Egyptian capital from the earliest Islamic through the Ottoman periods. References to the Survey Map of the Islamic Monuments of Cairo aid readers in finding the buildings. A reprint of the 1989 publication. No index. Annotation copyrighted by Book News, Inc., Portland, OR
This book is the first to date to be dedicated to the circulation of the book as a commodity in the Mamluk sultanate. It discusses the impact of princely patronage on the production of books, the formation and management of libraries in religious institutions, their size and their physical setting. It documents the significance of private collections and their interaction with institutional libraries and the role of charitable endowments (waqf ) in the life of libraries. The market as a venue of intellectual and commercial exchanges and a production centre is explored with references to prices and fees. The social and professional background of scribes and calligraphers occupies a major place in this study, which also documents the chain of master-calligraphers over the entire Mamluk period. For her study the author relies on biographical dictionaries, chronicles, waqf documents and manuscripts.
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