00 With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene. With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement--from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale--she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene.
Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist. Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world. Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist. Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.
With affection and critical respect, a celebrated art historian has gathered an unprecedented wealth of material about the shy but immensely influential artist who lived on incongruously named Utopia Parkway in Queens, New York.
An art history professor and author or editor of 30 books on art and culture maps the life of Japanese-American sculptor and designer Isamu Noguchi (1904-1988) and his spiritual journey, both in the events of his life and in the milestones of his art--the sculptures, gardens, public spaces, and stage decors that gained force and significance from Noguchi's double heritage. Photographs.
With the emergence of Abstract Expressionism after World War II, the attention of the international art world turned from Paris to New York. Dore Ashton captures the vitality of the cultural milieu in which the New York School artists worked and argued and critiqued each other's work from the 1930s to the 1950s. Working from unsifted archives, from contemporary newspapers and books, and from extensive conversations with the men and women who participated in the rise of the New York School, Ashton provides a rich cultural and intellectual history of this period. In examining the complex sources of this important movement—from the WPA program of the 1930s and the influx of European ideas to the recognition in the 1950s of American painting on an international scale—she conveys the concerns of an extraordinary group of artists including Willem de Kooning, Jackson Pollock, Ad Reinhardt, Philip Guston, Barnett Newman, Arshile Gorky, and many others. Rare documentary photographs illustrate Ashton's classic appraisal of the New York School scene.
Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist. Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world. Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist. Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.
An art history professor and author or editor of 30 books on art and culture maps the life of Japanese-American sculptor and designer Isamu Noguchi (1904-1988) and his spiritual journey, both in the events of his life and in the milestones of his art--the sculptures, gardens, public spaces, and stage decors that gained force and significance from Noguchi's double heritage. Photographs.
Conserve biodiversity with effective forest management practices! This valuable book examines integrated forest management in the Americas. Climate Change and Forest Management in the Western Hemisphere takes a close look at such important international issues as global warming and the destruction of the Amazon rainforest. It offers tested suggestions for combining productive economic use of forest products with sustainable, ecologically sound management practices. Here you will find case studies from representative forests in North, Central, and South America. This solidly researched book explores the barriers to integrating environmental and economic approaches to forest management. It also offers practical suggestions for overcoming those barriers, including economic incentives for sustainable use and the conservation of biodiversity. Climate Change and Forest Management in the Western Hemisphere also explores: the role of the Brazilian rainforest in the global carbon cycle sustainable use of rainforests the valuation of forests for carbon sequestration plant biodiversity in managed timber forests issues of deforestation and reforestation and much more! Climate Change and Forest Management in the Western Hemisphere offers a comprehensive overview of a vital subject. It is an essential resource for forestry specialists, environmental economists, and anyone interested in climate change or sustainable agriculture.
This volume of the Collected Writings of Modern Western Scholars on Japan, published under the Japan Library imprint, brings together landmark writings by R.P. Dore, on Japanese society, politics and economics.
Marcelo Bonevardi (1929-1994) was one of the most innovative artists of his generation. A native of Argentina, Bonevardi spent the greater part of his career in New York City, where he absorbed avant-garde practices and influences such as abstraction and primitivism, using them to invent a pictorial and symbolic language with which to express his deep spirituality and affinity for myth and ritual. Bonevardi is best known for his shaped canvases, which combine elements of painting and sculpture, reflecting his early training and lifelong interest in architecture. During his lifetime, Bonevardi received many honors, including the International Prize at the X Bienal de Saõ Paulo, first prize in the “Ten Argentine Artists at the United Nations” permanent installation, and the Platinum Prize from the Konex Foundation. Bonevardi's work has been collected by many leading North American and Latin American museums, including the Museum of Modern Art and the Guggenheim Museum in New York City; the Museo Nacional de Bellas Artes and the Museo de Arte Moderno in Buenos Aires; the Museu de Arte Contemporânea de Universidade in Saõ Paulo; and the Museo Rufino Tamayo in Mexico City. This lavishly illustrated volume presents the first comprehensive overview of the life and work of Marcelo Bonevardi. Noted art historian Dore Ashton provides a biographical and critical essay that traces Bonevardi's artistic development and situates him in the New York art scene of the 1960s and 1970s. Ashton illuminates the diverse influences that helped shape Bonevardi's art, as well as his contribution to important trends in North American and Latin American abstraction. Ronald Christ's in-depth essay draws on extensive interviews with the artist and reviews of his work to offer a focused analysis of the unique themes and techniques that constitute Bonevardi's signature style. Accompanying the essays and chronologies of the artist's life and exhibitions is a catalogue of over three hundred images, most in full color, that comprise a stunning visual summation of Marcelo Bonevardi's oeuvre.
With affection and critical respect, a celebrated art historian has gathered an unprecedented wealth of material about the shy but immensely influential artist who lived on incongruously named Utopia Parkway in Queens, New York.
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