Knock-knock. Who's there? Mikey. Mikey who? Mikey won't fit this lock! Knock-knock. Who's there? Pecan. Pecan who? Pecan someone your own size! And hundreds more!
Dora Charles is the real deal, and hers may be the most honest - and personal - southern cookbook I've ever read." - John Martin Taylor In her first cookbook, a revered former cook at Savannah's most renowned restaurant divulges her locally famous Savannah recipes--many of them never written down before--and those of her family and friends Hundreds of thousands of people have made a trip to dine on the exceptional food cooked by Dora Charles at Savannah's most famous restaurant. Now, the woman who was barraged by editors and agents to tell her story invites us into her home to taste the food she loves best. These are the intensely satisfying dishes at the heart of Dora's beloved Savannah: Shrimp and Rice; Simple Smoky Okra; Buttermilk Cornbread from her grandmother; and of course, a truly incomparable Fried Chicken. Each dish has a "secret ingredient" for a burst of flavor: mayonnaise in the biscuits; Savannah Seasoning in her Gone to Glory Potato Salad; sugar-glazed bacon in her deviled eggs. All the cornerstones of the Southern table are here, from Out-of-This-World Smothered Catfish to desserts like a jaw-dropping Very Red Velvet Cake. With moving dignity, Dora describes her motherless upbringing in Savannah, the hard life of her family, whose memories stretched back to slave times, learning to cook at age six, and the years she worked at the restaurant. "Talking About" boxes impart Dora's cooking wisdom, and evocative photos of Savannah and the Low Country set the scene.
Whether set in Cape Town, Johannesburg or the remoteness of lonely farms, these stories present an acute and heartfelt sensitivity for the troubles of ordinary people during apartheid. They provide a rare historical record of the times, revealing the hopes and dreams of people of all races, that are only now becoming a reality. Dora Taylor's powers of observation enable her to conjure up the vibrancy of a city, the squalor of a shanty town or the peace of the veld. Although the stories are often heart-rendingly tragic, there is always an underlying quality of hope, springing from the author’s intense desire that things should improve, an objective to which she devoted her life.
Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive growth in images of urban decay. In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and television, to documentaries, video games, and zombie and disaster films. Apel shows how Detroit has become pivotal to an expanding network of ruin imagery, imagery ultimately driven by a pervasive and growing cultural pessimism, a loss of faith in progress, and a deepening fear that worse times are coming. The images of Detroit’s decay speak to the overarching anxieties of our era: increasing poverty, declining wages and social services, inadequate health care, unemployment, homelessness, and ecological disaster—in short, the failure of capitalism. Apel reveals how, through the aesthetic distancing of representation, the haunted beauty and fascination of ruin imagery, embodied by Detroit’s abandoned downtown skyscrapers, empty urban spaces, decaying factories, and derelict neighborhoods help us to cope with our fears. But Apel warns that these images, while pleasurable, have little explanatory power, lulling us into seeing Detroit’s deterioration as either inevitable or the city’s own fault, and absolving the real agents of decline—corporate disinvestment and globalization. Beautiful Terrible Ruins helps us understand the ways that the pleasure and the horror of urban decay hold us in thrall.
Carrington's beguiling letters take us beyond the Bloomsbury group to discuss sexual mores, how to be an artist, and what it is to be truly oneself. Known only by her surname, Dora Carrington was the star of her year at the Slade School of Fine Art, and was friends with some of the greatest minds of her day, including Virginia Woolf, Rosamund Lehmann and Maynard Keynes. For over a decade she was the companion of homosexual writer Lytton Strachey, and - stricken without him- killed herself when he died in 1932. Though she never achieved the fame her early career promised, in her determination to live life according to her own nature – especially in relation to her work and her fluid attitude to sex, gender and sexuality – she fought battles that remain familiar and urgent today. Now, through her passionate, playful and honest letters, we can encounter the maverick artist and compelling personality afresh and in her own words.
High mountains, polar expanses, volcanic peaks are exciting and special environments. 13 leading international geographers explore different aspects of these environments - disorientation, exploration, native knowledge, polar research. This is the first book to do this.High places - be they mountain peaks or the vast expanses of the polar latitudes - have always captured the human imagination. Inaccessible, extreme, they are commonly invested with awe and reverence, as places of physical challenge, intense experience. Increasingly, they are also treated as unique locations for science."High Places" explores the fascinating geographies of these special environments, revealing how senses are challenged, objectivities exposed, cultural assumptions laid bare. Whether walking the summit of Pico de Orizaba, the fourth highest volcano in the northern hemisphere; recounting the tale of the American explorer Charles Wilkes, charged with 'immoral mapping' in Antarctica; or exploring the 200,000 year old Greenland ice core; the international contributors reveal the richness and significance of these unique locations. Embracing Europe, Asia, North and Central America, Antarctica and the Arctic, "High Places" will interest geographers, historians of science, and those interested in polar/mountain studies, landscape, culture and environment.
“Fans of Dan Poblocki, John Bellairs, and R.L. Stine will all be right at home and smiling at the shivers (and the jokes).” –Kirkus Welcome to Thedgeroot, where Spaulding Meriwether is on a quest to make friends, become cool . . . and figure out why dead people are running around. “You know how people always tell you ‘just be yourself?’ That’s terrible advice. You won’t survive middle school that way. Trust me.” Spaulding Meriwether, Thedgeroot Middle School's new resident weirdo and son of questionable television ghost hunters, just wants to fit in. But after a revenant chases him through the woods, Spaulding suspects there’s something afoot in Thedgeroot. (At least he thinks it’s a foot. Maybe it was a hand. It’s hard to tell when you’re running away.) Then he notices the chimneys of the abandoned factory at the edge of town puffing smoke—and his dead next-door neighbor materializes, along with David, the missing pet boa constrictor that supposedly ate him. Spaulding can’t help wondering if these strange happenings have anything to do with his undead friends in the forest. Of course, Spaulding just has to investigate—but he may be biting off more than he can chew . . . . Kids will love this hilariously creepy illustrated middle-grade novel! “A spooky, high-interest adventure…”—School Library Journal . . . engaging and goosebump inducing.” —Booklist
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