An architect and a photographer explore a community of squatters, artists, snowbirds, migrants, and survivalists inhabiting a former military base in the California desert. Under the unforgiving sun of southern California's Colorado Desert lies Slab City, a community of squatters, artists, snowbirds, migrants, survivalists, and homeless people. Called by some “the last free place” and by others “an enclave of anarchy,” Slab City is also the end of the road for many. Without official electricity, running water, sewers, or trash pickup, Slab City dwellers also live without law enforcement, taxation, or administration. Built on the concrete slabs of Camp Dunlap, an abandoned Marine training base, the settlement maintains its off-grid aspirations within the site's residual military perimeters and gridded street layout; off-grid is really in-grid. In this book, architect Charlie Hailey and photographer Donovan Wylie explore the contradictions of Slab City. In a series of insightful texts and striking color photographs, Hailey and Wylie capture the texture of life in Slab City. They show us Slab Mart, a conflation of rubbish heap and recycling center; signs that declare Welcome to Slab City, T'ai Chi on the Slabs Every morning, and Don't fuck around; RVs in conditions ranging from luxuriously roadworthy to immobile; shelters cloaked in pallets and palm fronds; and the alarmingly opaque water of the hot springs. At Camp Dunlap in the 1940s, Marines learned how to fight a war. In Slab City, civilians resort to their own wartime survival tactics. Is the current encampment an outpost of freedom, a new “city on a hill” built by the self-chosen, an inversion of Manifest Destiny, or is it a last vestige of freedom, tended by society's dispossessed? Officially, it is a town that doesn't exist. Research for this project was supported by the Graham Foundation for Advanced Studies in the Fine Arts.
After successfully completing his 12,000 mile bus ride around America, Shaun Donovan now embarks on his latest and greatest challenge - to circumnavigate the coastline of Australia, again by bus, but also to ride the famous 'Indian Pacific' and 'Ghan' trains from west to east and south to north of this vast continent - A 20,000 kilometre journey which must be completed in less than 50 days. In a compelling story of determination, desperation and in some cases deprivation, read how Shaun and his fiance, Sally are roasted alive in sizzling heat and stifling humidity, get drowned-out in tropical storms and flash-flooding and survive an onslaught of electrifying lightning bolts, devastating cyclones and bone-shaking earthquakes before their journey is finally at an end. Add to this a lethal concoction of shark, stingray, and snake attacks they stumble upon during their trip and mix it up with crocodile, box jelly-fish, blue-ringed octopus and deadly stone-fish encounters and you've got yourself one hell of a story-line to tell. Like his American voyage of discovery, many things were learned and achieved, but there was also despair as his dreams of scuba diving on the Great Barrier Reef and visiting Ayres Rock were shattered due to weather conditions and personal circumstances, both of which he swears will be done on his return to one of the most diverse and exciting continents on the planet. For more information please go to www.taffys-travels.com
The Broadway Body I lied about my height on my résumé the entire time I was a dancer, though in truth I don't think the extra inch ever actually made a difference. In the US, 5'6" still reads as short for a man no matter how you slice it. The reason for my deception was that height was often the reason I was disqualified: choreographers often wanted taller male dancers for the ensemble and listed a minimum height requirement (often 5'11" and up) in the casting breakdown. Being disqualified before I could even set foot in the audition because I possessed an unchangeable physical characteristic that often made me unemployable in the industry. I was learning an object lesson in Broadway's body politics-and, of course, had I not been a white cisgender nondisabled man, the barriers to employment would have been compounded even further. I wasn't alone in feeling caught in a catch-22. Not being cast because of your appearance, or "type" in industry lingo, is casting's status quo. The casting process openly discriminates based upon appearance. This truism even made its way into a song cut from A Chorus Line (1975) called "Broadway Boogie Woogie," which comically lists all of the reasons one might not be cast: "I'm much too tall, much too short, much too thin/Much too fat, much too young for the role/I sing too high, sing too low, sing too loud." Funny Girl (1964) put it even more bluntly: "If a Girl Isn't Pretty/Like a Miss Atlantic City/She should dump the stage/And try another route"--
Tort law is a dynamic area of Australian law, offering individuals the opportunity to seek legal remedies when their interests are infringed. Contemporary Australian Tort Law introduces the fundamentals of tort law in Australia today in an accessible, student-friendly way.
The Lazy Gourmet is for anyone who dreams of dazzling guests with fabulous home-cooked fare, but fears that such a feat would require Thomas Keller’s talent, Martha Stewart’s ingenuity, Gandhi’s patience, and Charles Manson’s free time. The goal of The Lazy Gourmet is to conquer the misguided belief that preparing an elegant meal requires spending hours—or days—in the kitchen. With the help of an army of volunteer testers—regular people with no culinary training—Robin Donovan and Juliana Gallin developed this collection of recipes that can be prepared using readily available ingredients and common kitchen appliances, and without any previous cooking experience or training. With our recipes, anyone can prepare delicious and sophisticated, yet surprisingly simple dishes that will impress fussy in-laws, placate implacable bosses, and seduce sexy strangers through the proven method of knocking their socks off at the dinner table. As the lazy gourmets themselves like to say, “Cooking a great meal can be just as easy as cooking a crappy meal!” So relax! Stop fretting over elaborate recipes and cumbersome techniques and start cooking the Lazy Gourmet way.
LONGLISTED FOR THE NATIONAL BOOK AWARD • A “vivid and frank” (NPR) account of the crack cocaine era and a community’s ultimate resilience, told through a cast of characters whose lives illuminate the dramatic rise and fall of the epidemic “A master class in disrupting a stubborn narrative, a monumental feat for the fraught subject of addiction in Black communities.”—The Washington Post “A poignant and compelling re-examination of a tragic era in America history . . . insightful . . . and deeply moving.”—Bryan Stevenson, author of the #1 New York Times bestseller Just Mercy FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD • ONE OF THE NEW YORK PUBLIC LIBRARY AND VULTURE’S TEN BEST BOOKS OF THE YEAR A BEST BOOK OF THE YEAR: Time, The Washington Post, NPR, Chicago Public Library, Publishers Weekly, She Reads, Electric Lit, The Mary Sue The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan’s war on drugs, journalist Donovan X. Ramsey’s exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with today: a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality. When Crack Was King follows four individuals to give us a startling portrait of crack’s destruction and devastating legacy: Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a “crack house”; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark’s most legendary group of drug traffickers. Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve.
On February 23, 1836, a large Mexican army led by dictator Santa Anna reached San Antonio and laid siege to about 175 Texas rebels holed up in the Alamo. The Texans refused to surrender for nearly two weeks until almost 2,000 Mexican troops unleashed a final assault. The defenders fought valiantly-for their lives and for a free and independent Texas-but in the end, they were all slaughtered. Their ultimate sacrifice inspired the rallying cry "Remember the Alamo!" and eventual triumph. Exhaustively researched, and drawing upon fresh primary sources in U.S. and Mexican archives, The Blood of Heros is the definitive account of this epic battle. Populated by larger-than-life characters -- including Davy Crockett, James Bowie, William Barret Travis -- this is a stirring story of audacity, valor, and redemption.
Don Hofsommer chronicles the twentieth-century history of a transportation giant. Here is a story of divestiture and merger, Sunset Route, and Prosperity Special. " . . . a treasure house of information about the Southern Pacific Company . . . . This book is a joy to read."--Richard C. Overton, from the Foreword
Addresses the liability and risk issues that arise at each successive stage of the relationship between lenders and borrowers or guarantors. This work adopts a practical, transaction-based approach, examining the different stages of the relationship in turn and the legal issues that arise along the way. It also gives guidance on breach of loans.
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