DIV Aristocratic Vice examines the outrage against—and attempts to end—the four vices associated with the aristocracy in eighteenth-century England: duelling, suicide, adultery, and gambling. Each of the four, it was commonly believed, owed its origin to pride. Many felt the law did not go far enough to punish those perpetrators who were members of the elite. In this exciting new book, Andrew explores each vice’s treatment by the press at the time and shows how a century of public attacks on aristocratic vices promoted a sense of “class superiority” among the soon-to-emerge British middle class. “Donna Andrew continues to illuminate the mental landscapes of eighteenth-century Britain. . . . No historian of the period has made greater or more effective use of the newspaper press as a source for cultural history than she. This book is evidently the product of a great deal of work and is likely to stimulate further work.”—Joanna Innes, University of Oxford /div
In this study of voluntary charities in eighteenth-century London, Donna Andrew reconsiders the adequacy of humanitarianism as an explanation for the wave of charitable theorizing and experimentation that characterized this period. Focusing on London, the most visible area of both destitution and social experimentation, this book examines the political as well as benevolent motives behind the great expansion of public institutions--nondenominational organizations seeking not only to relieve hardship, but to benefit the nation directly--funded and run by voluntary associations of citizens. The needs of police, the maintaining of civil order and the refining of society, were thought by many ordinary citizens to be central to the expansion of England's role in the world and to the upholding of the country's peace at home. Drawing on previously unexplored and unsynthesized materials, this work reveals the interaction between charitable theorizing and practical efforts to improve the condition of the poor. The author argues that it is impossible to comprehend eighteenth-century charity without taking into account its perceived social utility, which altered as circumstances mandated. For example, the charities of the 1740s and 1750s, founded to aid in the strengthening of England's international supremacy, lost their public support as current opinions of England's most urgent needs changed. Creating and responding to new visions of what well-directed charities might accomplish, late-century philanthropists tried using charitable institutions to reknit what they believed was a badly damaged social fabric. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
DIV Aristocratic Vice examines the outrage against—and attempts to end—the four vices associated with the aristocracy in eighteenth-century England: duelling, suicide, adultery, and gambling. Each of the four, it was commonly believed, owed its origin to pride. Many felt the law did not go far enough to punish those perpetrators who were members of the elite. In this exciting new book, Andrew explores each vice’s treatment by the press at the time and shows how a century of public attacks on aristocratic vices promoted a sense of “class superiority” among the soon-to-emerge British middle class. “Donna Andrew continues to illuminate the mental landscapes of eighteenth-century Britain. . . . No historian of the period has made greater or more effective use of the newspaper press as a source for cultural history than she. This book is evidently the product of a great deal of work and is likely to stimulate further work.”—Joanna Innes, University of Oxford /div
Revealing the deep anxieties of a period of English capitalism, this history tells the remarkable story of a complex forgery uncovered in London in 1775. 19 photos.
They're older. They're wiser. So why aren't they finding Mr. Right? The feisty heroines of The Perfect Date series are seasoned about life and romance, but not necessarily wiser about love. The stories in this collection are romantic comedies with attitude. Book 7 - Never Look Back Her real life is no fairy tale and she’s no Cinderella. After what her ex-husband did to her, heiress Henna Colombo is a man-hater, not a dater. And the thing she hates most of all is the fairytale of falling in love. Why do her father and her new wicked stepmother insist she keeps looking for her prince? She’s fine being single. As far as Henna’s concerned, the love god can take his diaper-wrapped butt and arrows elsewhere. Cupid can also shove those arrows where the sun doesn’t shine if he thinks for one second that someone like Vassal Milano is her perfect man. Book 8 - Never Ever Been Better The last thing Iris needs is a man with his head in the clouds. Most days Iris can’t believe that she actually left her home and country for a smooth-talking jerk who tossed her into the street first chance he got. A woman has to view that sort of thing as life lesson. Her mum raised her to be a survivor, and that includes understanding her worst enemy is herself when it comes to good-looking men. Book 9 - Never Too Old To Date Her business is wildly successful, but the rest of her life is just wild. Sixty may be the new forty, but not for the Honorable Eleanor J. Skyler. She's retiring from the law firm she spent her entire career building. What's wrong with wanting to wear yoga clothes every day and go zip-lining whenever the adventurous mood strikes? Nothing, that's what. She's got no time for dating and drama. She certainly has no time to deal with her senior law partner, Andrew Carson, who has for reasons she can't fathom, decided she's his perfect woman. Why is Andrew suddenly looking at her legs and telling her she's beautiful? He's barely over fifty. He has the tiny sports car. Why can't Andrew chase a twenty-year-old like every other man having a mid-life crisis?
Her business is wildly successful, but the rest of her life is just wild. Sixty may be the new forty, but not for the Honorable Eleanor J. Skyler. She's retiring from the law firm she spent her entire career building. What's wrong with wanting to wear yoga clothes every day and go zip-lining whenever the adventurous mood strikes? Nothing, that's what. She's got no time for dating and drama. She certainly has no time to deal with her senior law partner, Andrew Carson, who has for reasons she can't fathom, decided she's his perfect woman. To say she's confused in an understatement. They've known each other for over twenty years. They knew each other's spouses before they died. Why is Andrew suddenly looking at her legs and telling her she's beautiful? He's barely over fifty. He has the tiny sports car. Why can't Andrew chase a twenty-year-old like every other man having a mid-life crisis?
Micah Steele is forced to pick up his gun once again when Callie Kirby, a woman from his past, is kidnapped by his sworn enemy, and Lily Germaine helps Noah Laramie get his life back on track after he loses an arm in Afghanistan.
Bilford, New Hampshire, so named for the Bilford family, is home to shipping magnate Gordon Andrew Bilford III. To the world, Gordon is a powerful businessman, a man of wealth, taste, and decorum, and sadly, a man who has recently become a widower. Gordon is also a man with secrets. The House of Bilford cloaks the secrets of a dark power within his family. A power passed as a gift from father to son. A gift Gordon desperately wants to return. Enter the Irish minx, Colleen (Call-een) O’Malley, niece of Gordon’s nearest neighbors, and dearest friends, Shaun and Fran O’Malley. Colleen is soft-spoken, well educated, cultured—and a stunning red-headed beauty, with secrets of her own, who has been sent on a mission to the House of Bilford. Although Gordon has just lost his wife, Colleen appears determined to capture Gordon’s attention. As Colleen is more and more successful with her endeavors, Gordon is inexplicably drawn not only to Colleen’s charms and grace but to her seemingly mysterious knowledge of Gordon’s alter ego. Although not a part of her plan, Colleen has found herself equally drawn to Gordon. Will their passion lead them to heaven, or to hell on earth?
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