Olivia Hanson has spent most of her twenty-five years staring wistfully across the tracks to the north side of town, longing for a white picket fence and normal—something she's never known. Born in a prison and abandoned by her mother, Olivia was raised in South Juliette by her father, Eugene—a knee-bouncing, chain-smoking loner with a Cheez Doodle addiction. Olivia drinks too much, loses her heart too easily, and works in a factory as quality control, a mundane job she'd sworn would only be temporary, not the permanent drudgery it has become. Her only joy in life comes in the form of late-night slow dances with hot bartender, George, who can set her body on fire with his kisses but is unwilling to go any further.The day Olivia accidentally backs her Buick into a black Dodge pickup, she tumbles head-over-heels into what she believes is the happily-ever-after kind of love she has been longing for. But the road to happiness is not as easy as it looks. It's a long, winding journey of self-discovery full of potholes, pregnancy tests, lobster tattoos, Walmart scooters, impromptu weddings, hump-happy Boston terriers, and a sexy, but oh-so-annoying police officer who pops up around every curve.
Sometimes, when a heart breaks, the damage is so severe the only way it can heal is to return it to the land where it was born. Knowing this, Millie Handley makes one request of her husband, Dan, when she discovers her cancer is terminal-to return home to Nebraska and build the house he's been dreaming of since he was a little boy. Two months after Millie's funeral, Dan finds himself pulling up the rutted, dirt driveway that winds around the banks of Chelsea Lake, headed toward a desolate future he's not sure he wants to survive. Unable to grieve and desperate to forget the life he lost, Dan locks himself in his great-grandfather's cabin and allows the pain to consume him, like a grass fire burning out of control. Stacy Ruzicka's final promise to her best friend, Millie, was to help Dan through the pain, and she's determined to do just that-whether he wants her to or not. Stacy and Dan have known each other longer than their memories reach back, and she knows him better than he knows himself, but the harder she tries to force Dan to rise from the depths of his grief and take that first breath of life again, the harder he pushes her away-until he's suddenly pulling her into his arms and into his healing heart.
In Contemporary Irish Poetry and the Pastoral Tradition, Donna L. Potts closely examines the pastoral genre in the work of six Irish poets writing today. Through the exploration of the poets and their works, she reveals the wide range of purposes that pastoral has served in both Northern Ireland and the Republic: a postcolonial critique of British imperialism; a response to modernity, industrialization, and globalization; a way of uncovering political and social repercussions of gendered representations of Ireland; and, more recently, a means for conveying environmentalism’s more complex understanding of the value of nature. Potts traces the pastoral back to its origins in the work of Theocritus of Syracuse in the third century and plots its evolution due to cultural changes. While all pastoral poems share certain generic traits, Potts makes clear that pastorals are shaped by social and historical contexts, and Irish pastorals in particular were influenced by Ireland’s unique relationship with the land, language, and industrialization due to England’s colonization. For her discussion, Potts has chosen six poets who have written significant collections of pastoral poetry and whose work is in dialogue with both the pastoral tradition and other contemporary pastoral poets. Three poets are men—John Montague, Seamus Heaney, Michael Longley—while three are women—Eavan Boland, Medbh McGuckian, Nuala Ní Dhomhnaill. Five are English-language authors, while the sixth—Ní Dhomhnaill—writes in Irish. Additionally, some of the poets hail from the Republic, while others originate from Northern Ireland. Potts contends that while both Irish Republic and Northern Irish poets respond to a shared history of British colonization in their pastorals, the 1921 partition of the country caused the pastoral tradition to evolve differently on either side of the border, primarily because of the North’s more rapid industrialization; its more heavily Protestant population, whose response to environmentalism was somewhat different than that of the Republic’s predominantly Catholic population; as well the greater impact of the world wars and the Irish Troubles. In an important distinction from other studies of Irish poetry, Potts moves beyond the influence of history and politics on contemporary Irish pastoral poetry to consider the relatively recent influence of ecology. Contemporary Irish poets often rely on the motif of the pastoral retreat to highlight various environmental threats to those retreats—whether they be high-rises, motorways, global warming, or acid rain. Potts concludes by speculating on the future of pastoral in contemporary Irish poetry through her examination of more recent poets—including Moya Cannon and Paula Meehan—as well as other genres such as film, drama, and fiction.
“How does it happen that a rather shy and not-terribly-brave individual finds herself getting arrested on Parliament Hill? Why does a woman who prefers to commune with pole beans all summer end up laboriously writing speeches to present at City Hall? There is no need for this. I am 74 years old, elderly. It would be more suitable for me to spend my remaining days quietly reading novels than singing protest songs. What happened?” These are the questions that sometimes plague Donna Sinclair. A widely-travelled, award-winning journalist for more than 27 years, now retired, Sinclair could easily sit back and simply enjoy her garden, her grandkids, and her remaining years with her husband. Yet that is not what she has chosen to do. Sinclair, like an ever increasing number of her peers, as well as younger people the world over, has chosen the path of activism. But why? “I am not alone with these questions. Most activists, I am convinced, do not wake up one morning and say to themselves, ‘I think I will spend today, and perhaps the rest of my life, antagonizing large corporate bodies – with untold amounts of money to spend – and even some of my neighbours, so that I don’t get enough sleep and am constantly making anguished trade-offs about how I will spend my time.’ “This book is an effort to figure out why and how environmental activists fall passionately in love with a lake, a river, or a planet and its people. It’s a primer, or an alphabet, on how to stay strong enough to keep putting that love into action, over and over.
One of the founders of the posthumanities, Donna J. Haraway is professor in the History of Consciousness program at the University of California, Santa Cruz. Author of many books and widely read essays, including the now-classic essay "The Cyborg Manifesto," she received the J.D. Bernal Prize in 2000, a lifetime achievement award from the Society for Social Studies in Science. Thyrza Nicholas Goodeve is a professor of Art History at the School of Visual Arts.
Haraway's discussions of how scientists have perceived the sexual nature of female primates opens a new chapter in feminist theory, raising unsettling questions about models of the family and of heterosexuality in primate research.
Introduction to Teaching: Making a Difference in Student Learning introduces aspiring teachers to what today's schools are like and what today's teacher need to do to make a difference in student learning. The text pairs real-life examples and vignettes with their practical applications, and anticipates the questions pre-service teachers will have about contemporary education.
How entrepreneurial housebuilders fueled a rapid economy. "A well-written and easily read business book with a historical perspective, quite fit for a general readership interested in the history of American enterprise."—APT Bulletin
In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.
Penns Grove and Carneys Point offers a rare glimpse back at life along the Delaware River. With some 200 postcards from the past, this book reveals the history of Penns Grove and Carneys Point. Once, the river teemed with shad and sturgeon; fishing, canning, and shipping thrived here; Penns Grove became known as "the Caviar Capital of the World." Tourists and visitors arrived--among them march king John Philip Sousa, sharpshooter Annie Oakley, actor W. C. Fields, and gangster Al Capone. After wartime demands brought workers to the DuPont Powder Plant in Carneys Point, the riverside resort became hometown to thousands. All the while, visitors and townsfolk alike shared their experiences on delightful postcards.
This title explores the United Kingdom's 2016 decision to separate from the European Union and today's ongoing ballyhoo around the issue. It covers the arguments for and against the move, the major players, and the effects that have begun to unfold. Features include a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
This book focuses on highlights (species mentioned, locality, geological age, stratigraphic positions, etc.) of nearly 1000 items published between 1821 and 2000, dealing with the remains of vertebrates that lived from about 2 million to 5000 years ago.
Canton and Collinsville lie fourteen miles west of the state capital, Hartford, along the Farmington River in the scenic Farmington Valley. Incorporated in 1806, the town has grown from a farming community to a factory town built around the Collins Company, worldrenowned manufacturer of axes and edge tools from 1826 to 1966. The closing of the Collins Company brought a new era of change and growth to a suburban community of unique character and charm. Collinsville is internationally recognized as one of the best preserved nineteenth-century mill villages and is listed on the National Register of Historic Places. Canton and Collinsville is a hundred-year panorama of Victorian life and its aftermath, with glimpses into local lives and events from 1866 through 1966. Special sections are devoted to never-before-published photographs of the Collins Company and the devastating flood of 1955. Also portrayed are the 1906 Canton centennial celebration, the building of the Nepaug Reservoir Dam, CantonA[a¬A's railroads, and historic homes and landmarks, including churches, schools, and local businesses of the Collinsville Historic District and Canton. Outstanding citizens, such as Congressional Medal of Honor winner William Edgar Simonds, are featured in Canton and Collinsville.
On Sept. 14, 1999, the U.S. Institute of Peace¿s Research & Studies Program convened a seminar entitled ¿Perspectives on Grassroots Peacebuilding: The Roles of Women in War & Peace,¿ which drew together more than 60 representatives of the policy community, academia, & NGOs. This report draws on presentations & comments made at the seminar & specifically examines the role of women in addressing the issues of conflict resolution & peacebuilding. Contents: Introduction: Women in War & Peace; Women in Conflict: Colombia, Israel & Palestine, & Somalia; Actions to Empower Women¿s Movements; Women in Peace: South Africa, Latin America, & Northern Ireland; & Conclusions.
The Fishing Encyclopedia provides a detailed examination of recreational fishing. Alongside information about the different types of fishing and fishing gear, readers will learn about commonly fished species, rules and regulations, and the importance of conservation and safety. Features include a glossary, additional resources, and an index. Aligned to Common Core Standards and correlated to state standards. Encyclopedias is an imprint of Abdo Reference, a division of ABDO.
Donna and Greg Browns A Book of Moons is a collection of poems about the twelve full moons, according to names given to them by the Algonquin tribes. These moons watch the cycle of the seasons as they progress from lonely winter through the thaw of spring, into summers warmth, then to autumns harvest and back to cold, frosty winter. Exposing children to poetry helps strengthen vocabulary, language and rhythm in children. Each poem in A Book of Moons is accompanied with a beautiful illustration by Bradley Wilson. Working together, the poems and the illustrations will bring an increased appreciation of the moon, earth, and language.
Wild Things is the amazing tale of Donna Matrazzo's coming of age as a grassroots activist and a behind-the-scenes look at the evolution of Portland, Oregon's renowned greenspaces movement by somebody who was there from the start. It is a wonderful story that will inspire a new generation of activists, wherever they may live, to get involved and protect the wild things and wild places that surround them." -Bob Sallinger, Conservation Director, Audubon Society of Portland The planet needs more friends like Donna Matrazzo and it needs more books like this one, which remind us that were all quite capable of making big and useful change. Bill McKibben, author, The End of Nature
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