Like much of the Deep South in the early Sixties, Lisa Tingle is fighting for change. Change for herself, that is. The reluctant peacekeeper between her sister, parents, and grandparents in their shabby house, she wants desperately to "Get Out" of Newitville, Mississippi, a town steeped in Civil War history, and move far away from the war at home. Lisa dreams of an urban life, filled with art, beauty and even a bit of sanity. She longs to put some distance between her and her parents, Sinatra-loving alcoholics trying to make a ring-a-ding life for themselves, and her grandparents, who blame alcohol on everything from communism to spider veins. Her older sister, Ava Gardner Tingle, believes the way to Get Out is to get married, then divorced, and repeat the process, again and again. When Lisa finally Gets Out, she realizes "you can't go home again," yet the family troubles won't stay behind. Instead, they phone-in long distance.
Taken from the best of Donna Magazine that can be found at: http: //kakonged.wordpress.com on the Internet comes a book that you can take with you anywhere
Haraway's discussions of how scientists have perceived the sexual nature of female primates opens a new chapter in feminist theory, raising unsettling questions about models of the family and of heterosexuality in primate research.
Tis the season to be jolly - and for Meg Langslow to round up stray animals of all sorts as well as a killer. Duck the Halls! The brilliantly funny Donna Andrews delivers boughs of holly and barrels of laughs with Meg's latest adventure in her award-winning, New York Times bestselling series. A few nights before Christmas, Meg is awakened when volunteer fireman Michael is summoned to the New Life Baptist Church, where someone has rigged a cage full of skunks in the choir loft. The lengthy process of de-skunking the church requires its annual pre-Christmas concert to relocate to Trinity Episcopal, where Mother insists the show must go on, despite the budget-related protests of Mr. Vess, an elderly vestryman. Meanwhile, when Meg helps her grandfather take the skunks to the zoo, they discover that his boa has been stolen - only to turn up later during the concert, slithering out from the ribbon-bedecked evergreens. The next morning is Sunday, and the congregation of St. Byblig's, the local Catholic church, arrive to find it completely filled with several hundred ducks. It's clear that some serious holiday pranksters are on the loose, and Meg is determined to find them. But before she can, a fire breaks out at Trinity, and Mr. Vess is discovered dead. Who would have murdered such a harmless - if slightly cranky - old man? Who has the time during the busy holiday season to herd all of these animals into the town's churches? And will Meg ever be able to finish all of her shopping, wrapping, cooking, caroling, and decorating in time for Christmas Eve? A Yuletide treasure for the ages, Duck the Halls is guaranteed to put the "ho ho hos" into readers' holidays. Now with an excerpt from Donna Andrews' next Meg Langslow holiday mystery How the Finch Stole Christmas!, available in October 2017.
James and Annetta White opened the Broken Spoke in 1964, then a mile south of the Austin city limits, under a massive live oak, and beside what would eventually become South Lamar Boulevard. White built the place himself, beginning construction on the day he received his honorable discharge from the US Army. And for more than fifty years, the Broken Spoke has served up, in the words of White’s well-worn opening speech, “. . . cold beer, good whiskey, the best chicken fried steak in town . . . and good country music.” White paid thirty-two dollars to his first opening act, D. G. Burrow and the Western Melodies, back in 1964. Since then, the stage at the Spoke has hosted the likes of Bob Wills, Dolly Parton, Ernest Tubb, Ray Price, Marcia Ball, Pauline Reese, Roy Acuff, Kris Kristofferson, George Strait, Willie Nelson, Jerry Jeff Walker, Asleep at the Wheel, and the late, great Kitty Wells. But it hasn’t always been easy; through the years, the Whites and the Spoke have withstood their share of hardship—a breast cancer diagnosis, heart trouble, the building’s leaky roof, and a tour bus driven through its back wall. Today the original rustic, barn-style building, surrounded by sleek, high-rise apartment buildings, still sits on South Lamar, a tribute and remembrance to an Austin that has almost vanished. Housing fifty years of country music memorabilia and about a thousand lifetimes of memories at the Broken Spoke, the Whites still honor a promise made to Ernest Tubb years ago: they’re “keepin’ it country.”
Sociologists, psychologists, and nutritionists explore how people construct fatness and thinness. They examine different strategies used to interpret body weight, such as negotiating weight identities, reinterpreting weight, and becoming involved in weight-related organizations. Annotation copyrighted by Book News, Inc., Portland, OR
It's the prize of a lifetime: one million dollars and your own hotel. All Sasha Carrington has to do is beat the competition on the new TV show Heartbreak Hotel. The daily challenges test her creative flair and business acumen, but it's fellow contestant Mitchell Davenport who's pushing her emotions to the limit. Before they knew they'd be rivals, Mitchell and Sasha shared two smoldering, unforgettable nights in Antigua. Mitchell—as fine as he is ambitious—was immediately drawn to Sasha's warmth and earthy sensuality. Now, winning is the only thing that matters to both…but what are they willing to lose to get there?
A slightly smaller giant with mostly women working for her, Miss Enterprise treats her workers well. When they are sick, she gets them the best medical care. Like a mom who changes to bologna sandwiches after having too much peanut butter and jelly, Miss Enterprise switches her workers around, giving them different tasks to make work more appealing. But most importantly, Miss Enterprise recognizes her employees for doing a good job. Watch what unfolds when Corp creates an evil plan to thwart Miss Enterprise and her workers. Will she be able to save them and their families? Will Corp crush her factory and create chaos in the kingdom? Find out in Donna Johnson's whimsical satire on corporate responsibility, A Giant Called Corp.
A young New Yorker grieving his mother's death is pulled into a gritty underworld of art and wealth in this "extraordinary" and beloved Pulitzer Prize winner from the author of The Secret History that "connects with the heart as well as the mind" (Stephen King, New York Times Book Review). Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love — and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention. From the streets of New York to the dark corners of the art underworld, this "soaring masterpiece" examines the devastating impact of grief and the ruthless machinations of fate (Ron Charles, Washington Post).
Arriving in the remote Arnhem Land Aboriginal settlement of Oenpelli (Gunbalanya) in 1925, Alf and Mary Dyer aimed to bring Christ to a former buffalo shooting camp and an Aboriginal population many whites considered difficult to control. The Bible in Buffalo Country: Oenpelli Mission 1925–1931 represents a snapshot of the tumultuous first six years of the Church Missionary Society’s mission at Oenpelli and the superintendency of Alfred Dyer between 1925 and 1931. Drawing together documentary and photographic sources with local community memory, a story emerges of miscommunication, sickness, constant logistical issues, and an Aboriginal community choosing when and how to engage with the newcomers to their land. This book provides a fascinating and detailed record of the primary sources of the mission, placed alongside the interpretation and insight of local Traditional Owners. Its contents include the historical and archaeological context of the primary source material, the vivid mission reports and correspondence, along with stunning photographs of the mission and relevant maps, and finally the oral history of Esther Manakgu, presenting Aboriginal memory of this complex era. The Bible in Buffalo Country emerged from community desire for access to the source documents of their own history and for their story to be known by the broader Australian public. It is intended for the benefit of communities in western Arnhem Land and is also a rich resource for historians of Aboriginal history (and other scholars in relevant disciplines).
In 2006, about 69 million U.S. households had pets, giving homes to around 73.9 million dogs, 90.5 million cats, and 16.6 million birds, and spending more than 38 billion dollars on companion animals. As never before in history, our pets are truly members of the family. But the notion of “companion species”—knotted from human beings, animals and other organisms, landscapes, and technologies—includes much more than “companion animals.” In When Species Meet, Donna J. Haraway digs into this larger phenomenon to contemplate the interactions of humans with many kinds of critters, especially with those called domestic. At the heart of the book are her experiences in agility training with her dogs Cayenne and Roland, but Haraway’s vision here also encompasses wolves, chickens, cats, baboons, sheep, microorganisms, and whales wearing video cameras. From designer pets to lab animals to trained therapy dogs, she deftly explores philosophical, cultural, and biological aspects of animal–human encounters. In this deeply personal yet intellectually groundbreaking work, Haraway develops the idea of companion species, those who meet and break bread together but not without some indigestion. “A great deal is at stake in such meetings,” she writes, “and outcomes are not guaranteed. There is no assured happy or unhappy ending-socially, ecologically, or scientifically. There is only the chance for getting on together with some grace.” Ultimately, she finds that respect, curiosity, and knowledge spring from animal–human associations and work powerfully against ideas about human exceptionalism.
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
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