Each & every poem has been given to me as the Lord has whispered in my ear. They are not just poems, they are messages from the heart of God. Neither are they for any one specific category. People of all ages, all races, all denominations & even non Christians will receive inspiration from this book. I can't explain the anointing I feel when God gives me a poem but I feel that same anointing every time I read them & I believe the reader will feel the same anointing. These poems are about every day life, the high moments and the low. Some are my personal testimonies. (Ex: The battle with a deadly melanoma cancer which I am healed!) So many have asked me to have my book published. I finally took their advice and decided it's time to get them off the shelf and into your hearts.
Psychoanalysis, History, and Radical Ethics: Learning to Hear explores the importance of listening, being able to speak, and those who are silenced, from a psychoanalytic perspective. In particular, it focuses on those voices silenced either collectively or individually by trauma, culture, discrimination and persecution, and even by the history of psychoanalysis. Drawing on lessons from philosophy and history as well as clinical vignettes, this book provides a comprehensive guide to understanding the role of trauma in creating silence, and the importance for psychoanalysts of learning to hear those silenced voices.
Gaines is a self-described "bourbon-guzzling, pill-popping, penis-addicted, workaholic, tattooed Jew" with a Ph.D. and a pistol permit. "A Misfit's Manifesto" is about living with the contradictions. This is how she did it, and found God in all the unlikely places--like Ramones songs.
Reading the Reverse Façade of Reims Cathedral bestows long overdue scholarly attention on the magnificent sculptural program of the reverse façade at Reims Cathedral, the coronation cathedral of French kings. Donna Sadler reveals how the imagery on the reverse façade not only conforms to a system of memory and mode of medieval narratology, but also articulates a dominant ideological position regarding the interdependence of ecclesiastical and royal powers.
This book focuses on the potential and possibilities for socially innovative responses to the climate emergency at the local scale. Climate change has intensified the need for communities to find creative and meaningful ways to address the sustainability of their environments. The authors focus on the creative and collaborative ways local- scale climate action reflects the extra-ordinary measures taken by ordinary people. This includes critical engagement with the ways in which novel social practices and partnerships emerge between people, organisations, institutions, governance arrangements and eco-systems. The book successfully highlights the transformative power of socially innovative activities and initiatives in response to the climate crisis; and critically explores how different individuals and groups undertake climate action as ‘quiet activism’ – the embodied acts of collective disruption, subversion, creativity and care at the local scale.
Challenging the conventional understandings of literary naturalism defined primarily through its male writers, Donna M. Campbell examines the ways in which American women writers wrote naturalistic fiction and redefined its principles for their own purposes. Bitter Tastes looks at examples from Edith Wharton, Kate Chopin, Willa Cather, Ellen Glasgow, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century. Campbell further places these women writers in a broader context by tracing their relationship to early film, which, like naturalism, claimed the ability to represent elemental social truths through a documentary method. Women had a significant presence in early film and constituted 40 percent of scenario writers--in many cases they also served as directors and producers. Campbell explores the features of naturalism that assumed special prominence in women's writing and early film and how the work of these early naturalists diverged from that of their male counterparts in important ways.
Ethics for the Young Mind is both a curriculum and a story. This book is designed to assist teachers and parents in their endeavors to educate young people about behaving ethically. Messy ethics, practical applications, and teaching ethics are the main topics. The book begins with a focus on right versus wrong and moves on to an exploration of combining rules with compassion. The authors explore what happens when right confronts a conflicting right, and the hard work of a meaningful ethical classroom discussion. The practical applications provided in the book demonstrate how to stop bullying before the social fabric of a community breaks down. Offering vivid classroom and real-life examples, the book works through the challenges and rewards of creating ethical classrooms and other communities—even at home. The authors address global concerns and the overall need for adolescents to develop a work ethic to have success in creating an ethical community.
Encompassing the thirty-five year span between the initial development of film technology in the mid-1890s and the adoption of synchronized sound in the late 1920s, the cinema's silent era is both one of the most important epochs of film history and one of the most misunderstood within the popular imagination. In this brief and readable account, these formative decades come vividly to life. Covering the full scope of the silent era-from the invention of motion pictures to the rise of the Hollywood studios-and touching on films and filmmakers from every corner of the globe, Silent Film: A Very Short Introduction offers a window into film's first years as a worldwide entertainment phenomenon. From groundbreaking early shorts to the masterpieces of the cinema's classical era, from street-corner nickelodeons to grand movie palaces, from slapstick to the avant-garde, the silent era's artistic abundance and global variety are here put on full display. In the story of silent film, we see not just the origins of a new culture industry but also a legacy of imagination and innovation that continues to profoundly influence the cinema even to this day. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Donna Laird examines Ezra and Nehemiah in the light of modern sociological theorist Pierre Bourdieu. How did this context of hardship, exile, and return change what Ezra and Nehemiah viewed as important? How did they define who was a part of their community, and who was an outsider? It goes on to explore how the books engaged readers at the time: how it addressed their changing circumstances, and how different groups gained and used social power, or the ability to influence society. Features Chapters dedicated to penitential prayer and to the role of ritual Illustrations of how the writers used past traditions to justify dividing those who belong, the repatriates, from the local population Demonstration of how shifting strategies of discourse in the various sections of Ezra-Nehemiah reflect the changing political and social contexts for the community and the authors
Describes the work and observations of American scientist Caitlin O'Connell during her studies of the African elephant in Etosha National Park in Nambia.
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
This new edition of The Cambridge Medical Ethics Workbook builds on the success of the first edition by working from the 'bottom up', with a widely praised case-based approach. A variety of guided exercises are supplemented by short papers and commentaries on legal and ethical issues, challenging readers to develop their own analyses and recommendations. Chapters cover death, genetics, new reproductive technologies, research, long-term care, mental health, children and young people, allocation of scarce resources, and general issues about autonomy and patient choice. An appendix discusses the use of this book in teaching, along with a full bibliography, list of Kennedy Institute keywords, and suggestions for further reading. An interactive CD-ROM packaged with the book provides extra cases, a glossary, legal references and the chance to record a personal learning diary. Its simple, clear style makes this book ideal for individual reference and as a set text for group teaching.
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
The Fleming Files: Allan Fleming's Life and Works delves into the wide-ranging body of work produced by Canadian graphic designer Allan Fleming. His designs, familiar not only to typophiles, have become part of the Canadian landscape, from the iconic CN Rail logo to stamps for Canada Post. This edition, which containes over 55 photographs, illustrates the personal and professional life of one of Canada's most influential graphic designers.
Based on sixteen months of ethnographic field research in a working-class women's community center run by a local feminist NGO, this account provides both working- and middle-class women's perspectives on the professionalization of feminist NGOs and the process as it unfolds. The author describes the encounters between working- and middle-class women and how the women's center attempts to negotiate the pressures of feminism and professionalization. Murdock depicts the frailty and complexity of cross-class organizing and the ways that this process may be threatened by professionalized NGO styles.
26 pages of articles, directions, lists, and helps, including creating a space, training caregivers, storytelling and music tips, parent brochures, application and registration forms. 62 pages containing 18 session outlines for every season of the church year. 18 resource pages containing fingerplays, songs, recipes, props, patterns and more.
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