Der chinesische Konzeptkünstler Song Dong lässt einen unübersetzbaren Satz über das Nichtstun von verschiedenen Menschen, Unternehmen, einem Übersetzungsbüro und von Google Translate ins Englische übersetzen. Die chinesischen Schriftzeichen sind auf allen Schriftstücken identisch, dennoch fällt jede Übersetzung anders aus. Der Satz und seine Interpretationen drehen sich um das Tun, das Nichtstun und die Verschwendung und enthalten jeweils eine eigene Perspektive auf den Wert menschlicher Aktivitäten. Pro Briefpapier, Farbigkeit und Unterschrift wechseln die Bedeutungen des Satzes und Song Dongs eigene handschriftliche Entzifferung oszilliert zwischen Phasen des Nichtstuns und üblichen Alltagshandlungen: Essen, Trinken, Notdurft verrichten, Schlafen, Studieren, Vergessen, Üben und Verstehen. Am Ende der Aufzählung steht wieder der Hinweis »Doing Nothing«. Song Dong (*1966) lebt und arbeitet in Beijing. Sprache: Deutsch/Englisch
A few hundred years ago, there was a group of humans who were known as' Force Awakened ones'. They have the unimaginable power of ordinary humans and the ability to rule the world. However ... Awakened ones are not united and in the end, they are separated into two factions. The group was called the Yang Awakened ones, also known as the Sky Sun Clan. The other faction was the Yin Awakened ones, also known as the Earth Yin Tribe. A hundred years ago, the Sky Sun and Earth Yin Tribes finally had an unprecedented, decisive battle. In the end, the Sky Sun Clan won, and the Earth Yin Tribe was completely wiped out. The world was eventually ruled by the Heavenly Sun tribe, who began to call themselves the Heavenly God race. After the war between Yin and Yang, the Earth Yin Tribe was demoted to the "Earth Devil Race" by the God of Heaven. Although the Earth demons had been killed and wounded in the great battle, the clan's most precious treasure, the "Earth Yin Saint (Demon) Codex", had been left behind and had set off a wave of bloodshed.
I can cover the sun and the moon with my heart! The color of the mountains and rivers changed! The Heavens had no eyes, but they were able to defy the heavens and turn into a demon! The heaven and earth were moved! Blood flowed like a river, washing away the muddy water! The universe was turned upside down! Close]
Accepting female generals, capturing beauties, and building a harem! He had crossed over to another world to become the only man of the famous sect, and he was tasked with the task of "passing down his generations"! He did not hesitate to make a move on his solitary princess consort; he courageously pursued the unruly and spicy loli! I was a wicked young master, smiling at Fuyan. The operation of the command of the world, unhindered and unrestrained in the four seas. Furthermore, it was the legendary story of how young evil beings of the Modern Realm built their harem in a different world...
This study, based on primary sources, deals with the linguistic development and polemical uses of the expression Unequal Treaties, which refers to the treaties China signed between 1842 and 1946. Although this expression has occupied a central position in both Chinese collective memory and Chinese and English historiographies, this is the first book to offer an in-depth examination of China's encounters with the outside world as manifested in the rhetoric surrounding the Unequal Treaties. Author Dong Wang argues that competing forces within China have narrated and renarrated the history of the treaties in an effort to consolidate national unity, international independence, and political legitimacy and authority. In the twentieth century, she shows, China's experience with these treaties helped to determine their use of international law. Of great relevance for students of contemporary China and Chinese history, as well as Chinese international law and politics, this book illuminates how various Chinese political actors have defined and redefined the past using the framework of the Unequal Treaties.
We live in an increasingly global, interconnected, and interdependent world, in which various forms of systemic imbalance in power have given birth to a growing demand for genuine pluralism and democracy. As befits a world so interconnected, this book presents a comparative theological and philosophical attempt to construct new underpinnings for the idea of democracy by bringing the Western concept of spirit into dialogue with the East Asian nondualistic and nonhierarchical notion of qi. The book follows the historical adventures of the idea of qi through some of its Confucian and Daoist textual histories in East Asia, mainly Laozi, Zhu Xi, Toegye, Nongmun, and Su-un, and compares them with analogous conceptualizations of the ultimate creative and spiritual power found in the intellectual constellations of Western and/or Christian thought—namely, Whitehead’s Creativity, Hegel’s Geist, Deleuze’s chaosmos, and Catherine Keller’s Tehom. The book adds to the growing body of pneumatocentric (Spirit-centered), panentheistic Christian theologies that emphasize God’s liberating, equalizing, and pluralizing immanence in the cosmos. Furthermore, it injects into the theological and philosophical dialogue between the West and Confucian and Daoist East Asia, which has heretofore been dominated by the American pragmatist and process traditions, a fresh voice shaped by Hegelian, postmodern, and postcolonial thought. This enriches the ways in which the pluralistic and democratic implications of the notion of qi may be articulated. In addition, by offering a valuable introduction to some representative Korean thinkers who are largely unknown to Western scholars, the book advances the study of East Asia and Neo-Confucianism in particular. Last but not least, the book provides a model of Asian contextual theology that draws on the religious and philosophical resources of East Asia to offer a vision of pluralism and democracy. A reader interested in the conversation between the East and West in light of the global reality of political oppression, economic exploitation, and cultural marginalization will find this book informative, engaging, and enlightening.
I hate war. War kills. War maims. War orphans. And it leaves a deep scar not only on the land, but also in the hearts of those who are affected by the war. I am one of those who carry a deep emotional wound to this day, more than sixty years later. During WWII under Japan, my father was imprisoned because he was a Christian minister, who refused to bow down to the picture of the Japanese emperor. My elder brother volunteered to join the Japanese military in the hope of having his father released from the prison. He left home as a vibrant 15-year-old boy and returned home as a worn-out, injured, 18-year-old man; he died a year later. He was my best friend. During the Korean War, North Koreans took my father away. He never returned. Sustained by Love through the Wars is a story of love, sacrifice, faith and suffering all wrapped in one package. The heroine in the story is my mother. Mother prayed without ceasing. Through her unceasing prayers, she was able to walk through the dark tunnel of trials and tribulations and lead us onward with love and grace, and absolute faith in God.
I hate war. War kills. War maims. War orphans. And it leaves a deep scar not only on the land that will take years to heal, but also in the hearts of those who are affected by the war. I am one of those who carry a deep emotional wound to this day, more than sixty years later. During World War II under Japan, my father was imprisoned because he was a Christian minister who refused to bow down to the picture of the Japanese emperor. My elder brother volunteered to join the Japanese military in the hope of having his father released from prison. He left home as a vibrant, fifteen-year-old boy and returned home as a worn-out, injured, eighteen-year-old man after the war; he died a year later. During the Korean War, two North Korean officers came to my house and took my father away because he was a Christian minister. He never returned. Sustained by Love thru the Wars is a story of love, sacrifice, faith, and suffering, all wrapped in one package. The heroine in the story is my mother as seen by her youngest son. Mother prayed without ceasing. Through her unceasing prayers, she was able to walk through the dark tunnel of trials and tribulations and lead us onward with love, grace, and absolute faith in God.
Drawing on Chinese sources hitherto unavailable in the West including official documents and interviews with top athletes, the author explores the rise of Chinese super sportswomen and their relationship with politics, culture and society before and during the Cultural Revolution and through China's transition to a market economy.
Crazy! The one who caught him was his fiancée, and the one who called him a beauty was his old classmate. Even the beautiful landlady who was with him everyday was a pawn planted by someone else! Humph! Playing tricks? It's my forte to play dumb and play the pig to eat the tiger. Competing on courage and insight? Fighting, saving the beauty, that is my specialty! It was a combination of handsome and strong, tyrannical and rogue. This was the most qualified prince consort in the modern city ... [Previous Chapter] [Table of Contents] [Next Chapter]
“Be careful trying to place blame, or it might come back to you,” Ceng Guangxian’s father warns him after the first time his good intentions end in ruin. Yet time and again as Guangxian comes of age, bad luck and his own desires for a bigger, better future wreak havoc upon his family, fortune, and social reputation, leaving him scrambling to find the causes of the mishaps that define his life. Dong Xi’s Record of Regret, here in its first English translation, introduces readers to a masterpiece of contemporary Chinese literature, and to the unparalleled tragicomic style of one of China’s most celebrated writers. Set in the wake of China’s Cultural Revolution, the novel follows Guangxian from his days as a middle school student to adulthood as a lonely, middle-aged man. Guangxian’s path of misery—which he meticulously documents—is driven by absurdity: his discovery of two dogs mating leads to his father’s infidelity with a neighbor; Guangxian’s attempts to court a woman with the gift of a new dress result in his imprisonment for rape; he selects a spouse through a catastrophic game of chance, drawing from a set of names scrawled on crumpled pieces of paper. Guangxian’s guilty conscience and youthful understanding of morality compound these disasters. Translated by Dylan Levi King to preserve the tone and engaging style of Dong Xi’s original text, Record of Regret provides English readers a look into a darkly humorous landscape of dubious loyalties and lessons, seen through the eyes of a man trying to find his place in an upside-down world.
In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers' film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.
This book is a study of knowledge production about China and the Chinese civilization and as such it is a critique of the ways in which knowledge about the Chinese civilization is produced. It is not primarily intended as one that sets out to expose biases and prejudices against China, correct errors and misrepresentations of Chinese civilization, and dispute misperceptions and misinterpretations of Chinese materials, although all these issues do occur in the book. The overall objective is to get behind and beneath all these problems in order to uncover the motivations, mental frameworks, attitudes, and reasons for the abovementioned phenomena, which the author terms "Sinologism".
This book explores Korean literature from a broadly global perspective from the mid-9th century to the present, with special emphasis on how it has been influenced by, as well as it has influenced, literatures of other nations. Beginning with the Korean version of the King Midas and his ass’s ears tale in the Silla dynasty, it moves on to discuss Ewa, what might be called the first missionary novel about Korea written by a Western missionary W. Arthur Noble. The book also considers the extent to which in writing fiction and essays Jack London gained grist for his writing from his experience in Korea as a Russo-Japanese War correspondent. In addition, the book explores how modern Korean poetry, fiction, and drama, despite differences in time and space, have actively engaged with Western counterparts. Based on World Literature, which has gained slow but prominent popularity all over the world, this book argues that Korean literature deserves to be part of the Commonwealth of Letters.
I hate war. War kills. War maims. War orphans. And it leaves a deep scar not only on the land, that will take years to heal, but also in the hearts of those who are affected by the war. I am one of those who carry a deep emotional wound to this day, more than sixty years later. During World War II, under Japan, my father was imprisoned because he was a Christian minister who refused to bow down to the picture of the Japanese emperor. My elder brother volunteered to join the Japanese military in the hope of having his father released from the prison. He left home as a vibrant, fifteen-year-old boy and returned home as a worn-out, injured, eighteen-year-old man after the war; he died a year later. During the Korean War, two North Korean officers came to my house and took my father away because he was a Christian minister. He never returned. Shattered by the Wars is a story of love, sacrifice, faith, and suffering, all wrapped in one package. The heroine in the story is my mother, as seen by her youngest son. Mother prayed without ceasing. Through her unceasing prayers, she was able to walk through the dark tunnel of trials and tribulations and lead us onward with love and grace and absolute faith in God.
In Toward a Good Society: A Relational Lens, authors Tian-jia Dong and Dongxiao Qin theorize a mutually empowering and growth-fostering society. The authors first demonstrate the feasibility of this society by grounding it in the framework of relational psychology. Departing from there, they travel along nine paths reconstructed from nine classic social science theories. In each chapter, they respectively reconstruct and find ways to move beyond Durkheimian structural-functionalism, de Tocqueville’s communalism, Mead’s symbolic interactionism, Freud’s psychoanalytic perspective, Simmel’s network theory, Smith’s “invisible hand”, Marx’s class theory, Hobbes’s contractarianism, and Weber’s rational-legal formulation. This leads them to propose a new Golden Rule that is as simple as it is profound and foundational to what makes a good society.
It is widely acknowledged that natural language processing, as an indispensable means for information technology, requires the strong support of world knowledge as well as linguistic knowledge. This book is a theoretical exploration into the extra-linguistic knowledge needed for natural language processing and a panoramic description of HowNet as a case study. Readers will appreciate the uniqueness of the discussion on the definitions of the top-level classes HowNet specifies, such as things, parts, attributes, time, space, events and attribute-values, and the relations among them, and also the depth of the authors' philosophy behind HowNet.The book presents the attraction of HowNet's computability of meanings and describes how a software of the computation of meaning can collect so many relevant words and expressions and give a similiarity value between any two words or expressions.
The Spring and Autumn (Chunqiu) is a chronicle kept by the dukes of the state of Lu from 722 to 481 B.C.E. Luxuriant Gems of the "Spring and Autumn" (Chunqiu fanlu) follows the interpretations of the Gongyang Commentary, whose transmitters sought to explicate the special language of the Spring and Autumn. The work is often ascribed to the Han scholar and court official Dong Zhongshu, but, as this study reveals, the text is in fact a compendium of writings by a variety of authors spanning several generations. It depicts a utopian vision of a flourishing humanity that they believed to be Confucius's legacy to the world. The Gongyang masters thought that Confucius had written the Spring and Autumn, employing subtle phrasing to indicate approval or disapproval of important events and personages. Luxuriant Gems therefore augments Confucian ethical and philosophical teachings with chapters on cosmology, statecraft, and other topics drawn from contemporary non-Confucian traditions. A major resource, this book features the first complete English-language translation of Luxuriant Gems, divided into eight thematic sections with introductions that address dating, authorship, authenticity, and the relationship between the Spring and Autumn and the Gongyang approach. Critically illuminating early Chinese philosophy, religion, literature, and politics, this book conveys the brilliance of intellectual life in the Han dynasty during the formative decades of the Chinese imperial state.
This book presents pattern-based problem-solving methods for a variety of machine learning and data analysis problems. The methods are all based on techniques that exploit the power of group differences. They make use of group differences represented using emerging patterns (aka contrast patterns), which are patterns that match significantly different numbers of instances in different data groups. A large number of applications outside of the computing discipline are also included. Emerging patterns (EPs) are useful in many ways. EPs can be used as features, as simple classifiers, as subpopulation signatures/characterizations, and as triggering conditions for alerts. EPs can be used in gene ranking for complex diseases since they capture multi-factor interactions. The length of EPs can be used to detect anomalies, outliers, and novelties. Emerging/contrast pattern based methods for clustering analysis and outlier detection do not need distance metrics, avoiding pitfalls of the latter in exploratory analysis of high dimensional data. EP-based classifiers can achieve good accuracy even when the training datasets are tiny, making them useful for exploratory compound selection in drug design. EPs can serve as opportunities in opportunity-focused boosting and are useful for constructing powerful conditional ensembles. EP-based methods often produce interpretable models and results. In general, EPs are useful for classification, clustering, outlier detection, gene ranking for complex diseases, prediction model analysis and improvement, and so on. EPs are useful for many tasks because they represent group differences, which have extraordinary power. Moreover, EPs represent multi-factor interactions, whose effective handling is of vital importance and is a major challenge in many disciplines. Based on the results presented in this book, one can clearly say that patterns are useful, especially when they are linked to issues of interest. We believe that many effective ways to exploit group differences' power still remain to be discovered. Hopefully this book will inspire readers to discover such new ways, besides showing them existing ways, to solve various challenging problems.
Ji Xinqing had been a virgin for six years because her husband said she was impotent. A mysterious text message late at night allowed her to capture the adultery between her husband and Little San. For the sake of her child, she chose to swallow her anger. However, she had endured it in silence. What she had received in return was even more heartless humiliation from her husband! She handed over a piece of divorce paper, then turned and threw herself into the arms of another man. Deep in the man's love for her, she suddenly realized that all of this had long been carefully planned out.
This book deploys and develops the notion of voice in an investigation of China’s rapidly reshuffling society. The book is structured around two aspects of the voicing process in contemporary China: (1) stratification of voice, which addresses the stabilizing condition of voice; and (2) restratification of voice that draws attention to the dynamics of the system of which the order is reshuffling and not yet apparent. This structure allows us to unveil the hidden forces played out in the voice making process and to stratifying and re-stratifying process of contemporary Chinese society in which some people are making themselves heard whereas others are losing voice. Despite its importance and usefulness, voice has been under theorized in recent decades. The ambitions of this book therefore are to invest serious efforts in developing the notion and to position it in the center of the theoretical toolkits available to students and scholars within and outside sociolinguistics.
Gong Dong and Vector Architects are in the vanguard of a new generation of Chinese architects who are revealing extraordinary approaches to building and design that marry tradition with an ever-more-thrilling modernism. Gong Dong’s architecture evocatively combines features of the modern with lessons learned from China’s old culture of craftsmanship while giving utmost attention to the experiential qualities of design. Beyond great facility, the firm is celebrated for exploring the possibilities of sustainability and eco-sensitive construction. Recently featured in the exhibition Reuse, Renew, Recycle: Recent Architecture from China at New York’s MoMA, Dong’s work was singled out for the Alila Yangshio Hotel. A readaptation of an old industrial site and former sugar factory near the Chinese city of Guilin, known for its dramatic landscape of precipitous limestone karst hills, the hotel embraces the extraordinary site, with pools that reflect the stunning surrounds, while also offering great comfort and ease to guests. The book presents the firm’s most breathtaking work, from its celebrated Seashore Chapel, which suggests a marriage of the cerebral power of Le Corbusier and the refined magic of Tadao Ando while making a serene and unique statement of its own, to the magical Captain’s House, a renovation of a modernist dwelling set atop a cliff overlooking a fishing village and the sea. This elegantly illustrated and beautifully designed book is the first in English to comprehensively document this exceptionally high quality, quietly rich, and greatly rewarding architecture.
This thesis presents an experimental study of quantum memory based on cold atomic ensembles and discusses photonic entanglement. It mainly focuses on experimental research on storing orbital angular momentum, and introduces readers to methods for storing a single photon carried by an image or an entanglement of spatial modes. The thesis also discusses the storage of photonic entanglement using the Raman scheme as a step toward implementing high-bandwidth quantum memory. The storage of photonic entanglement is central to achieving long-distance quantum communication based on quantum repeaters and scalable linear optical quantum computation. Addressing this key issue, the findings presented in the thesis are very promising with regard to future high-speed and high-capacity quantum communications.
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