From Daisy Miller to Isabel Archer to Maisie, female characters dominate the work of Henry James and, often, critical discussion of James's work. Donatella Izzo shifts that discussion to a different, more revealing, plane in this original interpretation of James's short fiction. By redirecting criticism from a biographical emphasis to a focus on James's engagement with the issues of representation, Izzo shows how these short stories actually question and investigate the cultural and ideological practices that produced women, both in literature and in society.øPortraying the Lady brings to light the experimental quality and inherent consistency of stories that have received little critical attention, all of which revolve around ideas at the core of the cultural representation of femininity at the time. Izzo shows how James, by testing and stretching these ideas in his imagery and plots, exposed and exploded the perverse logic and the ultimate implications of such culturally shared versions of femininity, thus revealing their oppressive quality for women and laying bare literature's complicity in reproducing and circulating them. Exposing James's texts as sensitive registers of women's roles during the Victorian-Edwardian era, this book demonstrates that his texts make readers aware of how those stereotypes operated.øBlending literary, art, and feminist criticism with narratological analysis and postmodern theory, this groundbreaking work restores a formal awareness to James studies within the wider theoretical concerns of feminist, gender, and cultural critiques.
Employing a wide range of interpretive and theoretical approaches, this collection brings together distinguished James scholars from four continents to elicit new and exciting readings of a diverse array of James’s fiction and non-fiction. Through their transformative acts, the essays investigate James’s life-long engagement with cities, places, and tourist sites; offer theoretically informed readings of his work’s textual richness; and explore his intricate involvement with social and cultural issues, such as gender and sexuality, economics, friendship and hospitality, and visual culture. Arranged under rubrics which signal the complex interrelations of Henry James as a historical individual and of the works he authored with a web of social, cultural, aesthetic, and philosophical discourses, the contributions collected in this book make a convincing case for the ongoing productivity of James’s oeuvre when interrogated from new critical angles and, therefore, for its enduring centrality to the concerns of literary and cultural studies.
From Daisy Miller to Isabel Archer to Maisie, female characters dominate the work of Henry James and, often, critical discussion of James's work. Donatella Izzo shifts that discussion to a different, more revealing, plane in this original interpretation of James's short fiction. By redirecting criticism from a biographical emphasis to a focus on James's engagement with the issues of representation, Izzo shows how these short stories actually question and investigate the cultural and ideological practices that produced women, both in literature and in society.øPortraying the Lady brings to light the experimental quality and inherent consistency of stories that have received little critical attention, all of which revolve around ideas at the core of the cultural representation of femininity at the time. Izzo shows how James, by testing and stretching these ideas in his imagery and plots, exposed and exploded the perverse logic and the ultimate implications of such culturally shared versions of femininity, thus revealing their oppressive quality for women and laying bare literature's complicity in reproducing and circulating them. Exposing James's texts as sensitive registers of women's roles during the Victorian-Edwardian era, this book demonstrates that his texts make readers aware of how those stereotypes operated.øBlending literary, art, and feminist criticism with narratological analysis and postmodern theory, this groundbreaking work restores a formal awareness to James studies within the wider theoretical concerns of feminist, gender, and cultural critiques.
This book explores the Italian stock exchange through its construction and consolidation while examining and criticizing the birth of the capital city. Through the evolution of the stock exchange, the transformation of Rome is examined from the capital of a pre-unification state to the papal state, exploring its social, political, administrative and financial fabric. The book examines that path to becoming the capital of Italy, offering a unique volume for researchers, academics, and students of financial history and financial markets.
When corruption is exposed, unknown aspects are revealed which allow us to better understand its structures and informal norms. This book investigates the hidden order of corruption, looking at the invisible codes and mechanisms that govern and stabilize the links between corrupters and corruptees. Concentrating mainly on democratic regimes, this book uses a wide range of documentation, including media and judicial sources from Italy and other countries, to locate the internal equilibria and dynamics of corruption in a broad and comparative perspective. It also analyses the Transparency International Annual Reports and the daily survey of international news to present evidence on specific cases of corruption within an institutional theory framework.
Political corruption has traditionally been presented as a phenomenon characteristic of developing countries, authoritarian regimes, or societies in which the value system favored tacit patrimony and clientelism. Recently, however, the thesis of an inverse correlation between corruption and economic and political development (and therefore democratic maturity) has been frequently and convincingly challenged. Countries with a long democratic tradition, such as the United States, Belgium, Britain, and Italy, have all experienced a combination of headline-grabbing scandals and smaller-scale cases of misappropriation.In Corrupt Exchanges, primary research on Italian cases (judicial proceedings, in-depth interviews, parliamentary documents, and press databases), combined with a cross-national comparison based on a secondary analysis of corruption in democratic systems, is used to develop a model to analyze corruption as a network of illegal exchanges. The authors explore in great detail the structure of that network, by examining both the characteristics of the actors who directly engage in the corruption and the resources they exchange. These processes of degeneration have caused a crisis in the dominant paradigm in both academic and political considerations of corruption.The book is organized around the analysis of the resources that are exchanged and of the different actors who take part. Politicians in business, illegal brokers, Mafia members, protected entrepreneurs, and party-appointed bureaucrats exchange resources on the illegal market, altering the institutional system of interactions between the state and the market. In this complex web of exchanges, bonds of trust are established that allow the corrupt exchange to thrive. The book will serve both as a theoretical approach to a political problem of large bearing on democratic institutions and a descriptive warning of a system in peril.
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