Haunted in the New World is a superb, insightful, and acutely intelligent piece of work. It makes a real contribution to the understanding of ethnicity in general and Jewish American culture in particular." —Morris Dickstein In 1916 Abraham Cahan, editor of the Jewish daily The Forward, warned his Yiddish-speaking readers of the potential psychic dangers associated with their New World situation. "You will not be able to erase the old home from your heart," he cautioned his immigrant readers, transplanted from the shtetls and cities of Eastern Europe to exhilarating, if bewildering, multicultural New York. Building on Cahan's deeply personal reflection, Haunted in the New World maps the affective landscape of modern Jewish American culture. Drawing on scholarship in a range of disciplines, including the sociology of manners, the study of the role of foodways in the formation of ethnic identity, the psychoanalysis of shame and self-hatred, and the role of memory for those unsettled by the experience of migration, Donald Weber traces the impact of the tension between nostalgia for the world left behind and the desire to blend into American culture, as evidenced in a number of key texts in the canon of Jewish American expression. These range from early immigrant fiction and cinema, through the novels of Anzia Yezierska and Henry Roth, to Hollywood's representation of Jews in The Jazz Singer and Gentleman's Agreement, to Saul Bellow, Gertrude Berg (Molly Goldberg), and the comedians Milton Berle and Mickey Katz. Setting an array of figures and works in creative dialogue, Haunted in the New World offers a genealogy of those core emotions—shame and self-hatred, nostalgic longing and the impulse to forget—that organized much of 20th-century Jewish American expressive culture and transformed American culture at the same time.
Most texts on experimental design fall into one of two distinct categories. There are theoretical works with few applications and minimal discussion on design, and there are methods books with limited or no discussion of the underlying theory. Furthermore, most of these tend to either treat the analysis of each design separately with little attempt to unify procedures, or they will integrate the analysis for the designs into one general technique. A First Course in the Design of Experiments: A Linear Models Approach stands apart. It presents theory and methods, emphasizes both the design selection for an experiment and the analysis of data, and integrates the analysis for the various designs with the general theory for linear models. The authors begin with a general introduction then lead students through the theoretical results, the various design models, and the analytical concepts that will enable them to analyze virtually any design. Rife with examples and exercises, the text also encourages using computers to analyze data. The authors use the SAS software package throughout the book, but also demonstrate how any regression program can be used for analysis. With its balanced presentation of theory, methods, and applications and its highly readable style, A First Course in the Design of Experiments proves ideal as a text for a beginning graduate or upper-level undergraduate course in the design and analysis of experiments.
Riley propelled entomology from a collector’s parlor hobby of the nineteenth century to the serious study of insects in the Modern Age This definitive biography is the first full account of a fascinating American scientist whose leadership created the modern science of entomology that recognizes both the essential role of insects in natural systems and their challenge to the agricultural food supply that sustains humankind. Charles Valentine Riley: Founder of Modern Entomology tells the story of how Riley (1843–1895), a young British immigrant to America—with classical schooling, only a smattering of natural history knowledge, and with talent in art and writing but no formal training in science—came to play a key role in the reorientation of entomology from the collection and arrangement of specimens to a scientific approach to insect evolution, diversity, ecology, and applied management of insect pests. Drawing on Riley’s personal diaries, family records, correspondence, and publications, the authors trace Riley’s career as farm laborer, Chicago journalist, Missouri State Entomologist, chief federal entomologist, founder of the National Insect Collection, and initiator of the professional organization that became the Entomological Society of America. Also examined in detail are his spectacular campaigns against the Rocky Mountain Locust that stalled western migration in the 1870s, the Grape Phylloxera that threatened French vineyards in the 1870s and 80s, the Cotton Worm that devastated southern cotton fields after the Civil War, and the Cottony Cushion Scale that threatened the California citrus industry in the 1880s. The latter was defeated through importation of the Vedalia Beetle from Australia, the spectacular first example of biological control of an invasive insect pest by its introduced natural enemy. A striking figure in appearance and deed, Riley combined scientific, literary, artistic, and managerial skills that enabled him to influence every aspect of entomology. A correspondent of Darwin and one of his most vocal American advocates, he discovered the famous example of mimicry of the Monarch butterfly by the Viceroy, and described the intricate coevolution of yucca moths and yuccas, a complex system that fascinates evolutionary scientists to this day. Whether applying evolutionary theory to pest control, promoting an American silk industry, developing improved spray technologies, or promoting applied entomology in state and federal government and to the public, Riley was the central figure in the formative years of the entomology profession. In addition to showcasing his own renderings of the insects he investigated, this comprehensive account provides fresh insight into the personal and public life of an ingenious, colorful, and controversial scientist, who aimed to discover, understand, and outsmart the insects.
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In this unprecedented collection, Donald N. Levine rejuvenates the field of social theory in the face of lagging institutional support. The work canvasses the universe of types of theory work in sociology and offers probing examples from his array of scholarly investigations.Social Theory as a Vocation throws fresh light on the texts of classic authors (Comte, Durkheim, Simmel, Weber, Park, Parsons, and Merton). Ranging widely, its substantive chapters deal with the sociology of strangers and the somatic dimensions of social conflict; the social functions of ambiguity and the use of metaphors in science; contemporary dilemmas of Ethiopian society; logical tensions in the ideas of freedom and reason; and the meaning of nationhood in our global era. The book includes Levine's transformative analysis of the field of Ethiopian studies, and his acclaimed interpretation of the discontents of modernity. It makes the bold move to merge philosophically informed analyses with empirical work.Finally, Levine focuses on what he views as the contemporary crisis of liberal education, and offers suggestions for ways to stimulate new efforts in teaching and learning to do social theory. This book is an integral contribution to social science collections and should be read by all interested in the future of the social sciences.
More than 100 selections from the noted musicologist's Essays in Musical Analysis cover most of the standard works in the symphonic repertory. Subjects include Beethoven's overtures and symphonies, including the author's famous study of the Ninth Symphony; all Brahms's overtures and symphonies; 11 symphonies by Haydn; six by Mozart; three symphonies each by Schubert, Schumann, and Sibelius; four symphonies by Dvoràk; and many other works by composers from Bach to Vaughan Williams. Donald Francis Tovey's Essays in Musical Analysis ranks among the English language's most acclaimed works of musical criticism. Praised for their acuteness, common sense, clarity, and wit, they offer entertaining and instructive reading for anyone interested in the classical music repertoire.
This work makes a much-needed contribution to teaching and learning about the various forms of religious belief and action in our world." - Kevin J. Christiano, University of Notre Dame
Politics of the Administrative Process shows how efficient public administration requires a delicate balance—the bureaucracy must be powerful enough to be effective, but also accountable to elected officials and citizens. Author Don Kettl gives students a realistic, relevant, and well-researched view of the field in this reader–friendly best seller. With its engaging vignettes, rich examples and a unique focus on policymaking and politics, the Seventh Edition continues its strong emphasis on politics, accountability, and performance. This new edition has been thoroughly updated with new scholarship, data, events, and case studies, giving students multiple opportunities to apply ideas and analysis as they read.
The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Der Freischütz, a German opera composed by Carl Maria von Weber, premiered to great acclaim in 1821. It eventually became a “national treasure” in its homeland as well as an enduring fixture in the international repertory. Wilhelm Furtwängler, a renowned conductor of the twentieth century, proclaimed it to be an utterly unique opera and one of the greatest masterworks of world literature. The story is deeply rooted in German folklore. It involves rustic life in the forest, threatening supernatural machinations, strong communal bonds, and the triumph of love and simple faith over dark power. Der Freischütz is not a typical opera. There are two reasons for considering it to be a singular cultural phenomenon: (1) an extraordinary charisma in the Germanic sphere, and (2) a fateful vulnerability to alteration and exploitation in its long performance history, which undermined the opera’s integrity while refl ecting a wide range of ideas and attitudes in Western culture. The ultimate goal of this book is to restore the integrity of the original Freischütz and its depth of reference as well.
Presents a synoptic survey of human life in its personal, social, and mythical dimensions, drawing from a variety of sources. McIntosh asserts that no major aspect of human life can be adequately understood except in the context of the whole; thus, understanding the self, others, and the world requires an intermingling of conscious and unconscious levels of thought and awareness. Annotation copyright by Book News, Inc., Portland, OR
Susquehanna University's history from 1858 to 2000 has occurred in three stages, each expressing a different mission. The school was founded in 1858 as the Missionary Institute of the Evangelical Lutheran Church to fulfill the vision of the Rev. Benjamin Kurtz, a Lutheran cleric and editor of the Lutheran Observer. He was a partisan of the American Lutheran viewpoint caught up in a fratricidal battle with Lutheran orthodoxy. The Missionary Institute sustained his viewpoint in the preparation, gratis, of men called to preach the gospel in foreign and home missions. A complementary purpose was to educate young people in Selinsgrove, Pennsylvania at both the Institute and its sister school, the Susquehanna Female College. When the Female College folded in 1873, the Institute became coeducational.
The publication in 1957 of S.S. Stevens' famous paper, On the psychophysical law, ignited a controversy which has continued ever since relating to people's subjective judgements of physical reality. Why is it that the perception of sensation can diverge so sharply from the magnitude of the stimulus? How should sensation be measured? Donald Laming brings together a diversity of ideas and a wealth of experimental evidence, and provides a challenging new perspective on the question which has fragmented the research community for nearly 40 years.
The essays turn about a single theme, the loss of the capacity to deal constructively with ambiguity in the modern era. Levine offers a head-on critique of the modern compulsion to flee ambiguity. He centers his analysis on the question of what responses social scientists should adopt in the face of the inexorably ambiguous character of all natural languages. In the course of his argument, Levine presents a fresh reading of works by the classic figures of modern European and American social theory—Durkheim, Freud, Simmel and Weber, and Park, Parsons, and Merton.
Christian Zionism influences global politics, especially U.S. foreign policy, and has deeply affected Jewish–Christian and Muslim–Christian relations. With a fair-minded, longitudinal study of this dynamic yet controversial movement, Donald M. Lewis traces its lineage from biblical sources through the Reformation to various movements of today.
The expansion of social history that took place in the twentieth century has produced some of the most exciting works in the field of historical studies. As the range of the social historian's concerns has grown, so has the range of methodologies and theoretical approaches they employ. Historians have made greater use of the theoretical insights of social scientists, and boundaries between the disciplines have become blurred as a consequence. Social Theory and Social History: - Covers the major developments within social history - Offers an introduction to the most important social theorists - Discusses the relationship between history and the social sciences - Considers the use of theory in the writing of history - Examines current debates within historiography In this concise introductory guide, Donald M. MacRaild and Avram Taylor explore the complex relationship between social theory and social history, arguing that an awareness of the relation between the two is the key to a deeper understanding of the process of historical change.
Featuring an outstanding group of the leading theorists and researchers from the fields of multicultural psychology and counseling, this book begins with chapters on how the interplay of such variables of class, gender, and race interact in the development of an individual in a pluralistic society. It then presents theories on how to integrate issues of class, gender and race into counseling theory.
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